The philosophy of Sufi influence on design features: Choosing the philosophy of Jalaluddin Rumi as a model

Title The philosophy of Sufi influence on design features: Choosing the philosophy of Jalaluddin Rumi as a model
Author Abdel-Aal, Iman Muhammad Anis, Muhammad, Sanjak Ibrahim Mustafa
Type Book
Language Arabic
Digital Yes
Manuscript No
Library: Royal Danish Library
Library Asset ID ISSN: 2356-9654
Record ID cdi_almandumah_primary_939218
Library Location DOAJ Directory of Open Access Journals
Notes In recent years, many books have been published on the subject of Sufism and spirituality in the Islamic heritage, and each of them differs from the other in the perspective from which this issue is addressed. The phenomenon of Sufism is a phenomenon of wide scope and vast dimensions. The term Sufism is the term used for spirituality in Islam, as it is the largest spiritual current that flows in all religions, not only in Islam. Many senior scholars, especially in Britain, have mentioned the influence of Neoplatonism on Sufism, as mentioned by the orientalist Nicholson in his famous introduction to his anthologies, including the poems of Jalal al-Din Rumi, who had a great influence on Sufi poetry and thus on the plastic arts to this day among Arabs and foreigners. Maulana Jalal al-Din al-Rumi established the Mawlawi order, Sufi dancing, and chanting, which were among the most important results of Jalal al-Din al-Rumi, which expanded, spread, and reached Egypt since the Ottoman era and then developed into the Egyptian skirt. Sufi art appeared for the first time in the Safavid era on the walls and ceilings of shrines in Iran in the thirteenth and fourteenth centuries. The art of Sufi painting derived itself from Buddhist painting. Among the most important artists who were interested in dhikr, religion, and devotion in their works are Mahmoud Saeed, Ahmed Mustafa, and Amani Zahran. Through this concept, we search into the folds of the non-material world and the hidden expression behind the material elements, which confirms the importance of the non-material dimension in modern design, and also confirms the presence of some elements that combine the functional dimension and the spiritual dimension in design, while deducing methods for modern design based on artistic and spiritual construction, such as new treatments for interior design, contemporary furniture, and women’s fabric printing design.
Görüntüle Majallat al-ʻimārah wa-al-funūn wa-al-ʻulūm al-insānīyah, 2019 (13), p.29-60
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Royal Danish Library - Ottoman library catalog search Royal Danish Library

The philosophy of Sufi influence on design features: Choosing the philosophy of Jalaluddin Rumi as a model

Author Abdel-Aal, Iman Muhammad Anis, Muhammad, Sanjak Ibrahim Mustafa
Type Book
Language Arabic
Digital Yes
Manuscript No
Library Royal Danish Library
Library Asset ID ISSN: 2356-9654
Record ID cdi_almandumah_primary_939218
Library Location DOAJ Directory of Open Access Journals
Notes In recent years, many books have been published on the subject of Sufism and spirituality in the Islamic heritage, and each of them differs from the other in the perspective from which this issue is addressed. The phenomenon of Sufism is a phenomenon of wide scope and vast dimensions. The term Sufism is the term used for spirituality in Islam, as it is the largest spiritual current that flows in all religions, not only in Islam. Many senior scholars, especially in Britain, have mentioned the influence of Neoplatonism on Sufism, as mentioned by the orientalist Nicholson in his famous introduction to his anthologies, including the poems of Jalal al-Din Rumi, who had a great influence on Sufi poetry and thus on the plastic arts to this day among Arabs and foreigners. Maulana Jalal al-Din al-Rumi established the Mawlawi order, Sufi dancing, and chanting, which were among the most important results of Jalal al-Din al-Rumi, which expanded, spread, and reached Egypt since the Ottoman era and then developed into the Egyptian skirt. Sufi art appeared for the first time in the Safavid era on the walls and ceilings of shrines in Iran in the thirteenth and fourteenth centuries. The art of Sufi painting derived itself from Buddhist painting. Among the most important artists who were interested in dhikr, religion, and devotion in their works are Mahmoud Saeed, Ahmed Mustafa, and Amani Zahran. Through this concept, we search into the folds of the non-material world and the hidden expression behind the material elements, which confirms the importance of the non-material dimension in modern design, and also confirms the presence of some elements that combine the functional dimension and the spiritual dimension in design, while deducing methods for modern design based on artistic and spiritual construction, such as new treatments for interior design, contemporary furniture, and women’s fabric printing design.
Görüntüle Majallat al-ʻimārah wa-al-funūn wa-al-ʻulūm al-insānīyah, 2019 (13), p.29-60
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