Subject
Qurans
Type
Book
Language
Arabic
Digital
Yes
Manuscript
Yes
Physical Dimensions
304 ورقة 15 سطر ، المقاس الداخلي : 18x12 سم
Library
King Fahd National Laibrary
Record ID
32b3a950-89bd-7334-f126-9f022a06b3f7
Library Location
King Faisal Center for Research and Islamic Studies
Notes
The surahs are inside a table decorated with colors, 18x12 cm. The first sheet, B, and the second, A, are decorated and decorated. The verse separators are gold-plated, and the names of the surahs and the number of verses are written in red. The beginning of the manuscript: In the name of God, the Most Gracious, the Most Merciful. Praise be to God, Lord of the Worlds, Most Gracious, Most Merciful, Owner of the Day of Judgment, five pamphlets. The narration is Hafs on the authority of Asim. The count is mostly Kufi. He does not adhere to the drawing except for rare words. The pages are oriented. Each part contains ten pages except the first and the last, and so on. He adheres to the commentary and writes it in its place of one or two words. The omission is written in the footnote with an appendix mark and he interprets it. There are corrections in a later handwriting other than the copyist’s handwriting. Although it adheres to the directed pages, its control of the blocks is incorrect, and it leaves some space at the end of the line. The Qur’an was handwritten by one writer, but page 7 was dropped and then replaced with a handwriting close to the copyist’s handwriting. He decorated Al-Fatihah and the beginning of Al-Baqarah with gilded clouds around the writing in a semi-circular manner, and decorated the sides with a multi-colored background containing plant stems and flowers, then a wide gilded frame, then two upper and lower rectangles||two gilded horizontals with no writing around them, a pink frame, then a white frame separating everything mentioned, then a wavy outer decoration, then flowers, plant stems, and multiple colors, then on the outside there are red, then blue lines on the outside. The frame of the pages is gilded, outlined in double black on the outside, then red. The dividers are a medium-sized gilded circle with dots on the four sides in two colors, blue and orange. He decorated the parts with various decorations that are not the same and combines them in the form of a circle containing multiple shapes and multiple colors with upper and lower lines in blue and red. As for the sections, their decoration is simpler, consisting of a single shape with gold dotted above it and then upper and lower lines. The information line of the Surah is rectangular, framing it with multiple colors, then gilding on the sides and writing in red in the middle. It is adhered to. He mentioned the name of the Surah and the number of its verses, and does not mention the revelation in red. In the names of the prophets, Yazid (peace be upon him) is in one line. He may make a mistake in mentioning the total number of verses in the Surah, and he may include in it the remnants of words from the previous Surah. He placed it in the last line of the page in: Yunus, the thunder, the Hajj, the believers, the poets, the ants, the prostration, the parties, the safat, the sura, the shura, the star, the examinator, the infitar, the night, and the qaraa. And the unbelievers. The basmalah is on a separate line by itself, and it may be placed on the last line of the page, as in: An-Nisa’, Al-Nour, Al-Jathiyah, ‘Abs, Al-Qadr, and Al-Asr. The extra line is overwritten, and in some commas it is misspelled. He calls out the prostrations. He divides the part into (part) with a later number, then (part), then (part), then (part), and there are those who used to write down the parts and the names of the surahs and parts and did not complete it until the end of the Qur’an. A variation on the names of some of the surahs in (Al-Isra = The Prisoners), (Saba = Al-Saba), (Ghafir = The Believer), (Al-Insan = Eternity), (Al-Sharh = Al-Inshirah), (Al-Ma’un = Religion), and (Al-Masad = Tibet). I cleaned the Qur’an, checked the page numbers, and erased any excess material on the pages. His stop symbols are: (La T J M S Z Q Q Qaf), all of which are in red with the tide sign. Dampness and wetness Copied by: Sayyed Hassan Al-Basri The end of the manuscript: Among the evil of the whisperer is the deceiver who whispers into people’s breasts from heaven and humanity..
Yazı Tipi
نسخي جميل
