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Tile

عنوان	Tile
محل انتشار	Kashan Iran (made) -
نوع	دیگر
زبان	نامشخص
دیجیتال	بله
نسخه خطی	خیر
ابعاد فیزیکی	Length: 13.5cm, Height: 5.9cm, Depth: 2.0cm
کتابخانه:	Victoria and Albert Museum
شناسه دارایی کتابخانه	678-1900
شماره ثبت	678-1900
محل کتابخانه	Middle East Section
یادداشت‌ها	The overglaze techinique known as Lajvardina, was mentioned in Abu al-Qasimâs treatise on ceramics (1301). Wares were executed in simple red, white, black, and gold leaf designs on a turquoise or a dark blue glaze. The designs were almost exclusively abstract and floral, especially tight scrolls. Lajvard (Persian: âlapis lazuli,â referring to the blue glaze used) may date from the late 12th century; with output increasing until about the mid-14th century.
İçerik açıklaması	Depiction of a hare (rabbit).
Malzemeler ve teknikler	Fritware decorated in relief under a blue glaze, moulded and painted with white, red and gold Fritware Moulded Painted
Fiziksel açıklama	The top arm of a tile in the shape of a cross, fritware, decorated in the overglaze technique known as lajvardina (from 'lajvard', the Persian for 'lapis lazuli'), in which the background is a deep cobalt blue. The surface decoration is moulded with an elegant seated hare with its head turned back and its front paw raised and floral motifs. It is decorated in gold leaf with a stem with leaves branching off it and a round flower at the centre. At the top of the tile is a seated hare,. The outlines are in red, and the blue background is covered in small scrolls in a white pigment.
Üslup	Mongol Ilkhanid

مشاهده در منبع Victoria and Albert Museum Victoria and Albert Museum - موتور جستجوی نسخه های خطی عثمانی

Victoria and Albert Museum

Tile

محل انتشار Kashan Iran (made) -

نوع دیگر

زبان نامشخص

دیجیتال بله

نسخه خطی خیر

ابعاد فیزیکی Length: 13.5cm, Height: 5.9cm, Depth: 2.0cm

کتابخانه Victoria and Albert Museum

شناسه دارایی کتابخانه 678-1900

شماره ثبت 678-1900

محل کتابخانه Middle East Section

یادداشت‌ها The overglaze techinique known as Lajvardina, was mentioned in Abu al-Qasimâs treatise on ceramics (1301). Wares were executed in simple red, white, black, and gold leaf designs on a turquoise or a dark blue glaze. The designs were almost exclusively abstract and floral, especially tight scrolls. Lajvard (Persian: âlapis lazuli,â referring to the blue glaze used) may date from the late 12th century; with output increasing until about the mid-14th century.

İçerik açıklaması Depiction of a hare (rabbit).

Malzemeler ve teknikler Fritware decorated in relief under a blue glaze, moulded and painted with white, red and gold Fritware Moulded Painted

Fiziksel açıklama The top arm of a tile in the shape of a cross, fritware, decorated in the overglaze technique known as lajvardina (from 'lajvard', the Persian for 'lapis lazuli'), in which the background is a deep cobalt blue. The surface decoration is moulded with an elegant seated hare with its head turned back and its front paw raised and floral motifs. It is decorated in gold leaf with a stem with leaves branching off it and a round flower at the centre. At the top of the tile is a seated hare,. The outlines are in red, and the blue background is covered in small scrolls in a white pigment.

Üslup Mongol Ilkhanid