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Stele

İsim	Stele
Yazar	Unknown
Basım Tarihi:	1560
Basım Yeri	Iznik (made) -
Konu	Islam Ceramics
Tür	Diğer
Dil	Belirlenmemiş dil
Dijital	Evet
Yazma	Hayır
Fiziksel Boyutlar	Height of object without stand height: 42.2cm, Maximum width of object without stand width: 29cm, Depth of object without stand depth: 3cm, Height of object with stand height: 47cm, Width of stand width: 38.5cm, Depth of stand depth: 13cm
Kütüphane:	Victoria and Albert Museum
Demirbaş Numarası	862-1901
Kayıt Numarası	862-1901
Lokasyon	Middle East Section
Tarih	1560
Notlar	This enigmatic object is a free-standing, upright slab made of fritware ceramic and decorated on both sides. The clear white ground was painted in blue, green and red, a colour combination established in the Iznik potteries in the 1550s and 1560s. On each face is a striking floral design combining roses, tulips and prunus blossom or hyacinths. This is arranged around a central cartouche containing an Arabic text. The first part is the Shahadah, a key expression of Muslim belief that reads, âThere is no god but God. Muhammad is the prophet of God.â The second part is a short prayer meaning, âGodâs mercy upon him,â which is spoken out of respect after the name of a deceased Muslim. The prayer is not generally used after the name of the Prophet Muhammad, for whom a longer prayer invoking God's blessings and peace is said. The shorter prayer was probably added here to fill a space. The inscription indicates that the stele was used in a religious context, but it does not tell us much more about its intended function. The object has been called a grave-marker, but it does not resemble the stone markers used for the graves of the rich in this period in any way. In addition, a grave-marker of this quality would surely have been inscribed with the name of the deceased. The description of "pulpit tile" written on the early 20th-century mount is certainly wrong, but the writer may have confused the minbar, or pulpit, of a mosque with the mihrab, the empty niche that indicates the direction of prayer. The stele could have functioned as a portable mihrab, used when the pious owner and his entourage were out hunting, say, or on campaign. The major flaw in this theory is that the "mihrab" would only have been useful if it was correctly aligned with the direction of Mecca, towards which Muslims have to pray. This would have required a member of the company making a complex astronomical calculation in order to align the "mihrab" correctly.
Malzemeler ve teknikler	Fritware, polychrome underglaze painted, glazed Fritware
Fiziksel açıklama	Tile of fritware ceramic, with decoration painted under the glaze.
Üslup	Ottoman

Kaynağa git Victoria and Albert Museum Victoria and Albert Museum - Osmanlıca el yazması arama motoru

Victoria and Albert Museum

Stele

Yazar Unknown

Basım Tarihi 1560

Basım Yeri Iznik (made) -

Konu Islam Ceramics

Tür Diğer

Dil Belirlenmemiş dil

Dijital Evet

Yazma Hayır

Fiziksel Boyutlar Height of object without stand height: 42.2cm, Maximum width of object without stand width: 29cm, Depth of object without stand depth: 3cm, Height of object with stand height: 47cm, Width of stand width: 38.5cm, Depth of stand depth: 13cm

Kütüphane Victoria and Albert Museum

Demirbaş Numarası 862-1901

Kayıt Numarası 862-1901

Lokasyon Middle East Section

Tarih 1560

Notlar This enigmatic object is a free-standing, upright slab made of fritware ceramic and decorated on both sides. The clear white ground was painted in blue, green and red, a colour combination established in the Iznik potteries in the 1550s and 1560s. On each face is a striking floral design combining roses, tulips and prunus blossom or hyacinths. This is arranged around a central cartouche containing an Arabic text. The first part is the Shahadah, a key expression of Muslim belief that reads, âThere is no god but God. Muhammad is the prophet of God.â The second part is a short prayer meaning, âGodâs mercy upon him,â which is spoken out of respect after the name of a deceased Muslim. The prayer is not generally used after the name of the Prophet Muhammad, for whom a longer prayer invoking God's blessings and peace is said. The shorter prayer was probably added here to fill a space. The inscription indicates that the stele was used in a religious context, but it does not tell us much more about its intended function. The object has been called a grave-marker, but it does not resemble the stone markers used for the graves of the rich in this period in any way. In addition, a grave-marker of this quality would surely have been inscribed with the name of the deceased. The description of "pulpit tile" written on the early 20th-century mount is certainly wrong, but the writer may have confused the minbar, or pulpit, of a mosque with the mihrab, the empty niche that indicates the direction of prayer. The stele could have functioned as a portable mihrab, used when the pious owner and his entourage were out hunting, say, or on campaign. The major flaw in this theory is that the "mihrab" would only have been useful if it was correctly aligned with the direction of Mecca, towards which Muslims have to pray. This would have required a member of the company making a complex astronomical calculation in order to align the "mihrab" correctly.

Malzemeler ve teknikler Fritware, polychrome underglaze painted, glazed Fritware

Fiziksel açıklama Tile of fritware ceramic, with decoration painted under the glaze.

Üslup Ottoman