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Sash border

عنوان	Sash border
نویسنده	Unknown
تاریخ انتشار:	1700
محل انتشار	Turkey (made) -
موضوع	Hyacinth Stylized Flowers
نوع	دیگر
زبان	نامشخص
دیجیتال	بله
نسخه خطی	خیر
ابعاد فیزیکی	Length: 30.5cm, Width: 61cm
کتابخانه:	Victoria and Albert Museum
شناسه دارایی کتابخانه	477-1877
شماره ثبت	477-1877
محل کتابخانه	Middle East Section
تاریخ	1700
یادداشت‌ها	Sashes were worn around the waist and were tied so that the decorative ends hung at knee level. From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form: new, naturalistic floral motifs were introduced and many of them were depicted in great detail. Some were allowed to sway and sweep across the fabric, some were stylised and many were enriched with metal thread. The colours were originally very bright but have often faded to pleasing pastel shades.
Malzemeler ve teknikler	Linen warp and silk weft, embroidered with silk in double darning on the diagonal, double running in a line and satin stitch Linen Silk Thread Weaving Embroidering
Fiziksel açıklama	Sash border woven with a linen warp and silk weft forming bands, embroidered with silk in double darning on the diagonal, double running in a line and satin stitch. The embroidery is in the form of two almost square panels, side by side. Each begins at the bottom with a small curling stem which branches many times to fill the area available. These stems bear red and white flowers, white tulip-like flowers against green leaves and sprays of blue hyacinth.
Üslup	Ottoman

مشاهده در منبع Victoria and Albert Museum Victoria and Albert Museum - موتور جستجوی نسخه های خطی عثمانی

Victoria and Albert Museum

Sash border

نویسنده Unknown

تاریخ انتشار 1700

محل انتشار Turkey (made) -

موضوع Hyacinth Stylized Flowers

نوع دیگر

زبان نامشخص

دیجیتال بله

نسخه خطی خیر

ابعاد فیزیکی Length: 30.5cm, Width: 61cm

کتابخانه Victoria and Albert Museum

شناسه دارایی کتابخانه 477-1877

شماره ثبت 477-1877

محل کتابخانه Middle East Section

تاریخ 1700

یادداشت‌ها Sashes were worn around the waist and were tied so that the decorative ends hung at knee level. From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form: new, naturalistic floral motifs were introduced and many of them were depicted in great detail. Some were allowed to sway and sweep across the fabric, some were stylised and many were enriched with metal thread. The colours were originally very bright but have often faded to pleasing pastel shades.

Malzemeler ve teknikler Linen warp and silk weft, embroidered with silk in double darning on the diagonal, double running in a line and satin stitch Linen Silk Thread Weaving Embroidering

Fiziksel açıklama Sash border woven with a linen warp and silk weft forming bands, embroidered with silk in double darning on the diagonal, double running in a line and satin stitch. The embroidery is in the form of two almost square panels, side by side. Each begins at the bottom with a small curling stem which branches many times to fill the area available. These stems bear red and white flowers, white tulip-like flowers against green leaves and sprays of blue hyacinth.

Üslup Ottoman