Ewer

عنوان Ewer
نویسنده Unknown
محل انتشار Iran (made) -
موضوع Ceramics
نوع دیگر
زبان نامشخص
دیجیتال بله
نسخه خطی خیر
ابعاد فیزیکی Height: 20.1cm, Maximum width: 24.5cm
کتابخانه: Victoria and Albert Museum
شناسه دارایی کتابخانه 1310-1876
شماره ثبت 1310-1876
محل کتابخانه Middle East Section
یادداشت‌ها In the 16th century, ceramic production in Iran was on a modest scale, but when the capital moved to Isfahan around 1600, the production of luxury dishes and wall tiles in a wide variety of styles and techniques rapidly increased. The production of ceramic vessels cannot be attributed to a particular centre. The many techniques deployed included underglaze painting, coloured glazes and lustre, which was revived after 1650. Safavid potters created brilliantly coloured ceramics. The effect was often achieved with glazes of a single colour. Many of these wares have moulded or carved decoration, such as the details in relief on this ewer.
Malzemeler ve teknikler Fritware with glazing
Fiziksel açıklama Blue celadon ware ewer with cylindrical base rising to slim neck and outward turning rim; long straight spout and curved handle on opposite side. Inside in white slip glaze. Decorated with two rings of lozenge shaped motifs around base, a further deep necklace of decoration beneath spout, one ring of the same design at base of neck and a further one under rim on outside. Similar in shape and style to one illustrated in Arthur Lane: Later Islamic Pottery, Plate 93C
Üslup Safavid
مشاهده در منبع Victoria and Albert Museum Victoria and Albert Museum - موتور جستجوی نسخه های خطی عثمانی
Victoria and Albert Museum - موتور جستجوی نسخه های خطی عثمانی Victoria and Albert Museum

Ewer

نویسنده Unknown
محل انتشار Iran (made) -
موضوع Ceramics
نوع دیگر
زبان نامشخص
دیجیتال بله
نسخه خطی خیر
ابعاد فیزیکی Height: 20.1cm, Maximum width: 24.5cm
کتابخانه Victoria and Albert Museum
شناسه دارایی کتابخانه 1310-1876
شماره ثبت 1310-1876
محل کتابخانه Middle East Section
یادداشت‌ها In the 16th century, ceramic production in Iran was on a modest scale, but when the capital moved to Isfahan around 1600, the production of luxury dishes and wall tiles in a wide variety of styles and techniques rapidly increased. The production of ceramic vessels cannot be attributed to a particular centre. The many techniques deployed included underglaze painting, coloured glazes and lustre, which was revived after 1650. Safavid potters created brilliantly coloured ceramics. The effect was often achieved with glazes of a single colour. Many of these wares have moulded or carved decoration, such as the details in relief on this ewer.
Malzemeler ve teknikler Fritware with glazing
Fiziksel açıklama Blue celadon ware ewer with cylindrical base rising to slim neck and outward turning rim; long straight spout and curved handle on opposite side. Inside in white slip glaze. Decorated with two rings of lozenge shaped motifs around base, a further deep necklace of decoration beneath spout, one ring of the same design at base of neck and a further one under rim on outside. Similar in shape and style to one illustrated in Arthur Lane: Later Islamic Pottery, Plate 93C
Üslup Safavid
Victoria and Albert Museum - موتور جستجوی نسخه های خطی عثمانی
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