Author
Kiziltan, Ali
Author Original
Kızıltan, Ali
Publication Date
1958
Publication Place
İstanbul -
ITU
Subject
Mosques_Türkiye.Mosques_Turkey.Dissertations, Academic.Theses, Academic.Theses, Doctorate.Thesis, Doctorate.
Type
kitap
Language
Turkish
Digital
No
Manuscript
No
Pages Count
125
Physical Dimensions
125 sayfa : şekl., tabl. ; 30 cm.
Library
Istanbul Research Institute Library
Library Asset ID
0012569
Record ID
1800267
Library Location
2nd floor - Semavi Eyice Collection
Date
27.09.2006
Notes
Thesis (Associate Professorship)-- ITU Faculty of Architecture, 1958
There is a bibliography.
Sample Text
Until recently, Turkish art, which was considered within the framework of Islamic Art, was not well known and introduced, and its styles in various periods could not be mentioned. Turkish works of art were partially examined with incomplete studies, and in general, Seljuk architecture and Ottoman architecture began to be mentioned in the following period. This was a simple result of initial research. Of course, it would not be possible to develop and solve such an issue, which has been neglected for many years, in a short time. Meanwhile, when the first Ottoman works began to be identified, it became an obvious fact that even those belonging to the early years had a different and new spirit from the Seljuk works. However, in the meantime, for some reason, an important issue that was not emphasized or remembered was left missing. Initially, the Sons of Osman were one of several states that emerged after the disintegration of the Anatolian Seljuk State, and even in the early years it was not the strongest of them. The establishment, development and dissolution of these Principalities dates back to the 14th century. It fits into a time frame of approximately one hundred years, from the beginning to the end of the century. During this period, other principalities, such as the Sons of Osman, began to create their first works with their own means and understanding of art. Partial examination of these has begun to show that, just as the Anatolian Principalities represented a transition period in terms of political development between the Seljuk State and the Ottoman Empire, which was later formed, their architecture also bore the character of such a transition period. Associate Professor Except for "The Art of the Karaman Period", published by Oktay Aslanapa in 1950, which mentions Karaman works in detail, very little has been mentioned about the structures belonging to the Principalities. We have discussed the topic of mosques from the whole of the architecture of the Principalities period, which we are strongly convinced of the need to examine. Existing literature was used for a small portion of these, which were examined and surveyed. In addition, fifteen of the twenty-two mosques whose surveys were made by us have not been published until today. Except for Karaman and Candaroğulları, the other principalities were built in the 14th century. Since they disappeared at the end of the century, we accepted this date as the upper limit of our subject. In this way, the last two Principalities mentioned in the XV. We believe that it would be correct to exclude the century mosques from the circuit of transmission and consider them separately.
Durum
Rafta
Ortam
Kağıt
Şekil
Basılı
