The Representation of Social Components of Iranian-Islamic Arts (The Concept and Typology of Islamic-Iranian Arts before the Modernization Process | Kütüphane.osmanlica.com

The Representation of Social Components of Iranian-Islamic Arts (The Concept and Typology of Islamic-Iranian Arts before the Modernization Process

İsim The Representation of Social Components of Iranian-Islamic Arts (The Concept and Typology of Islamic-Iranian Arts before the Modernization Process
Yazar Iman Erfanmanesh
Basım Tarihi: 1393
Basım Yeri - Research Institute of Hawzah and University (RIHU), 1393.
Konu iranian-islamic arts, our arts, usage, pluralism, culture and religion, Islam, BP1-253
Tür Süreli Yayın
Dil Farsça
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar electronic resource
Kütüphane: Bursa Uludağ Üniversitesi Kütüphanesi
Demirbaş Numarası edsdoj.8dca8079aa00465282d268d329a549f6
Kayıt Numarası sii4cogiun
Lokasyon LCC:Islam
Tarih 1393
Örnek Metin One of the most important needs for conceptualization of Iranian-Islamic arts is to consider the components of social context related to the history of these arts. In the study, the Iranian-Islamic arts are those that are generally known as Iranian arts or a part of them in the Iranian society. Therefore, this study attempts to represent the most important social components hidden in the concept of our arts before the society faces the modernization process with the help of documentary research methodology. The most important concepts engaged in defining the works of our arts before the modernization process include the usage in social life, the artist's attention to pluralism, the emphasis on the social components of culture and religion. Regarding the social typology, the study investigates our arts by some criteria such as the division based on being men and women (gender), the generality of audience, important social-cultural happenings, and the social protections of the society's institutions.
ISSN 2322-2506, 2588-4700
İlişki https://soci.rihu.ac.ir/article_1019_c1ac4c2aa53ba45302147f6e51e10b83.pdf; https://doaj.org/toc/2322-2506; https://doaj.org/toc/2588-4700
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The Representation of Social Components of Iranian-Islamic Arts (The Concept and Typology of Islamic-Iranian Arts before the Modernization Process

Yazar Iman Erfanmanesh
Basım Tarihi 1393
Basım Yeri - Research Institute of Hawzah and University (RIHU), 1393.
Konu iranian-islamic arts, our arts, usage, pluralism, culture and religion, Islam, BP1-253
Tür Süreli Yayın
Dil Farsça
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar electronic resource
Kütüphane Bursa Uludağ Üniversitesi Kütüphanesi
Demirbaş Numarası edsdoj.8dca8079aa00465282d268d329a549f6
Kayıt Numarası sii4cogiun
Lokasyon LCC:Islam
Tarih 1393
Örnek Metin One of the most important needs for conceptualization of Iranian-Islamic arts is to consider the components of social context related to the history of these arts. In the study, the Iranian-Islamic arts are those that are generally known as Iranian arts or a part of them in the Iranian society. Therefore, this study attempts to represent the most important social components hidden in the concept of our arts before the society faces the modernization process with the help of documentary research methodology. The most important concepts engaged in defining the works of our arts before the modernization process include the usage in social life, the artist's attention to pluralism, the emphasis on the social components of culture and religion. Regarding the social typology, the study investigates our arts by some criteria such as the division based on being men and women (gender), the generality of audience, important social-cultural happenings, and the social protections of the society's institutions.
ISSN 2322-2506, 2588-4700
İlişki https://soci.rihu.ac.ir/article_1019_c1ac4c2aa53ba45302147f6e51e10b83.pdf; https://doaj.org/toc/2322-2506; https://doaj.org/toc/2588-4700
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