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Sash border

العنوان	Sash border
المؤلف	Unknown
تاريخ النشر:	1700
مكان النشر	Turkey (made) -
الموضوع	Hyacinth Stylized Flowers
النوع	أخرى
اللغة	غير محدد
رقمي	نعم
مخطوط	لا
الأبعاد الفيزيائية	Length: 30.5cm, Width: 61cm
المكتبة:	Victoria and Albert Museum
معرف أصل المكتبة	477-1877
رقم السجل	477-1877
موقع المكتبة	Middle East Section
التاريخ	1700
ملاحظات	Sashes were worn around the waist and were tied so that the decorative ends hung at knee level. From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form: new, naturalistic floral motifs were introduced and many of them were depicted in great detail. Some were allowed to sway and sweep across the fabric, some were stylised and many were enriched with metal thread. The colours were originally very bright but have often faded to pleasing pastel shades.
Malzemeler ve teknikler	Linen warp and silk weft, embroidered with silk in double darning on the diagonal, double running in a line and satin stitch Linen Silk Thread Weaving Embroidering
Fiziksel açıklama	Sash border woven with a linen warp and silk weft forming bands, embroidered with silk in double darning on the diagonal, double running in a line and satin stitch. The embroidery is in the form of two almost square panels, side by side. Each begins at the bottom with a small curling stem which branches many times to fill the area available. These stems bear red and white flowers, white tulip-like flowers against green leaves and sprays of blue hyacinth.
Üslup	Ottoman

عرض في المصدر Victoria and Albert Museum Victoria and Albert Museum - محرك بحث المخطوطات العثمانية

Victoria and Albert Museum

Sash border

المؤلف Unknown

تاريخ النشر 1700

مكان النشر Turkey (made) -

الموضوع Hyacinth Stylized Flowers

النوع أخرى

اللغة غير محدد

رقمي نعم

مخطوط لا

الأبعاد الفيزيائية Length: 30.5cm, Width: 61cm

المكتبة Victoria and Albert Museum

معرف أصل المكتبة 477-1877

رقم السجل 477-1877

موقع المكتبة Middle East Section

التاريخ 1700

ملاحظات Sashes were worn around the waist and were tied so that the decorative ends hung at knee level. From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form: new, naturalistic floral motifs were introduced and many of them were depicted in great detail. Some were allowed to sway and sweep across the fabric, some were stylised and many were enriched with metal thread. The colours were originally very bright but have often faded to pleasing pastel shades.

Malzemeler ve teknikler Linen warp and silk weft, embroidered with silk in double darning on the diagonal, double running in a line and satin stitch Linen Silk Thread Weaving Embroidering

Fiziksel açıklama Sash border woven with a linen warp and silk weft forming bands, embroidered with silk in double darning on the diagonal, double running in a line and satin stitch. The embroidery is in the form of two almost square panels, side by side. Each begins at the bottom with a small curling stem which branches many times to fill the area available. These stems bear red and white flowers, white tulip-like flowers against green leaves and sprays of blue hyacinth.

Üslup Ottoman