The Representation of Social Components of Iranian-Islamic Arts (The Concept and Typology of Islamic-Iranian Arts before the Modernization Process | Kütüphane.osmanlica.com

The Representation of Social Components of Iranian-Islamic Arts (The Concept and Typology of Islamic-Iranian Arts before the Modernization Process

İsim The Representation of Social Components of Iranian-Islamic Arts (The Concept and Typology of Islamic-Iranian Arts before the Modernization Process
Yazar Iman Erfanmanesh
Basım Yeri Research Institute of Hawzah and University (RIHU) - Research Institute of Hawzah and University (RIHU)
Konu Pluralism, Religion and culture
Tür Süreli Yayın
Dil Arapça
Dijital Evet
Yazma Hayır
Kütüphane: Pablo de Olavide Üniversitesi Kütüphanesi | Sevilla
Demirbaş Numarası ISSN: 2322-2506, EISSN: 2588-4700
Kayıt Numarası cdi_doaj_primary_oai_doaj_org_article_8dca8079aa00465282d268d329a549f6
Notlar One of the most important needs for conceptualization of Iranian-Islamic arts is to consider the components of social context related to the history of these arts. In the study, the Iranian-Islamic arts are those that are generally known as Iranian arts or a part of them in the Iranian society. Therefore, this study attempts to represent the most important social components hidden in the concept of our arts before the society faces the modernization process with the help of documentary research methodology. The most important concepts engaged in defining the works of our arts before the modernization process include the usage in social life, the artist's attention to pluralism, the emphasis on the social components of culture and religion. Regarding the social typology, the study investigates our arts by some criteria such as the division based on being men and women (gender), the generality of audience, important social-cultural happenings, and the social protections of the society's institutions.
Parçası Olduğu Islām va ʻulūm-i ijtimāʻī (Online), 1393-11, Vol.6 (12), p.103-122
Biblioteca de la Universidad Pablo de Olavide | Seville Pablo de Olavide Üniversitesi Kütüphanesi | Sevilla
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The Representation of Social Components of Iranian-Islamic Arts (The Concept and Typology of Islamic-Iranian Arts before the Modernization Process

Yazar Iman Erfanmanesh
Basım Yeri Research Institute of Hawzah and University (RIHU) - Research Institute of Hawzah and University (RIHU)
Konu Pluralism, Religion and culture
Tür Süreli Yayın
Dil Arapça
Dijital Evet
Yazma Hayır
Kütüphane Pablo de Olavide Üniversitesi Kütüphanesi | Sevilla
Demirbaş Numarası ISSN: 2322-2506, EISSN: 2588-4700
Kayıt Numarası cdi_doaj_primary_oai_doaj_org_article_8dca8079aa00465282d268d329a549f6
Notlar One of the most important needs for conceptualization of Iranian-Islamic arts is to consider the components of social context related to the history of these arts. In the study, the Iranian-Islamic arts are those that are generally known as Iranian arts or a part of them in the Iranian society. Therefore, this study attempts to represent the most important social components hidden in the concept of our arts before the society faces the modernization process with the help of documentary research methodology. The most important concepts engaged in defining the works of our arts before the modernization process include the usage in social life, the artist's attention to pluralism, the emphasis on the social components of culture and religion. Regarding the social typology, the study investigates our arts by some criteria such as the division based on being men and women (gender), the generality of audience, important social-cultural happenings, and the social protections of the society's institutions.
Parçası Olduğu Islām va ʻulūm-i ijtimāʻī (Online), 1393-11, Vol.6 (12), p.103-122
Biblioteca de la Universidad Pablo de Olavide | Seville
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