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Tile

İsim	Tile
Yazar	Unknown
Basım Tarihi:	1550
Basım Yeri	Damascus (made) -
Konu	Ceramics Tiles
Tür	Diğer
Dil	Belirlenmemiş dil
Dijital	Evet
Yazma	Hayır
Fiziksel Boyutlar	Conversion length: 26cm, Width: 26cm
Kütüphane:	Victoria and Albert Museum
Demirbaş Numarası	452-1901
Kayıt Numarası	452-1901
Lokasyon	Middle East Section
Tarih	1550
Notlar	In the 16th century, Damascus became an important Ottoman provincial capital giving rise to new building schemes faced with tilework. Potters came to Damascus to work on the tilework. The designs were inspired by Iznik patterns, but were freed of the formality of the strictly controlled court designs, instead the Syrian patterns are more spontaneous and exuberant. The colour palatte was also distinctive, relying on more softer colours than those favoured by Iznik potters in the 1540s, and without the use of a red. The designs have parallels in textile patterns which also have repeats.
Malzemeler ve teknikler	Fritware, polychrome underglaze painted, glazed Fritware Painting
Fiziksel açıklama	Tile, fritware, square, painted in underglaze blue, manganese, turquoise, black and sage green with a floral medallion containing tulips, carnations and lotus blossoms, the intertices with cintamani and tiger stripes. Painted wooden frame
Üslup	Ottoman

Kaynağa git Victoria and Albert Museum Victoria and Albert Museum - Osmanlıca el yazması arama motoru

Victoria and Albert Museum

Tile

Yazar Unknown

Basım Tarihi 1550

Basım Yeri Damascus (made) -

Konu Ceramics Tiles

Tür Diğer

Dil Belirlenmemiş dil

Dijital Evet

Yazma Hayır

Fiziksel Boyutlar Conversion length: 26cm, Width: 26cm

Kütüphane Victoria and Albert Museum

Demirbaş Numarası 452-1901

Kayıt Numarası 452-1901

Lokasyon Middle East Section

Tarih 1550

Notlar In the 16th century, Damascus became an important Ottoman provincial capital giving rise to new building schemes faced with tilework. Potters came to Damascus to work on the tilework. The designs were inspired by Iznik patterns, but were freed of the formality of the strictly controlled court designs, instead the Syrian patterns are more spontaneous and exuberant. The colour palatte was also distinctive, relying on more softer colours than those favoured by Iznik potters in the 1540s, and without the use of a red. The designs have parallels in textile patterns which also have repeats.

Malzemeler ve teknikler Fritware, polychrome underglaze painted, glazed Fritware Painting

Fiziksel açıklama Tile, fritware, square, painted in underglaze blue, manganese, turquoise, black and sage green with a floral medallion containing tulips, carnations and lotus blossoms, the intertices with cintamani and tiger stripes. Painted wooden frame

Üslup Ottoman