The machineries of user knowledge production

Name: The machineries of user knowledge production
Author: İlhan, Işıl Oygür

İsim	The machineries of user knowledge production
Yazar	İlhan, Işıl Oygür
Basım Tarihi:	2018-01
Basım Yeri	- Elsevier
Konu	User-centred design, Design knowledge, Design research, Design processes, Case studies
Tür	Süreli Yayın
Dil	İngilizce
Dijital	Evet
Yazma	Hayır
Kütüphane:	Özyeğin Üniversitesi
Demirbaş Numarası	0142-694X
Kayıt Numarası	fef62c60-5987-4e25-a82b-b1ed5e08515a
Lokasyon	Industrial Design
Tarih	2018-01
Notlar	Due to copyright restrictions, the access to the full text of this article is only available via subscription.
Örnek Metin	A multiple case study was conducted to investigate the machineries of designers' user knowledge production at six design consultancies in the Northwestern USA in domains of architecture, industrial design, and interaction design. Karin Knorr Cetina's theory of epistemic cultures was utilised as the theoretical lens. The findings indicate that the user is not a given; instead, the user is a constructed phenomenon in design. The design process is characterised by the deconstruction and reconstruction of the user information and of experiential information, implemented to meet the epistemic needs of designers. User representations are used as the liminal knowledge. Designers manipulated this knowledge in order to narrow down the artefact to be designed.
DOI	10.1016/j.destud.2017.10.002
Cilt	54

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The machineries of user knowledge production

Yazar İlhan, Işıl Oygür

Basım Tarihi 2018-01

Basım Yeri - Elsevier

Konu User-centred design, Design knowledge, Design research, Design processes, Case studies

Tür Süreli Yayın

Dil İngilizce

Dijital Evet

Yazma Hayır

Kütüphane Özyeğin Üniversitesi

Demirbaş Numarası 0142-694X

Kayıt Numarası fef62c60-5987-4e25-a82b-b1ed5e08515a

Lokasyon Industrial Design

Tarih 2018-01

Notlar Due to copyright restrictions, the access to the full text of this article is only available via subscription.

Örnek Metin A multiple case study was conducted to investigate the machineries of designers' user knowledge production at six design consultancies in the Northwestern USA in domains of architecture, industrial design, and interaction design. Karin Knorr Cetina's theory of epistemic cultures was utilised as the theoretical lens. The findings indicate that the user is not a given; instead, the user is a constructed phenomenon in design. The design process is characterised by the deconstruction and reconstruction of the user information and of experiential information, implemented to meet the epistemic needs of designers. User representations are used as the liminal knowledge. Designers manipulated this knowledge in order to narrow down the artefact to be designed.

DOI 10.1016/j.destud.2017.10.002

Cilt 54