Lubb-i Fazilet: Translation and Commentary on a Qasida of Molla Jami by Ahmed Remzi Akyurek

Name: Lubb-i Fazilet: Translation and Commentary on a Qasida of Molla Jami by Ahmed Remzi Akyurek
Author: Uğur Boran, Ekrem Sakar

İsim	Lubb-i Fazilet: Translation and Commentary on a Qasida of Molla Jami by Ahmed Remzi Akyurek
Yazar	Uğur Boran, Ekrem Sakar
Tür	Kitap
Dil	Arapça
Dijital	Evet
Yazma	Hayır
Kütüphane:	Danimarka Kraliyet Kütüphanesi
Demirbaş Numarası	EISSN: 2717-6916, DOI: 10.26650/jos.1619427
Kayıt Numarası	cdi_doaj_primary_oai_doaj_org_article_eec4d94ab65c487b98222af02b9c8953
Lokasyon	DOAJ Directory of Open Access Journals
Notlar	This study presents an annotated translation of Lubb-i Fazilet, authored by the late Ottoman poet, sufi, and scholar Ahmed Remzi Akyurek (1872-1944), which is based on the forty-couplet poem by Molla Jami, a renowned figure in classical Persian poetry, found in his divan titled Fatehat al-Sabab. To properly contextualize the published text, an exploration of Ahmed Remzi Akyurek’s life and works is provided, reflecting his scholarly diligence and significant legacy within the Mawlawi tradition. The biographical narrative draws on the accounts of Osmanzade Huseyin Vassaf, Sadeddin Nuzhet Ergun, and Ibnulemin Mahmud Kemal Inal. Furthermore, the study highlights the existing research on Ahmed Remzi Akyurek’s works to date. The publication encompasses not only the text of the work but also a thorough examination of Akyurek’s methodology in translating and elucidating the qadisa. This analysis underscore the distinctive characteristics of literary commentaries from the late Ottoman period. Furthermore, various copies of the work have been investigated, with particular attention given to analyzing the features of the version thought to have been authored by the original writer. Beyond examining the mystical themes present in Molla Jami’s qasida, the analysis delves into the verbal and literary artistry meticulously crafted in each couplet, striving to elucidate both the meaning and structural framework of these artistic expressions.
Görüntüle	Sarkiyat mecmuasi, 2025-04 (46), p.403-449

Kaynağa git Danimarka Kraliyet Kütüphanesi Royal Danish Library

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Danimarka Kraliyet Kütüphanesi

Kaynağa git

Lubb-i Fazilet: Translation and Commentary on a Qasida of Molla Jami by Ahmed Remzi Akyurek

Yazar Uğur Boran, Ekrem Sakar

Tür Kitap

Dil Arapça

Dijital Evet

Yazma Hayır

Kütüphane Danimarka Kraliyet Kütüphanesi

Demirbaş Numarası EISSN: 2717-6916, DOI: 10.26650/jos.1619427

Kayıt Numarası cdi_doaj_primary_oai_doaj_org_article_eec4d94ab65c487b98222af02b9c8953

Lokasyon DOAJ Directory of Open Access Journals

Notlar This study presents an annotated translation of Lubb-i Fazilet, authored by the late Ottoman poet, sufi, and scholar Ahmed Remzi Akyurek (1872-1944), which is based on the forty-couplet poem by Molla Jami, a renowned figure in classical Persian poetry, found in his divan titled Fatehat al-Sabab. To properly contextualize the published text, an exploration of Ahmed Remzi Akyurek’s life and works is provided, reflecting his scholarly diligence and significant legacy within the Mawlawi tradition. The biographical narrative draws on the accounts of Osmanzade Huseyin Vassaf, Sadeddin Nuzhet Ergun, and Ibnulemin Mahmud Kemal Inal. Furthermore, the study highlights the existing research on Ahmed Remzi Akyurek’s works to date. The publication encompasses not only the text of the work but also a thorough examination of Akyurek’s methodology in translating and elucidating the qadisa. This analysis underscore the distinctive characteristics of literary commentaries from the late Ottoman period. Furthermore, various copies of the work have been investigated, with particular attention given to analyzing the features of the version thought to have been authored by the original writer. Beyond examining the mystical themes present in Molla Jami’s qasida, the analysis delves into the verbal and literary artistry meticulously crafted in each couplet, striving to elucidate both the meaning and structural framework of these artistic expressions.

Görüntüle Sarkiyat mecmuasi, 2025-04 (46), p.403-449