Collection of means in Sharh al-Shama’il [by al-Tirmidhi]
(جمع الوسائل في شرح الشمائل للترمذي)

Name: Collection of means in Sharh al-Shama’il [by al-Tirmidhi]
Author: Ali Al-Qari, Ali bin Muhammad Al-Harawi, Al-Mulla, d. 1014 AH.

Title	Collection of means in Sharh al-Shama’il [by al-Tirmidhi]
Title Original	جمع الوسائل في شرح الشمائل للترمذي
Author	Ali Al-Qari, Ali bin Muhammad Al-Harawi, Al-Mulla, d. 1014 AH.
Author Original	علي القاري، علي بن محمد الهروي، الملا، ت هـ
Publication Date:	10 Safar 1175 AH.
Publication Place	- Ali Al-Qari, Ali bin Muhammad Al-Harawi, Al-Mulla, d. 1014 AH.
Subject	History and biographies
Type	Book
Language	Arabic
Digital	Yes
Manuscript	Yes
Pages Count	347
Physical Dimensions	عدد الأوراق : 347 ؛ عدد الأسطر : 27 ؛ المقاس : 24.7 × 16.5 سم.
Library:	King Fahd National Laibrary
Record ID	aee53d6d-dae1-498d-ab2c-17867978dca5
Library Location	Imam Muhammad bin Saud Islamic University
Date	10 Safar 1175 AH.
Notes	A beautiful modern copy, at the beginning of which is a beautiful floral frame in the shape of the dome of a mosque, decorated with ingenious decorations and beautiful floral designs. Al-Muzawaq used many colors of ink to decorate it, and drew a beautiful chrysanthemum flower on a golden background, in addition to a number of flowers that Al-Muzawaq colored in colors: blue, gold, bright yellow, pink, and white, including the frame that surrounded the painting. He wrote the text on folios 5b and 6a in water-based tansy black ink within tables. It is doubled in gold, black and red ink. As for the rest of the copy, the text was written in single tables in red, on a European-made satin white kraft paper, in which parallel lines and the trademark watermark appear. The copy was severely wet and dirty, which greatly affected the text, especially in its last parts, where traces of decay and rot appear. In the first part there is an index of contents located on three leaves, in which appears the seal of Ahmed Khairy and the date of his acquisition of the copy in the year 1362. e. Her notebooks are disassembled, and their bindings are in need of re-binding, sterilization, restoration, and maintenance.
Metin Başı (İncipit)	((.. الحمد لله الذي خلق الخلق والأرزاق والأفعال وله الشكر على إسباغ نعمه الظاهرة والباطنة بالأفضال ..أما بعد فيقول أفقر عباد الله الغني الباري علي بن سلطان محمد القاري لما كان موضوع علم الحديث ذات النبي صلى الله عليه وسلم من حيث إنه نبي وغايته الفوز بسعادة الدارين وهو نعت كل ولي ... أحببت أن أدخل في زمرة الخادمين بشرح ذلك الكتاب ...))
Yazı Tipi	نسخ تدويني حسن
Metin Sonu (Explicit)	((... وضمت انظروا معنى العلم والجملة الإستفهامية سدت مسد المفعولين تعليقاً والله سبحانه أعلم تحقيقاً وبعونه يوجد العلم توفيقاً والحمد لله أولاً وآخراً والصلاة والسلام على صاحب المقام المحمود باطناً وظاهراً وفرغ مؤلفه من تسويده بعون الله وتأييده منتصف شعبان المعظم في الحرم المحترم المكرم عام ثمان بعد الألف المفخم ..))

View in source King Fahd National Laibrary King Fahd National Laibrary - Ottoman library catalog search

King Fahd National Laibrary

Collection of means in Sharh al-Shama’il [by al-Tirmidhi]

(جمع الوسائل في شرح الشمائل للترمذي)

Author Ali Al-Qari, Ali bin Muhammad Al-Harawi, Al-Mulla, d. 1014 AH.

Author Original علي القاري، علي بن محمد الهروي، الملا، ت هـ

Publication Date 10 Safar 1175 AH.

Publication Place - Ali Al-Qari, Ali bin Muhammad Al-Harawi, Al-Mulla, d. 1014 AH.

Subject History and biographies

Type Book

Language Arabic

Digital Yes

Manuscript Yes

Pages Count 347

Physical Dimensions عدد الأوراق : 347 ؛ عدد الأسطر : 27 ؛ المقاس : 24.7 × 16.5 سم.

Library King Fahd National Laibrary

Record ID aee53d6d-dae1-498d-ab2c-17867978dca5

Library Location Imam Muhammad bin Saud Islamic University

Date 10 Safar 1175 AH.

Notes A beautiful modern copy, at the beginning of which is a beautiful floral frame in the shape of the dome of a mosque, decorated with ingenious decorations and beautiful floral designs. Al-Muzawaq used many colors of ink to decorate it, and drew a beautiful chrysanthemum flower on a golden background, in addition to a number of flowers that Al-Muzawaq colored in colors: blue, gold, bright yellow, pink, and white, including the frame that surrounded the painting. He wrote the text on folios 5b and 6a in water-based tansy black ink within tables. It is doubled in gold, black and red ink. As for the rest of the copy, the text was written in single tables in red, on a European-made satin white kraft paper, in which parallel lines and the trademark watermark appear. The copy was severely wet and dirty, which greatly affected the text, especially in its last parts, where traces of decay and rot appear. In the first part there is an index of contents located on three leaves, in which appears the seal of Ahmed Khairy and the date of his acquisition of the copy in the year 1362. e. Her notebooks are disassembled, and their bindings are in need of re-binding, sterilization, restoration, and maintenance.

Metin Başı (İncipit) ((.. الحمد لله الذي خلق الخلق والأرزاق والأفعال وله الشكر على إسباغ نعمه الظاهرة والباطنة بالأفضال ..أما بعد فيقول أفقر عباد الله الغني الباري علي بن سلطان محمد القاري لما كان موضوع علم الحديث ذات النبي صلى الله عليه وسلم من حيث إنه نبي وغايته الفوز بسعادة الدارين وهو نعت كل ولي ... أحببت أن أدخل في زمرة الخادمين بشرح ذلك الكتاب ...))

Yazı Tipi نسخ تدويني حسن

Metin Sonu (Explicit) ((... وضمت انظروا معنى العلم والجملة الإستفهامية سدت مسد المفعولين تعليقاً والله سبحانه أعلم تحقيقاً وبعونه يوجد العلم توفيقاً والحمد لله أولاً وآخراً والصلاة والسلام على صاحب المقام المحمود باطناً وظاهراً وفرغ مؤلفه من تسويده بعون الله وتأييده منتصف شعبان المعظم في الحرم المحترم المكرم عام ثمان بعد الألف المفخم ..))