Kitāb al-kāfī fī al-mūsīqī The Book of Al-Kafi in Music Ibn Zaylah, al-Ḥusayn ibn Muḥammad Ibn Zaylah, Al-Hussein bin Muhammad
( كتاب الكافي في الموسيقي ابن زيلة، الحسين بن محمد)

Title Kitāb al-kāfī fī al-mūsīqī The Book of Al-Kafi in Music Ibn Zaylah, al-Ḥusayn ibn Muḥammad Ibn Zaylah, Al-Hussein bin Muhammad
Title Original كتاب الكافي في الموسيقي ابن زيلة، الحسين بن محمد
Author Abu Manṣūr al-Husayn ibn Muḥammad ibn Zaylah
Publication Date: Friday I 1073 (AH, Hijri)
Type Book
Language Arabic
Digital Yes
Manuscript Yes
Pages Count 1
Library: Qatar Digital Library
Library Asset ID Or 2361, ff 220r-236v
Record ID vdc_100131607039.0x000005
Library Location British Library: Oriental Manuscripts
Date Friday I 1073 (AH, Hijri)
Notes A treatise on music by Abū Manṣūr al-Ḥusayn ibn Muḥammad Ibn Zaylah (Abu Mansur al-Husayn ibn Muhammad ibn Zaylah, d. 440/1048-49), a disciple of Ibn Sīnā (Avicenna, latinised as Avicenna, 980-1037). It deals with the definitions of music, notes, and their relationships; rhythm; the composition of melodies; and instruments. The present copy was completed on the first of Jumādá I 1073/12 Dec 1662 and collated in the city of Kashmir (Srinagar), 'the heart-pleasing' (Dalpdhir) on 25 Muḥarram 1074/29 August 1663 (see colophon Section at the end of a manuscript text. , f. 236v, transcribed below). Begins (f. 220r, lines 1-4): The book Al-Kafi fi Al-Musiqi by Abu Mansour bin Zaila. Sheikh Abu Mansour Al-Hussein bin Muhammad bin (!) Omar said Bin Zaila's science of music includes two studies, one of which is research on the conditions of tonality in terms of harmony and dissonance The second is the search for the magnitudes of the times interspersed between the tones, which is called the science of rhythm, and it is obtained from these two searches Knowing how to compose melody... Ends (f. 236v, lines 6-8): ...and removes the finger from the hole Which is close to that tone to an extent that produces the tone that you need, and all the other tunes are found in this The trick is this measure Colophon Section at the end of a manuscript text. (f. 236v, lines 8-9): Roz Chaharshanbeh was written on the first day of Shahr Hamid (!) in the year 1073 He was originally interviewed on Muharram 25, 1074, in the Kashmir town of Dalpdir
Erişim Koşulları Unrestricted
Bulma Yardımcıları Farmer, Henry George, The Sources of Arabian Music. An Annotated Bibliography of Arabic Manuscripts which Deal with the Theory, Practice, and History of Arabian Music , (Leiden: E. J. Brill, 1965), No. 210, p. 38 Rieu, Charles, Supplement to the Catalogue of the Arabic Manuscripts in the British Museum (London: The British Museum, 1894), Item 823, X, p. 560-61 Shiloah, Amnon, The Theory of Music in Arabic Writings (c. 900-1900): Descriptive Catalogue of Manuscripts in Libraries of Europe and the U.S.A . (Munich: G. Henle Verlag, 1979), pp. 228-29
Seçilmiş kaynakça Edition: Ibn Zaylah, Kitāb al-kāfī fī al-musīqī , ed. by Zakarīyā Yūsuf (al-Qāhirah: Dār al-Qalam, 1964)
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Kitāb al-kāfī fī al-mūsīqī The Book of Al-Kafi in Music Ibn Zaylah, al-Ḥusayn ibn Muḥammad Ibn Zaylah, Al-Hussein bin Muhammad

( كتاب الكافي في الموسيقي ابن زيلة، الحسين بن محمد)
Author Abu Manṣūr al-Husayn ibn Muḥammad ibn Zaylah
Publication Date Friday I 1073 (AH, Hijri)
Type Book
Language Arabic
Digital Yes
Manuscript Yes
Pages Count 1
Library Qatar Digital Library
Library Asset ID Or 2361, ff 220r-236v
Record ID vdc_100131607039.0x000005
Library Location British Library: Oriental Manuscripts
Date Friday I 1073 (AH, Hijri)
Notes A treatise on music by Abū Manṣūr al-Ḥusayn ibn Muḥammad Ibn Zaylah (Abu Mansur al-Husayn ibn Muhammad ibn Zaylah, d. 440/1048-49), a disciple of Ibn Sīnā (Avicenna, latinised as Avicenna, 980-1037). It deals with the definitions of music, notes, and their relationships; rhythm; the composition of melodies; and instruments. The present copy was completed on the first of Jumādá I 1073/12 Dec 1662 and collated in the city of Kashmir (Srinagar), 'the heart-pleasing' (Dalpdhir) on 25 Muḥarram 1074/29 August 1663 (see colophon Section at the end of a manuscript text. , f. 236v, transcribed below). Begins (f. 220r, lines 1-4): The book Al-Kafi fi Al-Musiqi by Abu Mansour bin Zaila. Sheikh Abu Mansour Al-Hussein bin Muhammad bin (!) Omar said Bin Zaila's science of music includes two studies, one of which is research on the conditions of tonality in terms of harmony and dissonance The second is the search for the magnitudes of the times interspersed between the tones, which is called the science of rhythm, and it is obtained from these two searches Knowing how to compose melody... Ends (f. 236v, lines 6-8): ...and removes the finger from the hole Which is close to that tone to an extent that produces the tone that you need, and all the other tunes are found in this The trick is this measure Colophon Section at the end of a manuscript text. (f. 236v, lines 8-9): Roz Chaharshanbeh was written on the first day of Shahr Hamid (!) in the year 1073 He was originally interviewed on Muharram 25, 1074, in the Kashmir town of Dalpdir
Erişim Koşulları Unrestricted
Bulma Yardımcıları Farmer, Henry George, The Sources of Arabian Music. An Annotated Bibliography of Arabic Manuscripts which Deal with the Theory, Practice, and History of Arabian Music , (Leiden: E. J. Brill, 1965), No. 210, p. 38 Rieu, Charles, Supplement to the Catalogue of the Arabic Manuscripts in the British Museum (London: The British Museum, 1894), Item 823, X, p. 560-61 Shiloah, Amnon, The Theory of Music in Arabic Writings (c. 900-1900): Descriptive Catalogue of Manuscripts in Libraries of Europe and the U.S.A . (Munich: G. Henle Verlag, 1979), pp. 228-29
Seçilmiş kaynakça Edition: Ibn Zaylah, Kitāb al-kāfī fī al-musīqī , ed. by Zakarīyā Yūsuf (al-Qāhirah: Dār al-Qalam, 1964)
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