Ewer

İsim Ewer
Yazar Unknown
Basım Yeri Iran (made) -
Konu Ceramics
Tür Diğer
Dil Belirlenmemiş dil
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar Height: 20.1cm, Maximum width: 24.5cm
Kütüphane: Victoria and Albert Museum
Demirbaş Numarası 1310-1876
Kayıt Numarası 1310-1876
Lokasyon Middle East Section
Notlar In the 16th century, ceramic production in Iran was on a modest scale, but when the capital moved to Isfahan around 1600, the production of luxury dishes and wall tiles in a wide variety of styles and techniques rapidly increased. The production of ceramic vessels cannot be attributed to a particular centre. The many techniques deployed included underglaze painting, coloured glazes and lustre, which was revived after 1650. Safavid potters created brilliantly coloured ceramics. The effect was often achieved with glazes of a single colour. Many of these wares have moulded or carved decoration, such as the details in relief on this ewer.
Malzemeler ve teknikler Fritware with glazing
Fiziksel açıklama Blue celadon ware ewer with cylindrical base rising to slim neck and outward turning rim; long straight spout and curved handle on opposite side. Inside in white slip glaze. Decorated with two rings of lozenge shaped motifs around base, a further deep necklace of decoration beneath spout, one ring of the same design at base of neck and a further one under rim on outside. Similar in shape and style to one illustrated in Arthur Lane: Later Islamic Pottery, Plate 93C
Üslup Safavid
Kaynağa git Victoria and Albert Museum Victoria and Albert Museum - Osmanlıca el yazması arama motoru
Victoria and Albert Museum - Osmanlıca el yazması arama motoru Victoria and Albert Museum

Ewer

Yazar Unknown
Basım Yeri Iran (made) -
Konu Ceramics
Tür Diğer
Dil Belirlenmemiş dil
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar Height: 20.1cm, Maximum width: 24.5cm
Kütüphane Victoria and Albert Museum
Demirbaş Numarası 1310-1876
Kayıt Numarası 1310-1876
Lokasyon Middle East Section
Notlar In the 16th century, ceramic production in Iran was on a modest scale, but when the capital moved to Isfahan around 1600, the production of luxury dishes and wall tiles in a wide variety of styles and techniques rapidly increased. The production of ceramic vessels cannot be attributed to a particular centre. The many techniques deployed included underglaze painting, coloured glazes and lustre, which was revived after 1650. Safavid potters created brilliantly coloured ceramics. The effect was often achieved with glazes of a single colour. Many of these wares have moulded or carved decoration, such as the details in relief on this ewer.
Malzemeler ve teknikler Fritware with glazing
Fiziksel açıklama Blue celadon ware ewer with cylindrical base rising to slim neck and outward turning rim; long straight spout and curved handle on opposite side. Inside in white slip glaze. Decorated with two rings of lozenge shaped motifs around base, a further deep necklace of decoration beneath spout, one ring of the same design at base of neck and a further one under rim on outside. Similar in shape and style to one illustrated in Arthur Lane: Later Islamic Pottery, Plate 93C
Üslup Safavid
Victoria and Albert Museum - Osmanlıca el yazması arama motoru
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