Subject
Qurans
Type
Book
Language
Arabic
Digital
Yes
Manuscript
Yes
Physical Dimensions
99 ورقة 10 سطر ، المقاس الداخلي : 18x12,8 سم
Library
King Fahd National Laibrary
Record ID
b57bfb8b-6fac-99e4-47cb-b16e6a0e77d3
Library Location
King Faisal Center for Research and Islamic Studies
Notes
18 x 12.8 cm The beginning of the manuscript: In the name of God, the Most Gracious, the Most Merciful, O you who have believed, do not come forward before God and His Messenger, and fear God. Indeed, God is All-Hearing, All-Knowing [Al-Hujurat: 1] Light moisture did not affect the hexagram text, narrated by Dori Abi Amr and Al-Basri, counting: Basri, mostly in outline and brush, does not adhere to the Uthmani script, the number of verses of the surah may be written incorrectly, as in Al-Najm in general, he said: 62. With the Sahih: 61 verses, and he made a mistake in Al-Rahman, Al-Waqi’at, Al-Haqqa, Al-Naba’, and Al-Naza’at. He may give an incorrect syntax, as in Al-Haqqa, Al-Naza’at, and Al-Layl, and he may mention a number for different languages other than Al-Basri, such as Al-Naba’, or he may invert the numbers, such as Al-Naza’at. He said: 54. The Sahih one said: 45 verses, or it could be a misprint like Al-Rahman said: 79, Al-Sahih 76, Al-Waqi’ah, he said: 99, and the Sahih: 96. Verse.||The information line of the Surah is usually written vertically by intersecting it with the letter (S) of the basmalah in red. He may also write it vertically in the blank, as in Al-Saff /v. 41/, Al-Tahrim /v. 51/, and Al-Duha /v. 914/. The basic principle is that if he does not write it above the basmalah, he writes it on the line horizontally in two lines, as in Al-Mumtahana /v. 38/ Al-Munafiqun /v. 45/ and Al-Talaq /v. 48/ And Al-Sharh /v. 92/, Al-Alaq /v. 92/, Al-Bayyinah /v. 93/, Al-Elephant /v. 96/, Al-Kafirun /v. 97/, Al-Ikhlas /v. 98/, or it comes in three lines as in: Al-Waqi’ah /v. 22/, Nuh /v. 63/, Al-Insan /v. 72/, Al-Takwir /v. 81/, Al-Shiqqa’ /v. 84/, and Al-Nasr /v. 97/. The information line may be placed at the end of the page, as in divorce /v. 48/ and separation /v. 84/. ||The basmalah may be made the last line on the page, and it is many in Qaq /w 4/, Al-Dhariyat /w 7/, Al-Muzzammil /w 67/, Al-Mursalat /w 74/, Abbas /w 79/, Al-Buruj /w 85/, Al-Qara’ah /w 95/, Quraysh /w 96/, Al-Kawthar /w 97/, and Al-Falaq /w 98/. The basmalah may be divided between the end of the page and the beginning of the next, as in: Al-Tariq /w 86/ and Al-Tin /w 92/. The part is divided into two parts (part) and then (party). He changes any additional data and places the word between two rectangles whose sides may be decorated with circles /Z 42/ or with dots and small lines /Z 53/, and opposite them is written the first words of the part or party in red. When he makes a mistake, he crosses out the error until he completely erases it, leaving nothing but a black rectangle. If words fall on it, he adds them above without the affix sign /and 20/, or he writes it in the footnote with the affix sign /and 52/. The dividers are decorated with a large red dot with a black border surrounding it, which may be attached to it. He may place a mark (X) in red above the comma marks and write in the footnote (this is half of the surah). This is in Al-Najm /v. 14/, Al-Rahman /v. 21/, Al-Mujadila /v. 32/, Al-Hashr /v. 36/ to Al-Tahrim /v. 52/||, Al-Qalam /v. 57/, and Al-Ma’arij /v. 62/. The half here is not in the number of verses, but rather as if it were in the quantity of words and letters. He wrote opposite the beginning of Surah Al-Mujadala in red in the footnote: (This is half of the surah of the Great Qur’an if the number of surahs is a surah) thus he wrote /and 31/ and opposite the word (Which of you) the pen: 6 he wrote in the footnote in red: (He wrote the second Ya’ to follow the Uthmani script) /and 56/ and thus with his wording. The names of some of the surahs may be varied in: (Al-Insan = eternity), (Al-Infitar = I broke up), (Al-Inshiqaq = I split), (Al-Sharh = Didn’t we explain), (Al-Zalzalah = earthquake), and (Al-Ma’un = the orphan). He adheres to the commentary, and writes all the sublime words in red, as well as the beginnings of parts and parts. Some plural meems are written with an error mark like this (X), as if it means: without any connection to them. He draws attention to some of the rulings on the sakun noon, so the letter (n) is for display, (m) for turning, and (khuf) is for concealment. The paper is thick white and smaller from the edges of the paper towards the heel. There are errors in writing the page numbers, all of which have been corrected. The diacritical marks used are the usual ones, except for the dammah, which resembles the letter dal (d). Transcribed by: Abd al-Rahman bin Abdullah bin Sayyid Abu Bakr.. bin Khidr. The end of the manuscript: The one who whispers into people’s chests from Paradise and mankind.
Yazı Tipi
نسخ سوداني
