Kitāb Zubdat al-ʻirfān, [early 18th century?].
(كتاب زبدة العرفان, [اواخر القرن 18م؟].)

Name: Kitāb Zubdat al-ʻirfān, [early 18th century?].
Author: Bālawī, Ḥamīd ibn ʻAbd al-Fattāḥ, active 18th century.

İsim	Kitāb Zubdat al-ʻirfān, [early 18th century?].
İsim Orijinal	كتاب زبدة العرفان, [اواخر القرن 18م؟].
Yazar	Bālawī, Ḥamīd ibn ʻAbd al-Fattāḥ, active 18th century.
Basım Tarihi:	[Tokat], [17--]
Konu	Qurʼan, Qurʼan / Readings, Qurʼan / Readings / Early works to 1800., Manuscripts, Arabic, Manuscripts, Arabic / Michigan, Manuscripts, Arabic / Michigan / Ann Arbor.
Tür	Kitap
Dil	Arapça
Dijital	Hayır
Yazma	Bilinmiyor
Sayfa Sayısı	158
Fiziksel Boyutlar	158 leaves : paper ; 159 x 107 (95 x 54) mm
Kütüphane:	HathiTrust Dijital Kütüphanesi
Kayıt Numarası	005968627
Lokasyon	University of Michigan
Notlar	About: Fine copy of the work on the ten readings of the Qurʼan as collected by the author from various sources. \| Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 15 Origin: Lacks dated colophon ; paper suggests 18th century. Colophon on fol.156a-156b (p.309-310) indicates text was copied in the city of Tūqāt (Tokat) in the Khātūnīyah madrasah. Former shelfmark: British Museum, London "No. 154. Zubdat al-kuran." Binding: Pasteboards covered in orange brown leather ; Type III binding (without flap) ; board linings in laid paper (under leather turn-ins) ; upper and lower cover carry simple design of incised fillets marking a border, cornerpieces and centerline ; sewn in rose colored thread, two stations ; worked chevron endbands in green and cream ; in fair condition with some abrasion, staining, lifting and shrinkage of leather, moisture damage, etc. Support: European laid paper in perhaps a few different types ; main type is smooth, well-burnished and fairly crisp with a yellowish tint, roughly 10-12 laid lines per cm. (horizontal) and chain lines evenly spaced 26 mm. apart (vertical) ; watermarks include grapes, names (difficult to make out) and crown ; latter type is slightly thicker and whiter in color with laid lines spaced roughly 13 per cm. (horizontal) and chain lines spaced 25 mm. apart (vertical) ; main watermark appears to be a type of scrollwork with three hats ; staining, ink smudges (occasionally obscuring text see fol.130b/p.260), and hole burned in fol.128b (p.256). Decoration: Crude 'headpiece' on fol.1b (p.2) consisting of semi-circular outlines in red with vertical stalks in black and title in red ; red rule-border surroundes the written area ; text rubricated with headings, keywords, sigla and other abbreviations, overlining, etc. in red. Script: Naskh ; bold Turkish hand, written in a thick, heavy line ; virtually serifless ; mainly closed counters ; pointing in two dots appears as a line or inverted caret ; slight effect of tilt to the left ; alif lām of definite article occasionally assimilated ; compact, adhereing to baseline though occasionally letters in final words of a line are superscript. Layout: Written in 11 lines per page ; frame-ruled. Collation: 15 V (150), IV (158), i ; chiefly quinions ; fol.23a (p.45) left blank, but with what appears to be no text missing ; final two folios unruled, carry related extratextual material in same hand as main text ; catchwords present (last word of final line repeated on the recto of the following leaf) ; pagination in pencil, Western numerals, supplied during digitization (skips two pages between pp.221-223 and includes final flyleaf). Colophon: "Scribal" [?], triangular, reads: " قد وقع الفراغ من تسويد هذه [كذا] الكتاب [؟] المتين يتأبدوا هب القوى والنعم المسنين بديع الشكل عديم المثال كثير النفع قليل المقال في مدينة توقات بمدرسة خاتونية صانها الله عن المصائب الدينية والدنيوية ويسر الختم تمت الكتاب" Explicit: "ولو وقف عليه الهمزة [؟] كان الوقف على هزوا في البقرة لا تبديل لكلمات الله انه السميع العليم ... وبجاه من احببته وبعثته" Incipit: "الحمد لله الذي جعلنا من القارئين الذين هم قرؤا القرآن بصحيح الروايات ... اما بعد فيقول الفقير الى رحمة الله الغني حامد ابن الحاج عبد الفتاح البالوى لما قرأت القرآن العظيم من اوله الى اخره ختمة كاملة بالقراآت المتواترة للائمة العشرة ..." Title from 'headpiece' on fol.1b (p.2). Ms. codex. Bookplate of British Museum, London on upper cover,"British Museum, London. No. 154. Zubdat al-kuran." ; circular seal impression with figure of goat/gazelle in purple ink as well as inscription "449" in Western numerals on fol.1a (p.1) ; on fol.1a (p.1) ownership statement in name of ʻAbd al-Ghafūr ibn Muḥammad Saʻīd Shukrī accompanied by circular seal impression seemingly dated 1267 [1850 or 1] "السيد عبد الغفور شكرى [؟] ۱۲٦٧", statement reads "تملكه الفقير الى رحمة ربه القدير [السيد العبد] الغفور بن محمد سعيد ... زاده" (compare statement and seal impression in Isl. Ms. 143) ; a few other seal impressions on fol.1a (p.1), one circular and quite illegible and the other octagonal with "عبد الكريم السيد" and below it in black ink "الارزنجانى" (i.e. al-Sayyid ʻAbd al-Karīm al-Arzanjānī) ; occasional glosses ; a few marginal corrections ; notabilia (side-heads) with sūrah headings.

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Kitāb Zubdat al-ʻirfān, [early 18th century?].

(كتاب زبدة العرفان, [اواخر القرن 18م؟].)

Yazar Bālawī, Ḥamīd ibn ʻAbd al-Fattāḥ, active 18th century.

Basım Tarihi [Tokat], [17--]

Konu Qurʼan, Qurʼan / Readings, Qurʼan / Readings / Early works to 1800., Manuscripts, Arabic, Manuscripts, Arabic / Michigan, Manuscripts, Arabic / Michigan / Ann Arbor.

Tür Kitap

Dil Arapça

Dijital Hayır

Yazma Bilinmiyor

Sayfa Sayısı 158

Fiziksel Boyutlar 158 leaves : paper ; 159 x 107 (95 x 54) mm

Kütüphane HathiTrust Dijital Kütüphanesi

Kayıt Numarası 005968627

Lokasyon University of Michigan

Notlar About: Fine copy of the work on the ten readings of the Qurʼan as collected by the author from various sources. | Shelfmark: Ann Arbor, University of Michigan, Special Collections Research Center, Isl. Ms. 15 Origin: Lacks dated colophon ; paper suggests 18th century. Colophon on fol.156a-156b (p.309-310) indicates text was copied in the city of Tūqāt (Tokat) in the Khātūnīyah madrasah. Former shelfmark: British Museum, London "No. 154. Zubdat al-kuran." Binding: Pasteboards covered in orange brown leather ; Type III binding (without flap) ; board linings in laid paper (under leather turn-ins) ; upper and lower cover carry simple design of incised fillets marking a border, cornerpieces and centerline ; sewn in rose colored thread, two stations ; worked chevron endbands in green and cream ; in fair condition with some abrasion, staining, lifting and shrinkage of leather, moisture damage, etc. Support: European laid paper in perhaps a few different types ; main type is smooth, well-burnished and fairly crisp with a yellowish tint, roughly 10-12 laid lines per cm. (horizontal) and chain lines evenly spaced 26 mm. apart (vertical) ; watermarks include grapes, names (difficult to make out) and crown ; latter type is slightly thicker and whiter in color with laid lines spaced roughly 13 per cm. (horizontal) and chain lines spaced 25 mm. apart (vertical) ; main watermark appears to be a type of scrollwork with three hats ; staining, ink smudges (occasionally obscuring text see fol.130b/p.260), and hole burned in fol.128b (p.256). Decoration: Crude 'headpiece' on fol.1b (p.2) consisting of semi-circular outlines in red with vertical stalks in black and title in red ; red rule-border surroundes the written area ; text rubricated with headings, keywords, sigla and other abbreviations, overlining, etc. in red. Script: Naskh ; bold Turkish hand, written in a thick, heavy line ; virtually serifless ; mainly closed counters ; pointing in two dots appears as a line or inverted caret ; slight effect of tilt to the left ; alif lām of definite article occasionally assimilated ; compact, adhereing to baseline though occasionally letters in final words of a line are superscript. Layout: Written in 11 lines per page ; frame-ruled. Collation: 15 V (150), IV (158), i ; chiefly quinions ; fol.23a (p.45) left blank, but with what appears to be no text missing ; final two folios unruled, carry related extratextual material in same hand as main text ; catchwords present (last word of final line repeated on the recto of the following leaf) ; pagination in pencil, Western numerals, supplied during digitization (skips two pages between pp.221-223 and includes final flyleaf). Colophon: "Scribal" [?], triangular, reads: " قد وقع الفراغ من تسويد هذه [كذا] الكتاب [؟] المتين يتأبدوا هب القوى والنعم المسنين بديع الشكل عديم المثال كثير النفع قليل المقال في مدينة توقات بمدرسة خاتونية صانها الله عن المصائب الدينية والدنيوية ويسر الختم تمت الكتاب" Explicit: "ولو وقف عليه الهمزة [؟] كان الوقف على هزوا في البقرة لا تبديل لكلمات الله انه السميع العليم ... وبجاه من احببته وبعثته" Incipit: "الحمد لله الذي جعلنا من القارئين الذين هم قرؤا القرآن بصحيح الروايات ... اما بعد فيقول الفقير الى رحمة الله الغني حامد ابن الحاج عبد الفتاح البالوى لما قرأت القرآن العظيم من اوله الى اخره ختمة كاملة بالقراآت المتواترة للائمة العشرة ..." Title from 'headpiece' on fol.1b (p.2). Ms. codex. Bookplate of British Museum, London on upper cover,"British Museum, London. No. 154. Zubdat al-kuran." ; circular seal impression with figure of goat/gazelle in purple ink as well as inscription "449" in Western numerals on fol.1a (p.1) ; on fol.1a (p.1) ownership statement in name of ʻAbd al-Ghafūr ibn Muḥammad Saʻīd Shukrī accompanied by circular seal impression seemingly dated 1267 [1850 or 1] "السيد عبد الغفور شكرى [؟] ۱۲٦٧", statement reads "تملكه الفقير الى رحمة ربه القدير [السيد العبد] الغفور بن محمد سعيد ... زاده" (compare statement and seal impression in Isl. Ms. 143) ; a few other seal impressions on fol.1a (p.1), one circular and quite illegible and the other octagonal with "عبد الكريم السيد" and below it in black ink "الارزنجانى" (i.e. al-Sayyid ʻAbd al-Karīm al-Arzanjānī) ; occasional glosses ; a few marginal corrections ; notabilia (side-heads) with sūrah headings.