The Representation of Social Components of Iranian-Islamic Arts (The Concept and Typology of Islamic-Iranian Arts before the Modernization Process

Title The Representation of Social Components of Iranian-Islamic Arts (The Concept and Typology of Islamic-Iranian Arts before the Modernization Process
Author Iman Erfanmanesh
Publication Date: 1393
Publication Place - Research Institute of Hawzah and University (RIHU), 1393.
Subject iranian-islamic arts, our arts, usage, pluralism, culture and religion, Islam, BP1-253
Type Periodical
Language Persian
Digital Yes
Manuscript No
Physical Dimensions electronic resource
Library: Bursa Uludağ University Library
Library Asset ID edsdoj.8dca8079aa00465282d268d329a549f6
Record ID sii4cogiun
Library Location LCC:Islam
Date 1393
Sample Text One of the most important needs for conceptualization of Iranian-Islamic arts is to consider the components of social context related to the history of these arts. In the study, the Iranian-Islamic arts are those that are generally known as Iranian arts or a part of them in the Iranian society. Therefore, this study attempts to represent the most important social components hidden in the concept of our arts before the society faces the modernization process with the help of documentary research methodology. The most important concepts engaged in defining the works of our arts before the modernization process include the usage in social life, the artist's attention to pluralism, the emphasis on the social components of culture and religion. Regarding the social typology, the study investigates our arts by some criteria such as the division based on being men and women (gender), the generality of audience, important social-cultural happenings, and the social protections of the society's institutions.
ISSN 2322-2506, 2588-4700
İlişki https://soci.rihu.ac.ir/article_1019_c1ac4c2aa53ba45302147f6e51e10b83.pdf; https://doaj.org/toc/2322-2506; https://doaj.org/toc/2588-4700
Bursa Uludağ University Library - Ottoman library catalog search Bursa Uludağ University Library

The Representation of Social Components of Iranian-Islamic Arts (The Concept and Typology of Islamic-Iranian Arts before the Modernization Process

Author Iman Erfanmanesh
Publication Date 1393
Publication Place - Research Institute of Hawzah and University (RIHU), 1393.
Subject iranian-islamic arts, our arts, usage, pluralism, culture and religion, Islam, BP1-253
Type Periodical
Language Persian
Digital Yes
Manuscript No
Physical Dimensions electronic resource
Library Bursa Uludağ University Library
Library Asset ID edsdoj.8dca8079aa00465282d268d329a549f6
Record ID sii4cogiun
Library Location LCC:Islam
Date 1393
Sample Text One of the most important needs for conceptualization of Iranian-Islamic arts is to consider the components of social context related to the history of these arts. In the study, the Iranian-Islamic arts are those that are generally known as Iranian arts or a part of them in the Iranian society. Therefore, this study attempts to represent the most important social components hidden in the concept of our arts before the society faces the modernization process with the help of documentary research methodology. The most important concepts engaged in defining the works of our arts before the modernization process include the usage in social life, the artist's attention to pluralism, the emphasis on the social components of culture and religion. Regarding the social typology, the study investigates our arts by some criteria such as the division based on being men and women (gender), the generality of audience, important social-cultural happenings, and the social protections of the society's institutions.
ISSN 2322-2506, 2588-4700
İlişki https://soci.rihu.ac.ir/article_1019_c1ac4c2aa53ba45302147f6e51e10b83.pdf; https://doaj.org/toc/2322-2506; https://doaj.org/toc/2588-4700
Bursa Uludağ University Library - Ottoman library catalog search
Bursa Uludağ University Library You are being redirected...

Please wait