Author
National Library of France, National Library of France, National Library of France, National Library of France
Publication Date
2025
Publication Place
-
National Library of France
Subject
Duʿāʾ Prières Ibn al-Ashqar, Abd al-Rahman ibn Muhammad Abu Zaid [3120] al-Dari, Daoud ibn al-Arabi ibn al-Mu’ti ibn Salih [Ancien possesseur / Propriétaire précédent] Muhammad al-Mufaddal ibn Abd al-Rahman ibn al-Ashqar Muhammad ibn Abd al-Rahman ibn al-Ashqar The Tree of the Best of Humans to Adam, peace be upon him Muhammad ibn Abd al-Muttalib Hashim ibn Abd Manaf Praise be to God who guided us to faith and Islam... and after The purpose of this book is to mention prayers upon the Prophet
Type
Book
Language
Arabic
Digital
Yes
Manuscript
Yes
Pages Count
136
Physical Dimensions
220 x 170 mm. 11 lignes à la page. Surface écrite 130 x 90 mm.
Library
Contacts au Catalogue Collectif de France (CCFr)
Library Asset ID
Arabe 6983
Record ID
eadbam:EADC:NE009808_FRBNFEAD0000129846560
Library Location
National Library of France. Department of Manuscripts
Date
1705
Notes
FRBAMCCFR-000011-01a.xml FRBAMCCFR-000011-01b.xml FRBAMCCFR-000011-01c.xml FRBAMCCFR-000011-01d.xml FRBAMCCFR-000011-01e.xml FRBAMCCFR-000011-01f.xml FRBAMCCFR-000011-01g.xml FRBAMCCFR-000011-01h.xml Other file(s) linked to this institution: FRBAMCCFR-000011-01j.xml FRBAMCCFR-000011-01k.xml FRBAMCCFR-000011-01l.xml FRBAMCCFR-000011-01m.xml FRBAMCCFR-000011-01n.xml. GAL, II², 327 (1); Suppl. II, 359 Arabesques and Gardens of Paradise: French collections of Islamic art: Louvre Museum, Pais, October 16, 1989 - January 15, 1990. Paris, Réunion des Musées natioanux, 1989, n° 23 Sarkis, 697; print Cairo, 1978; M. G. Guesdon, A. Vernay-Nouri, ed., The Art of the Arab Book: from manuscript to artist's book, Paris, 2001 [Paris Exhibition, BNF, October 9, 2001-January 13, 2002, p. 100, no. 68 J. J. Witkam, Vroomheid en activisme in een islamitisch gebedenboek: de geschiedenis van de Dalā'il al-Khayrāt van al-Ğazūlī, Leiden, 2002. P. Roger, M. Serghini, F. Déroche. "The materials of color in Arabic manuscripts from the Muslim West. Research on the collection of the General Library and archives of Rabat and the National Library of France (information note)" in Reports of the sessions of the Academy of Inscriptions and Belles-Lettres, 148th year, 2, 2004. p. 799-830. Exhibition: Medieval Morocco (1053-1465), Paris, Musée du Louvre, October 6, 2014-January 5, 2015. Guesdon, Marie-Geneviève. Remarkable proportions in Maghreb manuscripts from the Middle Ages to the 19th century, The Arab manuscript and civilizational identity (pp. 27-37), Faculty of Letters and Human Sciences - Ibn Zohr University, 2017. A. Couvreat-Desvergnes, I. Vanden Berghe, "Dyestuff Identification and Significance of Interleaves fom Moroccan Manuscripts of Dalā'il al-Khayrāt" in Studies in Conservation, 2018, 63:4, p. 236-250. Some glosses and marginal notes. Fawāʾid, recipes (f. 1, 136), from ʿāʾ (f. 2). The notebooks were redone at the beginning of the volume. Notebook middle marks in the shape of 5 ġubār in red ink on the back of the 5th leaf of the notebooks. Advertisements on all pages. Name of the author on f. 19v, title to f. 20-20v. The text begins with the family tree of the Prophet (f. 4): شجرة خير الآنام إلى آدم عليه السلام محمد بن عبد المطلب هاشم بن عبد مناف Inc. of the Dalāʾil (f. 19v-20): الحمد لله الذي هدانا للايمان Copy completed on Thursday 17 šawwāl 1116 h / February 17, 1705 at the request of the qāʾid Abū Zayd al-Sayyid ʿAbd al-Raḥmān ibn al-raʾīs Abī ʿAbd Allāh Muḥammad ibn al-Ašqar (f. 135). Expl. (f. 132v-133): قلبيمعرفتك حتى اعرفك حق معرفتك كما ينبغي ان تعرف به. Mention of the birth of Sīdī Muḥammad al-Mufaḍḍal ibn ʿAbd al-Raḥmān ibn Muḥammad ibn al-Ašqar on Monday 26 Rabī 1119 a.m. / June-August 1707 and Muḥammad ibn ʿAbd al-Raḥmān ibn al-Ašqar on Monday 19 ǧumādā I 1123 h. / July 5, 1711 with description of the state of the sky at the time of their birth (f. 2). Mark of possession of Dāwud ibn al-ʿArabī ibn al-Maʿṭī ibn Ṣāliḥ [al-Diraʿī] (grandson of the founder of the zāwiya al-Nāṣiriyya of Tamgrout) (f. 19) Comes from the collection of Marshal Lyautey.. Punctuation of trefoil motifs. List of the Prophet's names introduced by a golden title in a golden frame with marginal vignette. (f. 30v); end of the rubʿ inscribed in gold in ṯuluṯ in bands: on a blue background with small white patterns in an oval cartouche inscribed in a rectangle (f. 60v); on a blue background with small red patterns in a polylobed circle (f. 107v); end of thirds inscribed in gold in decorative kufic in bands: on red background with gold motifs (67v); on a green background with gold motifs (f. 108v); end of the first half inscribed in gold in an oval cartouche in a rectangle with a gold, blue and red background, framed by a golden band (f. 81v). Each banner is accompanied by a marginal sticker. Ḥ̣izb -s inscribed in gold on a red or blue background in circular vignettes bordered with gold enhanced with red and blue dots, above which the number of the ḥizb is inscribed in blue in Arabic numerals. Text framed by a golden line surrounded by black lines, a red line and a blue line. pages. Carpet page bordered in gold: central motif in the shape of a 12-pointed star, formed by white threads, developing into a circular motif, with four quarters of the same motif on the spandrels, marginal garland with gold arabesque motifs on a red and blue background (f. 2v). Frontispiece introducing the Prophet's family tree: golden text in ṯuluṯ in a circle on a red background, the circle is inscribed in a square accompanied by two bands with circular and cruciform motifs formed by blue lines on a red, gold and green background; in the margin: semi-circle and two quarters of a circle (f. 3v); the genealogy of the Prophet is recorded from f. 4v to f.12v on illuminated pages. The text written on each page ends with the letter ب of the word بن which continues to attach to the ن of the following page. F. 4v: illumination comparable to that of f. previous, with different marginal motifs; f. 6-8: genealogical text inscribed in a band crossing in the middle a rectangle with a background of arabesques with red and blue plant motifs with four medallions on the spandrels; f. 8v-10v: the golden text passes between two decorated rectangles; in f. 11v and 12, the text goes around the upper rectangle; in f. 12v, it wraps around to fill the top of the page. List of the Prophet's battles: the names of the battles are inscribed in gold in 20 boxes surmounted by a title banner (f. 14), Colophon written in gold on a blue background in a banner with marginal vignette (f. 133), continued on two illuminated pages in the upper and lower banners which accompany squares with a central cruciform motif (f. 133v, 135).. Punctuation of trilobed motifs. List of the Prophet's names introduced by a golden title in a golden frame with marginal vignette. (f. 30v); end of the rubʿ inscribed in gold in ṯuluṯ in bands: on a blue background with small white patterns in an oval cartouche inscribed in a rectangle (f. 60v); on a blue background with small red patterns in a polylobed circle (f. 107v); end of thirds inscribed in gold in decorative kufic in bands: on red background with gold motifs (67v); on a green background with gold motifs (f. 108v); end of the first half inscribed in gold in an oval cartouche in a rectangle with a gold, blue and red background, framed by a golden band (f. 81v). Each banner is accompanied by a marginal sticker. Ḥ̣izb -s inscribed in gold on a red or blue background in circular vignettes bordered with gold enhanced with red and blue dots, above which the number of the ḥizb is inscribed in blue in Arabic numerals. Text framed by a golden line surrounded by black lines, a red line and a blue line. pages. Carpet page bordered in gold: central motif in the shape of a 12-pointed star, formed by white threads, developing into a circular motif, with four quarters of the same motif on the spandrels, marginal garland with gold arabesque motifs on a red and blue background (f. 2v). Frontispiece introducing the Prophet's family tree: golden text in ṯuluṯ in a circle on a red background, the circle is inscribed in a square accompanied by two bands with circular and cruciform motifs formed by blue lines on a red, gold and green background; in the margin: semi-circle and two quarters of a circle (f. 3v); the genealogy of the Prophet is recorded from f. 4v to f.12v on illuminated pages. The text written on each page ends with the letter ب of the word بن which continues to attach to the ن of the following page. F. 4v: illumination comparable to that of f. previous, with different marginal motifs; f. 6-8: genealogical text inscribed in a band crossing in the middle a rectangle with a background of arabesques with red and blue plant motifs with four medallions on the spandrels; f. 8v-10v: the golden text passes between two decorated rectangles; in f. 11v and 12, the text goes around the upper rectangle; in f. 12v, it wraps around to fill the top of the page. List of the Prophet's battles: the names of the battles are inscribed in gold in 20 boxes surmounted by a title banner (f. 14), Colophon written in gold on a blue background in a banner with marginal vignette (f. 133), continued on two illuminated pages in the upper and lower banners which accompany squares with a central cruciform motif (f. 133v, 135). decorated with golden motifs, restored with red leather. Transliteration standard: ISO 233-2:1993, Information and documentation -- Transliteration of Arabic characters into Latin characters -- Part 2: Arabic language (the character ¨t is not used).
Sample Text
Name of the driver au f. 19v, titre au f. 20-20v. The text begins with the text of the text (f. 4): The tree of the best people to Adam, peace be upon him, Muhammad bin Abdul Muttalib Hashim bin Abdul Manaf Inc. from Dalāʾil (f. 19v-20): Praise be to God who has guided us to faith and Islam... After that, the purpose of this book is to mention prayers upon the Prophet. ʿAbd al-Raḥmān ibn al-raʾīs Abī ʿAbd Allāh Muḥammad ibn al-Ašqar (f. 135). Expl. (f. 132v-133): And we ask you, O God, with the light of your face that has filled the pillars of your throne, to implant in my heart knowledge of you so that I may truly know you as you should be known by it.
Erişim Koşulları
Communication exceptionnelle, soumise à l’autorisation du directeur du département, sur demande motivée.
İllüstrasyon/Resimleme
représentation de la Mecque (f. 15v), de Médine ( minbar et tombeaux) (f. 16) ; de la sandale du Prophète (f. 16v-17) ; pages tapis en forme de mihrab (f. 17v, 19) ; représentation des tombeaux du Prophète et de ses compagnons Abū Bakr et ʿUmar, introduite par une page enluminée (f. 36). Les tombeaux sont représentés par des rectangles dorés et accompagnés d'une lampe dans un décor architectural encadré, (f. 36v), la mosquée de Médine est représentée par un minbar , un miḥrāb et une lampe, également dans un décor architectural encadré (f. 38). Ces pages enluminées sont prolongées de motifs marginaux circulaires et demi-circulaires.
Araştırma Aracının Başlığı
Manuscrits et fonds d'archives
Araştırma Aracının Dilleri
Notice rédigée en
Belgelerin Fiziksel Konumu
Réserve
Edinme Yöntemleri (Alternatif Yazım)
Acquis par la Bibliothèque nationale en 1975.
Alt Başlık
Département des Manuscrits. Arabe.
Taşıyıcı Ortam/Materyal
Papier européen filigrané. Filigrane en forme d'armoirie avec fleur de lys et la lettre V, avec nom [?] dans la pliure des feuillets.
Yazı/El Yazısı
Maġribī. Encre brune, vocalisation en couleurs. Mots mis en valeur en or, rouge ou bleu, ou rouge, bleu, vert bordé d'or. Titres dorés.
