The fixed and changing structures of ghazal poetry in early Islam and the Umayyad era
(البنى الثابتة والمتغيرة لشعر الغزل في صدر الاسلام والعصر الاموي)

Name: The fixed and changing structures of ghazal poetry in early Islam and the Umayyad era
Author: Al-Tamimi, Shaker Hadi Hammoud

Title	The fixed and changing structures of ghazal poetry in early Islam and the Umayyad era
Title Original	البنى الثابتة والمتغيرة لشعر الغزل في صدر الاسلام والعصر الاموي
Author	Al-Tamimi, Shaker Hadi Hammoud
Author Original	التميمي، شاكر هادي حمود
Publication Date:	1433
Publication Place	Oman - Amman: Dar Al-Radwan for Publishing and Distribution
Subject	History and criticism
Type	Book
Language	Arabic
Digital	No
Manuscript	No
Pages Count	400
Physical Dimensions	400 ص.
Library:	University of Minnesota Libraries
Library Asset ID	ISBN: 9789957760670, ISBN: 995776067X, OCLC: 782056770
Record ID	cdi_globaltitleindex_catalog_146551257
Library Location	Request
Date	1433
Notes	The topic of ghazal has been subjected to several studies, but what is notable about these studies is that they were concerned with the historical aspect or with a specific type of poetic texts, while the study of what is related to the ghazal poem in terms of motive, references, and structure was limited or hung on a narrow aspect of its broad aspects. Therefore, the author researched this topic, collected his material, divided it into the introduction, the introduction, and three chapters, and followed that with a conclusion. In the introduction, he talked with some brevity about the ghazal introduction, thematic unity, the extent of its availability in the pre-Islamic ghazal poem, and meter and rhyme. In the first chapter: it was devoted to studying the motives for flirting, and it was in two chapters. The first chapter is titled “The Objective Motives for Spinning Between Constancy and Change,” in which we learn about the most important motives that led to the emergence of spinning in the Islamic and Umayyad eras. The second chapter is entitled “The Artistic Motives for Constancy and Change.” The second chapter was to study the ghazal poem and the stability and change that afflicted it. This chapter includes four chapters: The first chapter was about “the fixed and changing structure of the ghazal introduction,” and the second chapter was entitled “The structure of the sensual ghazal poem between its pre-Islamic roots and the spirit of the age.” The third chapter was entitled “The virginal ghazal between the stability of the roots and the changing structures.” The fourth chapter was entitled “The malicious ghazal between the stability of the structure and the change of the subject.” As for the third chapter, he devoted it to artistic study. It included four chapters. The first chapter talked about “the reference of the ghazal poem.” The second chapter studied the language of the ghazal poets. The third chapter dealt with the poetic image. The fourth chapter focused on studying rhythm, both external and internal, and finally the conclusion, in which the most important findings of the research were mentioned. Bibliography: pp. 371-400
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University of Minnesota Libraries

The fixed and changing structures of ghazal poetry in early Islam and the Umayyad era

(البنى الثابتة والمتغيرة لشعر الغزل في صدر الاسلام والعصر الاموي)

Author Al-Tamimi, Shaker Hadi Hammoud

Author Original التميمي، شاكر هادي حمود

Publication Date 1433

Publication Place Oman - Amman: Dar Al-Radwan for Publishing and Distribution

Subject History and criticism

Type Book

Language Arabic

Digital No

Manuscript No

Pages Count 400

Physical Dimensions 400 ص.

Library University of Minnesota Libraries

Library Asset ID ISBN: 9789957760670, ISBN: 995776067X, OCLC: 782056770

Record ID cdi_globaltitleindex_catalog_146551257

Library Location Request

Date 1433

Notes The topic of ghazal has been subjected to several studies, but what is notable about these studies is that they were concerned with the historical aspect or with a specific type of poetic texts, while the study of what is related to the ghazal poem in terms of motive, references, and structure was limited or hung on a narrow aspect of its broad aspects. Therefore, the author researched this topic, collected his material, divided it into the introduction, the introduction, and three chapters, and followed that with a conclusion. In the introduction, he talked with some brevity about the ghazal introduction, thematic unity, the extent of its availability in the pre-Islamic ghazal poem, and meter and rhyme. In the first chapter: it was devoted to studying the motives for flirting, and it was in two chapters. The first chapter is titled “The Objective Motives for Spinning Between Constancy and Change,” in which we learn about the most important motives that led to the emergence of spinning in the Islamic and Umayyad eras. The second chapter is entitled “The Artistic Motives for Constancy and Change.” The second chapter was to study the ghazal poem and the stability and change that afflicted it. This chapter includes four chapters: The first chapter was about “the fixed and changing structure of the ghazal introduction,” and the second chapter was entitled “The structure of the sensual ghazal poem between its pre-Islamic roots and the spirit of the age.” The third chapter was entitled “The virginal ghazal between the stability of the roots and the changing structures.” The fourth chapter was entitled “The malicious ghazal between the stability of the structure and the change of the subject.” As for the third chapter, he devoted it to artistic study. It included four chapters. The first chapter talked about “the reference of the ghazal poem.” The second chapter studied the language of the ghazal poets. The third chapter dealt with the poetic image. The fourth chapter focused on studying rhythm, both external and internal, and finally the conclusion, in which the most important findings of the research were mentioned. Bibliography: pp. 371-400

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