The Shahi masterpiece
(التحفة الشاهية)

Name: The Shahi masterpiece
Author: Al-Qutb Al-Shirazi, Mahmoud bin Masoud bin Muslih Al-Farsi, Abu Al-Thana Qutb Al-Din, 710 AH / 1310 AD.

Title	The Shahi masterpiece
Title Original	التحفة الشاهية
Author	Al-Qutb Al-Shirazi, Mahmoud bin Masoud bin Muslih Al-Farsi, Abu Al-Thana Qutb Al-Din, 710 AH / 1310 AD.
Author Original	القطب الشيرازي، محمود بن مسعود بن مصلح الفارسي، أبو الثناء قطب الدين، هـم
Publication Date:	unavailable
Publication Place	Istanbul - Turkey - Not identified
Subject	Astronomy, body.
Type	kitap
Language	Arabic
Digital	Yes
Manuscript	Yes
Pages Count	178
Physical Dimensions	18cm × 11.5cm
Library:	Al-Furqan Islamic Heritage Foundation
Library Asset ID	2586
Record ID	SPA 17266
Library Location	Ayasofia - Türkiye (Istanbul) - Hagia Sophia Library
Date	unavailable
Notes	It is possible that the book was in the author's handwriting due to four pieces of evidence: the presence of two compliments from the author on himself written in the text's handwriting, the absence of a compliment to the author at the beginning of the book as is the case with copyists, the fact that the Persians use this script (similar to Persian, Nasta'liq, and Commentary at the same time), and the presence of corrections, some of which appear to come only from the author himself if they were not taken from another copy. There is a benefit on the front of the book, and before it is a correction from the author himself on its first page: “In what we mentioned in this book,” and after the end of the body of the book there are two pages that are also a correction from the author himself at the beginning: “And know that what we mentioned is in the alignment... but it contains a discussion that was not referred to like what was mentioned before, but we will point out.” There are a few corrections and comments in the margins. The author of this book was presented by the representative of the Sultanate, Amir Shah bin Al-Sadr, Moataz bin Tahir.
Sample Text	The best principles are that which is adorned with praise to the Giver of strength for praising Him... As for what follows: If God’s creation is most in need of it, Mahmoud bin Masoud Al-Shirazi... says: Were it not for the fact that happiness permitted the small to be open to the great, the means of holding fast to their nakedness, seeking refuge in their strength, and boasting of contact with them would have been difficult for them.
Cilt	سختيان موصول بلسان
Yazı hakkında notlar	ناقص الإعجام
Durum	أثّرت الحموضة في ورقات المخطوط الأولى، وخرمت الأرضة أطرافه السفلية، وشيئا من جلده.
Muhafız	السلطان محمود خان؛ وعليه ختمه، حرّر الوقفية أحمد شيخ زاده المفتش بأوقاف الحرمين الشريفين.
Tezhip	في صدر الكتاب زخرفة مذهّبة فيها عنوان الكتاب (التحفة) واسم المؤلف، وفي طالع الكتاب أيضا زخرفة مذهّبة، وهو والصفحة التي تليه مؤطّران بالذّهب واللون الأزرق
Resimler	أشكال توضيحية فلكية.
Mürekkep rengi	أسود، والعناوين باللون الذهبي
Satır sayısı	21
Sahiplik	عبد الرحمن بن علي بن المؤيد
Kaynakça	الأعلام، ج 7، ص 187؛ كشف الظنون، ج 1، ص 391.
Yazı türü	Taʿlīq

View in source Al-Furqan Islamic Heritage Foundation

Al-Furqan Islamic Heritage Foundation

The Shahi masterpiece

(التحفة الشاهية)

Author Al-Qutb Al-Shirazi, Mahmoud bin Masoud bin Muslih Al-Farsi, Abu Al-Thana Qutb Al-Din, 710 AH / 1310 AD.

Author Original القطب الشيرازي، محمود بن مسعود بن مصلح الفارسي، أبو الثناء قطب الدين، هـم

Publication Date unavailable

Publication Place Istanbul - Turkey - Not identified

Subject Astronomy, body.

Type kitap

Language Arabic

Digital Yes

Manuscript Yes

Pages Count 178

Physical Dimensions 18cm × 11.5cm

Library Al-Furqan Islamic Heritage Foundation

Library Asset ID 2586

Record ID SPA 17266

Library Location Ayasofia - Türkiye (Istanbul) - Hagia Sophia Library

Date unavailable

Notes It is possible that the book was in the author's handwriting due to four pieces of evidence: the presence of two compliments from the author on himself written in the text's handwriting, the absence of a compliment to the author at the beginning of the book as is the case with copyists, the fact that the Persians use this script (similar to Persian, Nasta'liq, and Commentary at the same time), and the presence of corrections, some of which appear to come only from the author himself if they were not taken from another copy. There is a benefit on the front of the book, and before it is a correction from the author himself on its first page: “In what we mentioned in this book,” and after the end of the body of the book there are two pages that are also a correction from the author himself at the beginning: “And know that what we mentioned is in the alignment... but it contains a discussion that was not referred to like what was mentioned before, but we will point out.” There are a few corrections and comments in the margins. The author of this book was presented by the representative of the Sultanate, Amir Shah bin Al-Sadr, Moataz bin Tahir.

Sample Text The best principles are that which is adorned with praise to the Giver of strength for praising Him... As for what follows: If God’s creation is most in need of it, Mahmoud bin Masoud Al-Shirazi... says: Were it not for the fact that happiness permitted the small to be open to the great, the means of holding fast to their nakedness, seeking refuge in their strength, and boasting of contact with them would have been difficult for them.

Cilt سختيان موصول بلسان

Yazı hakkında notlar ناقص الإعجام

Durum أثّرت الحموضة في ورقات المخطوط الأولى، وخرمت الأرضة أطرافه السفلية، وشيئا من جلده.

Muhafız السلطان محمود خان؛ وعليه ختمه، حرّر الوقفية أحمد شيخ زاده المفتش بأوقاف الحرمين الشريفين.

Tezhip في صدر الكتاب زخرفة مذهّبة فيها عنوان الكتاب (التحفة) واسم المؤلف، وفي طالع الكتاب أيضا زخرفة مذهّبة، وهو والصفحة التي تليه مؤطّران بالذّهب واللون الأزرق

Resimler أشكال توضيحية فلكية.

Mürekkep rengi أسود، والعناوين باللون الذهبي

Satır sayısı 21

Sahiplik عبد الرحمن بن علي بن المؤيد

Kaynakça الأعلام، ج 7، ص 187؛ كشف الظنون، ج 1، ص 391.

Yazı türü Taʿlīq