The contemplative tendency in modern Arabic poetry: the penal association as a model
(النزعة التأملية في الشعر العربي الحديث الرابطة القلمية أنموذجا)

Name: The contemplative tendency in modern Arabic poetry: the penal association as a model
Author: Alaq, Fatih

Title	The contemplative tendency in modern Arabic poetry: the penal association as a model
Title Original	النزعة التأملية في الشعر العربي الحديث الرابطة القلمية أنموذجا
Author	Alaq, Fatih
Author Original	علاق، فاتح
Publication Date:	1436
Publication Place	Damascus, Syria - Damascus, Syria: Nineveh House for Studies, Publishing and Distribution
Subject	History and criticism
Type	Book
Language	Arabic
Digital	No
Manuscript	No
Pages Count	422
Physical Dimensions	422 صفحة
Library:	University of Minnesota Libraries
Library Asset ID	ISBN: 9789933536169, ISBN: 9933536168
Record ID	cdi_globaltitleindex_catalog_138587700
Library Location	Request
Date	1436
Notes	The contemplative tendency is a well-known characteristic of our ancient pre-Islamic and pre-Islamic Arabic poetry, and it indicates the extent to which Arab thought has reached in this or that time period, despite the fact that contemplation in ancient Arabic poetry would not have constituted a general phenomenon even in the Abbasid era, in which Arab culture was enriched by its mixture with foreign cultures of Persian, Greek, and Indian. But what could constitute a phenomenon in this regard is Sufi poetry, because Sufis have their own philosophy of life and their own view of the Creator and creatures, and they form something similar to a school with its own ideas and way of expressing them. However, this contemplative tendency began to take on a general character in romantic Arabic poetry in the modern era, as it focused on contemplating the soul and its relationship with life and nature. Contemplative poetry appeared among immigrants in North and South America in particular, and this was helped by their tripartite exile: their estrangement. About the homeland, their alienation in the new society, and their alienation in the world of time and place as romantic poets longing for a world without borders. The tendency to contemplate appeared more among the poets of the North than it did among the poets of the South in the American diaspora, due to their extreme introversion to themselves as a result of the tyranny of matter in the United States of America more than its tyranny in Brazil and Argentina. To the extent of the tyranny of matter, the poets of the League of Pens exalted their souls to the world of dreams and ideas, and they made contemplation the basis of their poetry. Gibran Khalil Gibran, Mikhail Naimy, and Nasib Arida were the first to remove this tendency, then they were followed by Elijah Abu Madi, Rashid Ayoub, and Nadra Haddad. Hence, our choice of the poets of the League of Pens was because they constitute a school in Arabic literature for the convergence of their ideas and disputes. -- Bibliography: p. 413-420
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The contemplative tendency in modern Arabic poetry: the penal association as a model

(النزعة التأملية في الشعر العربي الحديث الرابطة القلمية أنموذجا)

Author Alaq, Fatih

Author Original علاق، فاتح

Publication Date 1436

Publication Place Damascus, Syria - Damascus, Syria: Nineveh House for Studies, Publishing and Distribution

Subject History and criticism

Type Book

Language Arabic

Digital No

Manuscript No

Pages Count 422

Physical Dimensions 422 صفحة

Library University of Minnesota Libraries

Library Asset ID ISBN: 9789933536169, ISBN: 9933536168

Record ID cdi_globaltitleindex_catalog_138587700

Library Location Request

Date 1436

Notes The contemplative tendency is a well-known characteristic of our ancient pre-Islamic and pre-Islamic Arabic poetry, and it indicates the extent to which Arab thought has reached in this or that time period, despite the fact that contemplation in ancient Arabic poetry would not have constituted a general phenomenon even in the Abbasid era, in which Arab culture was enriched by its mixture with foreign cultures of Persian, Greek, and Indian. But what could constitute a phenomenon in this regard is Sufi poetry, because Sufis have their own philosophy of life and their own view of the Creator and creatures, and they form something similar to a school with its own ideas and way of expressing them. However, this contemplative tendency began to take on a general character in romantic Arabic poetry in the modern era, as it focused on contemplating the soul and its relationship with life and nature. Contemplative poetry appeared among immigrants in North and South America in particular, and this was helped by their tripartite exile: their estrangement. About the homeland, their alienation in the new society, and their alienation in the world of time and place as romantic poets longing for a world without borders. The tendency to contemplate appeared more among the poets of the North than it did among the poets of the South in the American diaspora, due to their extreme introversion to themselves as a result of the tyranny of matter in the United States of America more than its tyranny in Brazil and Argentina. To the extent of the tyranny of matter, the poets of the League of Pens exalted their souls to the world of dreams and ideas, and they made contemplation the basis of their poetry. Gibran Khalil Gibran, Mikhail Naimy, and Nasib Arida were the first to remove this tendency, then they were followed by Elijah Abu Madi, Rashid Ayoub, and Nadra Haddad. Hence, our choice of the poets of the League of Pens was because they constitute a school in Arabic literature for the convergence of their ideas and disputes. -- Bibliography: p. 413-420

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