Author
Fasih, Ahmed Fasih Dede (d. ?/? - ö. 1111/1699-1700)
Publication Date
19/10/2022
Subject
Divan-Tekke Literature - poems
Type
Book
Language
Persian
Digital
No
Manuscript
No
Library
Dictionary of Turkish Literature Works
Record ID
farsca-divance-fasih-ahmed-dede
Date
?
Notes
Fasih Ahmed Dede's work consisting of Persian poems. In the work, which contains only enough Persian poetry to hold a diwan in addition to the poet's composed Turkish Divan; There are 5 odes, 4 masnavis, 35 ghazals, 27 rubais, 8 stanzas, 6 verses, 14 matlas and 14 curricula (Atalay 2007: 3). In the work, it is possible to see Fasih Ahmed Dede's knowledge of Persian language and Persian poetry, as he is a Mevlevi poet. In the divanche, where we see strong traces of Ahmed Dede's Sufi personality; There are five eulogies, three of which are naat and one is the Karbala Elegy. These odes, the poet's Hz. It clearly indicates the deep love and respect he felt for the Prophet and his family. The fifth ode draws attention as it is "incomplete". The short masnavi written by the poet addressing Nizâmî-i Gencevî, who expects forgiveness from God for his sins in his masnavis as a requirement of his Sufi nature, is important. In his Persian ghazals, he followed the Turkish ghazals in terms of subject and style. When poems in both languages are read comparatively, this similarity will immediately catch the eye. A licentious style prevails in the ghazals of Fasih Ahmed Dede, a promiscuous poet. The sincere and colorful style of the poet, who lives like this in his personal life, is very successful. These ghazals, sung with melamet joy (Çıpan 1995: 213) by the grandfather, who spent approximately the last thirty years of his life in the Galata Mevlevi Lodge, are decorated with rich imaginations. It should also be noted that Ahmed Dede had a special interest in the rubai verse form, based on his divan. It can be said that the poet was able to use Persian fluently and understandably in all verse forms. In addition to being a good calligrapher, it is a known fact that Fasîh Ahmed Dede copied his divan in his own handwriting (Odunkıran 2020: 2348). In this regard, among the various copies of the Persian Divanche, there are also those copied with the author's calligraphy. The copy registered in the National Library Ali Emiri 326 is one of them. Other copies of Dîvânçe are; Istanbul University Rare Books Ktp. (TY. 492, 1776, 5537, 5561), Süleymaniye Manuscript Book. (Esad Efendi 2682/1, Hüsrev Pasha 554/1), Topkapı Palace Museum Manuscript Library. (Emanet Haz. Ktb. 1629), available in the National Library (550/2, 553/1) (Çıpan 1991: 59). The only work on the work was done by Mehmet Atalay. In this study, a critical text of the work was created and some small explanations were added for the divançe (Atalay 2007). For the biography of the poet, see. “Fasîh, Ahmed Fasîh Dede”. Turkish Literature Names Dictionary.
ISBN
978-9944-237-87-1
Madde Yazarı
Dr. Öğr. Üyesi Fatih Odunkıran
Alfabesi
Arap
Yapısı
Manzum
Niteliği
Telif
Kaynakça
Atalay, Mehmet (2007).Fasîh Ahmed Dede Farsça Divançe. İstanbul: Çantay Kitap Kırtasiye.
Çıpan, Mustafa (1991).Fasîh Ahmed Dede Hayatı, Edebî Kişiliği, Eserleri ve Dîvânı’nın Tenkitli Metni.Doktora Tezi. Konya: Selçuk Üniversitesi.
Çıpan, Mustafa (1995). “Fasîh Ahmed Dede”.İslam Ansiklopedisi. C. 12. İstanbul: TDV Yay.
Fasîh Ahmed Dede.Farsça Dîvânçe. Millet Kütüphanesi AE Mnz 326.
Odunkıran, Fatih (2020).Mevlevî Tezkiresi: Sefîne-i Nefîse-i Mevleviyân (inceleme-Metin). Doktora Tezi. İstanbul: İstanbul Üniversitesi.
Atıf Bilgileri
Odunkıran, Fatih. "FARSÇA DÎVÂNÇE (FASÎH, AHMED DEDE)".Türk Edebiyatı Eserler Sözlüğü,http://tees.yesevi.edu.tr/madde-detay/farsca-divance-fasih-ahmed-dede. [Erişim Tarihi: 25 Ağustos 2025].
