Author
HEMP, Fatma
Publication Place
Ankara University -
Ankara University
Subject
Existentialism, Social learning
Type
Book
Language
ara,eng,tur
Digital
Yes
Manuscript
No
Library
Leitir Library
Library Asset ID
ISSN: 1301-0522, DOI: 10.33227/auifd.1353163
Record ID
cdi_doaj_primary_oai_doaj_org_article_d8163245496748ee8dac23316d0b660e
Library Location
DOAJ Directory of Open Access Journals (WRLC)
Notes
Theories such as 'deprivation', 'rational choice', 'socialization', 'ethnicity and religion' and 'existential security', which are among the leading approaches to understanding and explaining the phenomenon of religiosity, generally tend to explain religiosity with a single element. Considering individual differences, the religious experiences of different individuals may differ. Since religion is a complex and multifaceted phenomenon, it is difficult for a single theoretical approach to religiosity to explain all forms of religious commitment. Examining religious devotion through films, in terms of the opportunity to reflect different religious perceptions, can contribute to a more in-depth understanding of approaches to the subject. In this context, the film Ida (2013), directed by Paweł Pawlikowski, focuses on the post-Holocaust period in 1962 Poland. Although the film has political and historical layers, it is discussed specifically in terms of theories of religiosity in this study. In this film review, which was planned in a qualitative pattern, religious identity analysis was made in the context of theories of religiosity. The story of Anna (Ida), the main character of the film, is focused on in the context of her search for self and the discovery of her religious identity. Religious socialization, rational choice, and the search for meaning and belonging were effective in her decision-making process through experience, and Anna decided to return to the monastery by choosing religious devotion. Approaches to understanding and explaining the phenomenon of religiosity include 'deprivation theory', 'rational choice theory', 'socialization theory', 'ethnicity and religion' and 'existential insecurity theory'. These theories frequently attempt to explain religiosity using a single factor. Because of human diversity, various individuals may have unique religious experiences. Considering that religion is a multifaceted and complex phenomenon, no single theoretical approach to religiosity can adequately explain all forms of religious commitment. In the context of movies reflecting individuals' perceptions of life, examining the perception of religiosity through film can contribute to a deeper understanding of the approaches to the subject. Pawel Pawlikowski's Ida (2013) is a movie about Poland in 1962, following the Holocaust. Although the film has political and historical layers, in this study, it was analyzed specifically in terms of theories of religiosity. In this direction, social-religious identity analysis was carried out within the framework of film analysis in qualitative design. The article is focused on the story of Anna (Ida) the main character of the film, in the context of her search for herself and the discovery of her religious identity. Religious socialization, rational choice and existential pangs seem to have influenced her experiential decision-making process, and ultimately Anna decided to return to the convention.
Detaylı Başlık
Ida’nın Dinî Bağlılık Tercihinin Dindarlık Kuramları Açısından İncelenmesi
