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Tile

İsim	Tile
Basım Yeri	Kashan Iran (made) -
Tür	Diğer
Dil	Belirlenmemiş dil
Dijital	Evet
Yazma	Hayır
Fiziksel Boyutlar	Length: 13.5cm, Height: 5.9cm, Depth: 2.0cm
Kütüphane:	Victoria and Albert Museum
Demirbaş Numarası	678-1900
Kayıt Numarası	678-1900
Lokasyon	Middle East Section
Notlar	The overglaze techinique known as Lajvardina, was mentioned in Abu al-Qasimâs treatise on ceramics (1301). Wares were executed in simple red, white, black, and gold leaf designs on a turquoise or a dark blue glaze. The designs were almost exclusively abstract and floral, especially tight scrolls. Lajvard (Persian: âlapis lazuli,â referring to the blue glaze used) may date from the late 12th century; with output increasing until about the mid-14th century.
İçerik açıklaması	Depiction of a hare (rabbit).
Malzemeler ve teknikler	Fritware decorated in relief under a blue glaze, moulded and painted with white, red and gold Fritware Moulded Painted
Fiziksel açıklama	The top arm of a tile in the shape of a cross, fritware, decorated in the overglaze technique known as lajvardina (from 'lajvard', the Persian for 'lapis lazuli'), in which the background is a deep cobalt blue. The surface decoration is moulded with an elegant seated hare with its head turned back and its front paw raised and floral motifs. It is decorated in gold leaf with a stem with leaves branching off it and a round flower at the centre. At the top of the tile is a seated hare,. The outlines are in red, and the blue background is covered in small scrolls in a white pigment.
Üslup	Mongol Ilkhanid

Kaynağa git Victoria and Albert Museum Victoria and Albert Museum - Osmanlıca el yazması arama motoru

Victoria and Albert Museum

Tile

Basım Yeri Kashan Iran (made) -

Tür Diğer

Dil Belirlenmemiş dil

Dijital Evet

Yazma Hayır

Fiziksel Boyutlar Length: 13.5cm, Height: 5.9cm, Depth: 2.0cm

Kütüphane Victoria and Albert Museum

Demirbaş Numarası 678-1900

Kayıt Numarası 678-1900

Lokasyon Middle East Section

Notlar The overglaze techinique known as Lajvardina, was mentioned in Abu al-Qasimâs treatise on ceramics (1301). Wares were executed in simple red, white, black, and gold leaf designs on a turquoise or a dark blue glaze. The designs were almost exclusively abstract and floral, especially tight scrolls. Lajvard (Persian: âlapis lazuli,â referring to the blue glaze used) may date from the late 12th century; with output increasing until about the mid-14th century.

İçerik açıklaması Depiction of a hare (rabbit).

Malzemeler ve teknikler Fritware decorated in relief under a blue glaze, moulded and painted with white, red and gold Fritware Moulded Painted

Fiziksel açıklama The top arm of a tile in the shape of a cross, fritware, decorated in the overglaze technique known as lajvardina (from 'lajvard', the Persian for 'lapis lazuli'), in which the background is a deep cobalt blue. The surface decoration is moulded with an elegant seated hare with its head turned back and its front paw raised and floral motifs. It is decorated in gold leaf with a stem with leaves branching off it and a round flower at the centre. At the top of the tile is a seated hare,. The outlines are in red, and the blue background is covered in small scrolls in a white pigment.

Üslup Mongol Ilkhanid