Yazar
Unknown
Basım Tarihi
1673
Basım Yeri
Iran (made) -
Konu
Ceramics Tiles
Tür
Diğer
Dil
Belirlenmemiş dil
Dijital
Evet
Yazma
Hayır
Fiziksel Boyutlar
Height: 36.7cm, Width: 24cm
Kütüphane
Victoria and Albert Museum
Demirbaş Numarası
513-1888
Kayıt Numarası
513-1888
Lokasyon
Middle East Section
Tarih
1673
Notlar
Ceramic memorial stele, fritware painted under the glaze in blue and black on a white ground, Iran, dated 1673.
Örnek Metin
Ø§Û Ù Ø§Ø¯Ø± ÙØ±Ø®ÙØ¯Ù ÙØ¯Ø§Ø±Û خبر از ٠٠از گردش اÙÙØ§Ú© Ú٠آ٠د بسر ٠٠٠٠تاز٠گÙÛ Ø¨ÙØ¯Ù Ø§ÙØ¯Ø± Ú٠٠باغ ÙØ´Ú©ÙØªÙ ÙØ±Ù Ø±ÛØ®Øª Ù٠٠با٠پر Ù Ù ÙÙØ§Øª اÙ٠رØÙ٠اÙÙ Ø¨Ø±ÙØ± Ø®ÙÙØ¯ Ø§ÙØ§ Ø§Ø¨Ù Ø±Ø§ÛØ³ ٠رتظا ØªØ§Ø±ÛØ® ر٠ضا٠اÙ٠بارک سÙÙ Û±Û°Û¸Û³ Translation O happy mother, you have no news of me, Of what has happened to me because of fate's actions! I was a fresh flower in the garden's lawn. Before I came into full bloom, all my petals were scattered to the ground. The death of the late Khwand Aqa son of Rayis Murtaza <occurred> in the blessed <month> of Ramadan in the year 1083. Note Ramadan 1083 is equivalent to the period 21 December 1672 to 19 January 1673. Khwand Aqa is more likely a woman's name than a man's, and it seems possible that the word "son" was written in error for "daughter" in the inscription.
Malzemeler ve teknikler
Fritware painted under the glaze Fritware Painted
Fiziksel açıklama
Memorial stele with the decoration on one side, probably intended to be set against a wall. The shape is an upright rectangle form with a triangular upper section rising to a point. Made of fritware painted under the glaze in blue and black on a white ground. The central field is occupied by six lines of text, written in a poor nasta'liq hand, in black. The first four lines are occupied by a quatrain in Persian, and the last two record the name and date of death of the deceased. In the triangular space above the inscription is a depiction of a spray of flowers and objects owned by the deceased, which include two types of comb, two rings and three pins. The border is filled with designs drawn from Chinese blue-and-white wares, indicating that the stele was produced in a centre in Iran that produced fritware imitations of Chinese porcelain.
Üslup
Safavid