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Tile

العنوان	Tile
المؤلف	Unknown
تاريخ النشر:	1550
مكان النشر	Damascus (made) -
الموضوع	Ceramics Tiles
النوع	أخرى
اللغة	غير محدد
رقمي	نعم
مخطوط	لا
الأبعاد الفيزيائية	Conversion length: 26cm, Width: 26cm
المكتبة:	Victoria and Albert Museum
معرف أصل المكتبة	452-1901
رقم السجل	452-1901
موقع المكتبة	Middle East Section
التاريخ	1550
ملاحظات	In the 16th century, Damascus became an important Ottoman provincial capital giving rise to new building schemes faced with tilework. Potters came to Damascus to work on the tilework. The designs were inspired by Iznik patterns, but were freed of the formality of the strictly controlled court designs, instead the Syrian patterns are more spontaneous and exuberant. The colour palatte was also distinctive, relying on more softer colours than those favoured by Iznik potters in the 1540s, and without the use of a red. The designs have parallels in textile patterns which also have repeats.
Malzemeler ve teknikler	Fritware, polychrome underglaze painted, glazed Fritware Painting
Fiziksel açıklama	Tile, fritware, square, painted in underglaze blue, manganese, turquoise, black and sage green with a floral medallion containing tulips, carnations and lotus blossoms, the intertices with cintamani and tiger stripes. Painted wooden frame
Üslup	Ottoman

عرض في المصدر Victoria and Albert Museum Victoria and Albert Museum - محرك بحث المخطوطات العثمانية

Victoria and Albert Museum

Tile

المؤلف Unknown

تاريخ النشر 1550

مكان النشر Damascus (made) -

الموضوع Ceramics Tiles

النوع أخرى

اللغة غير محدد

رقمي نعم

مخطوط لا

الأبعاد الفيزيائية Conversion length: 26cm, Width: 26cm

المكتبة Victoria and Albert Museum

معرف أصل المكتبة 452-1901

رقم السجل 452-1901

موقع المكتبة Middle East Section

التاريخ 1550

ملاحظات In the 16th century, Damascus became an important Ottoman provincial capital giving rise to new building schemes faced with tilework. Potters came to Damascus to work on the tilework. The designs were inspired by Iznik patterns, but were freed of the formality of the strictly controlled court designs, instead the Syrian patterns are more spontaneous and exuberant. The colour palatte was also distinctive, relying on more softer colours than those favoured by Iznik potters in the 1540s, and without the use of a red. The designs have parallels in textile patterns which also have repeats.

Malzemeler ve teknikler Fritware, polychrome underglaze painted, glazed Fritware Painting

Fiziksel açıklama Tile, fritware, square, painted in underglaze blue, manganese, turquoise, black and sage green with a floral medallion containing tulips, carnations and lotus blossoms, the intertices with cintamani and tiger stripes. Painted wooden frame

Üslup Ottoman