DIVAN (MOORHIB, IRAQI)

Name: DIVAN (MOORHIB, IRAQI)
Author: Moorish (Iraqi), Ibrahim bin Shahriyar (b. ?/1209/1213? - d. ?/1289/90?)

Title	DIVAN (MOORHIB, IRAQI)
Author	Moorish (Iraqi), Ibrahim bin Shahriyar (b. ?/1209/1213? - d. ?/1289/90?)
Publication Date:	19/12/2021
Subject	Tekke Literature - poems
Type	Book
Language	Persian
Digital	No
Manuscript	No
Library:	Dictionary of Turkish Literature Works
Record ID	divan-tees-645
Date	?
Notes	A divan-like work consisting of Sufi poems by İbrahim bin Shahriar Iraki. The work consists of 26 odes, 317 ghazals, 3 tercîb-i bends, 4 tercî-i bends, 167 rubâîs, 8 stanzas and 1 muselles. In the work consisting of approximately 4941 couplets, Irakî sang very beautiful, enthusiastic, wise, subtle and pathetic ghazals, unlike the style of other poets. In his poems in the work, Iraki dealt with subjects such as unity of existence, form worship, Kalenderism, Melamiism, being together with love, avoiding asceticism and remembering the beloved. There are many Sufi terms in the ghazals in the work, which includes Iraki's Sâkînâme, which he wrote independently in the tercî-i bend pattern. In the odes (763 couplets) in the divan, praise to the wise and great, praise to Allah, tawhîd, the characteristics of the Kaaba, na't, love and mystical subjects are discussed, Sheikh Hamîdüddin Ahmed Vâiz, Sheikh Bahaeddin Zekeriyyâ-yı Mültânî, Azîzüddin Muhammmed el-Hacî and People like Sheikh Sadreddin were praised. In the stanzas (43), Iraki touched upon the pain of love, his falling away from his son, his bad luck, the pain of separation, his longing for Multan and his departure from Iraq to India. In the muselles (7 couplets) in the divan, Iraki describes the qualities of a Qalandari dervish. The author explained the themes of love and Sufism in the compositions (182 couplets), wrote an elegy about Sheikh Bahaeddîn Zekeriyyâ-yı Mültanî and expressed his own miserable state. In the tercî-i clauses (401 couplets) in the divan, Iraki mostly touched on Sufi issues and especially focused on the issue of unity of existence. When we look at the ghazals consisting of 3071 couplets in the divan, it is seen that the author created his ghazals on the axis of love and that he was successful in chanting the types of love in his poems. The rubâîs (474 couplets) in the divan are amorous, gentle and wise. For the poet's biography, see. “Mağribî (Iraqi), İbrahim Bin Shahriyar”.Turkish Literature Names Dictionary.
ISBN	978-9944-237-87-1
Madde Yazarı	Doç. Dr. Çetin Kaska
Alfabesi	Arap
Yapısı	Manzum
Niteliği	Telif
Kaynakça	Alkan, Ercan (hzl.) (2011).Lemaʿât Aşka ve Âşıklara Dair/ Tercüme ve Şerh Ahmed Avni Konuk. İstanbul: İlk Harf Yay. Bilgin, Orhan (1995). “Fahreddîn-i Irâkî”TDV İslam Ansiklopedisi. İstanbul: Türkiye Diyanet Vakfı Yay. 84-86. Çetinkaya, Gökhan (çev.) (2016).Fahruddîn-i Irâkî/ Âşıklar Kitabı/ Uşşaknâme. İstanbul: Büyüyenay Yay. Fahreddîn-i Irâkî (1384).Dîvân-i Irâkî.Tahran: Neşr-ı ‘İlm. Lugal, Necati (çev.) (2011).Tezkiretü’ş-Şuarâ.İstanbul: Pinhan Yay. Mollamehmetoğlu, Ceylan (2014).Fahruddîn-i Irâkî'nin Tasavvufî Istılahları ve Dîvân-ı Kebîr'den Şahit Beyitler. Yüksek Lisans Tezi. Kırıkkale: Kırıkkale Üniversitesi. Nesrin Muhteşem (Nşr.) (1372).Mecmûâ-i Âsâr-i Fahreddîn-i Irâkî. Tahran: İntişârât-i Zevvâr. Saîd Nefîsî (Nşr.) (1959).Külliyyât-ı Irâkî.Tahran: Kitâbhâne-i Sanâî. Zebîhullâh Safâ (1373).Târîh-i Edebiyyât der Îrân. Tahran: İntişârât-i Firdevs. Zehrâ Hânlerî (1348). Ferheng-i Edebiyyât-ı Fârsî. Tahran.
Atıf Bilgileri	Kaska, Çetin. "DİVÂN (MAĞRİBÎ, IRAKÎ)".Türk Edebiyatı Eserler Sözlüğü,http://tees.yesevi.edu.tr/madde-detay/divan-tees-645. [Erişim Tarihi: 25 Ağustos 2025].

View in source Dictionary of Turkish Literature Works

Dictionary of Turkish Literature Works

DIVAN (MOORHIB, IRAQI)

Author Moorish (Iraqi), Ibrahim bin Shahriyar (b. ?/1209/1213? - d. ?/1289/90?)

Publication Date 19/12/2021

Subject Tekke Literature - poems

Type Book

Language Persian

Digital No

Manuscript No

Library Dictionary of Turkish Literature Works

Record ID divan-tees-645

Date ?

Notes A divan-like work consisting of Sufi poems by İbrahim bin Shahriar Iraki. The work consists of 26 odes, 317 ghazals, 3 tercîb-i bends, 4 tercî-i bends, 167 rubâîs, 8 stanzas and 1 muselles. In the work consisting of approximately 4941 couplets, Irakî sang very beautiful, enthusiastic, wise, subtle and pathetic ghazals, unlike the style of other poets. In his poems in the work, Iraki dealt with subjects such as unity of existence, form worship, Kalenderism, Melamiism, being together with love, avoiding asceticism and remembering the beloved. There are many Sufi terms in the ghazals in the work, which includes Iraki's Sâkînâme, which he wrote independently in the tercî-i bend pattern. In the odes (763 couplets) in the divan, praise to the wise and great, praise to Allah, tawhîd, the characteristics of the Kaaba, na't, love and mystical subjects are discussed, Sheikh Hamîdüddin Ahmed Vâiz, Sheikh Bahaeddin Zekeriyyâ-yı Mültânî, Azîzüddin Muhammmed el-Hacî and People like Sheikh Sadreddin were praised. In the stanzas (43), Iraki touched upon the pain of love, his falling away from his son, his bad luck, the pain of separation, his longing for Multan and his departure from Iraq to India. In the muselles (7 couplets) in the divan, Iraki describes the qualities of a Qalandari dervish. The author explained the themes of love and Sufism in the compositions (182 couplets), wrote an elegy about Sheikh Bahaeddîn Zekeriyyâ-yı Mültanî and expressed his own miserable state. In the tercî-i clauses (401 couplets) in the divan, Iraki mostly touched on Sufi issues and especially focused on the issue of unity of existence. When we look at the ghazals consisting of 3071 couplets in the divan, it is seen that the author created his ghazals on the axis of love and that he was successful in chanting the types of love in his poems. The rubâîs (474 couplets) in the divan are amorous, gentle and wise. For the poet's biography, see. “Mağribî (Iraqi), İbrahim Bin Shahriyar”.Turkish Literature Names Dictionary.

ISBN 978-9944-237-87-1

Madde Yazarı Doç. Dr. Çetin Kaska

Alfabesi Arap

Yapısı Manzum

Niteliği Telif

Kaynakça Alkan, Ercan (hzl.) (2011).Lemaʿât Aşka ve Âşıklara Dair/ Tercüme ve Şerh Ahmed Avni Konuk. İstanbul: İlk Harf Yay. Bilgin, Orhan (1995). “Fahreddîn-i Irâkî”TDV İslam Ansiklopedisi. İstanbul: Türkiye Diyanet Vakfı Yay. 84-86. Çetinkaya, Gökhan (çev.) (2016).Fahruddîn-i Irâkî/ Âşıklar Kitabı/ Uşşaknâme. İstanbul: Büyüyenay Yay. Fahreddîn-i Irâkî (1384).Dîvân-i Irâkî.Tahran: Neşr-ı ‘İlm. Lugal, Necati (çev.) (2011).Tezkiretü’ş-Şuarâ.İstanbul: Pinhan Yay. Mollamehmetoğlu, Ceylan (2014).Fahruddîn-i Irâkî'nin Tasavvufî Istılahları ve Dîvân-ı Kebîr'den Şahit Beyitler. Yüksek Lisans Tezi. Kırıkkale: Kırıkkale Üniversitesi. Nesrin Muhteşem (Nşr.) (1372).Mecmûâ-i Âsâr-i Fahreddîn-i Irâkî. Tahran: İntişârât-i Zevvâr. Saîd Nefîsî (Nşr.) (1959).Külliyyât-ı Irâkî.Tahran: Kitâbhâne-i Sanâî. Zebîhullâh Safâ (1373).Târîh-i Edebiyyât der Îrân. Tahran: İntişârât-i Firdevs. Zehrâ Hânlerî (1348). Ferheng-i Edebiyyât-ı Fârsî. Tahran.

Atıf Bilgileri Kaska, Çetin. "DİVÂN (MAĞRİBÎ, IRAKÎ)".Türk Edebiyatı Eserler Sözlüğü,http://tees.yesevi.edu.tr/madde-detay/divan-tees-645. [Erişim Tarihi: 25 Ağustos 2025].