The machineries of user knowledge production

Title The machineries of user knowledge production
Author İlhan, Işıl Oygür
Publication Date: 2018-01
Publication Place - Elsevier
Subject User-centred design, Design knowledge, Design research, Design processes, Case studies
Type Periodical
Language English
Digital Yes
Manuscript No
Library: Özyeğin University
Library Asset ID 0142-694X
Record ID fef62c60-5987-4e25-a82b-b1ed5e08515a
Library Location Industrial Design
Date 2018-01
Notes Due to copyright restrictions, the access to the full text of this article is only available via subscription.
Sample Text A multiple case study was conducted to investigate the machineries of designers' user knowledge production at six design consultancies in the Northwestern USA in domains of architecture, industrial design, and interaction design. Karin Knorr Cetina's theory of epistemic cultures was utilised as the theoretical lens. The findings indicate that the user is not a given; instead, the user is a constructed phenomenon in design. The design process is characterised by the deconstruction and reconstruction of the user information and of experiential information, implemented to meet the epistemic needs of designers. User representations are used as the liminal knowledge. Designers manipulated this knowledge in order to narrow down the artefact to be designed.
DOI 10.1016/j.destud.2017.10.002
Cilt 54
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The machineries of user knowledge production

Author İlhan, Işıl Oygür
Publication Date 2018-01
Publication Place - Elsevier
Subject User-centred design, Design knowledge, Design research, Design processes, Case studies
Type Periodical
Language English
Digital Yes
Manuscript No
Library Özyeğin University
Library Asset ID 0142-694X
Record ID fef62c60-5987-4e25-a82b-b1ed5e08515a
Library Location Industrial Design
Date 2018-01
Notes Due to copyright restrictions, the access to the full text of this article is only available via subscription.
Sample Text A multiple case study was conducted to investigate the machineries of designers' user knowledge production at six design consultancies in the Northwestern USA in domains of architecture, industrial design, and interaction design. Karin Knorr Cetina's theory of epistemic cultures was utilised as the theoretical lens. The findings indicate that the user is not a given; instead, the user is a constructed phenomenon in design. The design process is characterised by the deconstruction and reconstruction of the user information and of experiential information, implemented to meet the epistemic needs of designers. User representations are used as the liminal knowledge. Designers manipulated this knowledge in order to narrow down the artefact to be designed.
DOI 10.1016/j.destud.2017.10.002
Cilt 54
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