Author
AKKUŞ, Mustafa Asim
Publication Place
Motif Publishing -
Motif Publishing
Subject
Religious studies, 2023-12, Vol.26 (65), p.539-569
Type
kitap
Language
ara,eng
Digital
Yes
Manuscript
No
Library
Leitir Library
Library Asset ID
ISSN: 1301-966X, DOI: 10.15745/da.1346082
Record ID
cdi_doaj_primary_oai_doaj_org_article_9e22e76e20db49a8b77d925c44a73560
Library Location
DOAJ Directory of Open Access Journals
Notes
In this study, it is aimed to reveal the Turkish religious music practices of Cevherism, which is a sect based on Qadiri and Rifai, founded in Bagcilar, Istanbul. First of all, the historical process of the establishment of Cevherism was mentioned, and then the musical activities of the Federation of Sufi Music Associations, which ensured its cultural spread, were discussed. As a result of archives, interviews and observations, the relationship of Cevherism with music was determined, the types of music performed in the dhikr and the compositions belonging to the lodge were identified. In addition, through the sound recordings and note archives obtained as a result of the research, the works specific to the lodge were arranged and notated, and it was aimed to introduce the Turkish religious music repertoire to new works. Genres such as salawat, imamet, tesbihât, istighfar, taravih composition, odes and hymns are performed in the lodge, and especially the compositions of salavat and tesbihât in the maqam of uşşak, rast, hicaz and segah are sung specifically for the lodge. Meşk evenings are also organized and many hymns, suğl, tevşih, breath, elegy, etc. are performed. Composed genres are read. The problem statement of this study is "Is the relationship between dhikr and music of Cevherism compatible? What is the place of Cevherism in Turkish religious music?" It was determined as . As a method, qualitative research methods such as source scanning, data collection, sampling, comparison and citing sources were used in our study. We can express the importance of this study as the importance of Cevherism's relationship with music, as it used music effectively and trained many musicians and composers. This study aims to reveal the Turkish religious music practices of Jawharism, a sect based on Qadiri and Rifai, founded in Bagcilar, Istanbul. The historical process of the establishment of Jawharism was first mentioned, and then the musical activities of the "Association for the Promotion and Sustenance of Sufi Music and Culture", which enabled it to spread in a cultural sense, were discussed. As a result of archives, interviews and observations, the relationship of Jawharism with music was determined, the types of music performed in the dhikr and the compositions belonging to the lodge were identified. In addition, through the sound recordings and note archives obtained as a result of the research, the works specific to the lodge were arranged and notated, and it was aimed to introduce the Turkish religious music repertoire to new works. Genres such as salawat, imamet, tasbihât, istighfar, taravih composition, odes and hymns are performed in the lodge, and especially the compositions of salawats and tasbihâts in the maqam of uşşak, rast, hicaz and segah are sung specifically for the lodge. Meşk evenings are also organized and many hymns, suğl, tevşih, nefes, mersiye, etc. are practiced. Composed genres are performed. The problem of this study is, is the relationship between dhikr and music of Jawharism compatible? How is the statues of Jawharism in Turkish religious music?, Qualitative research methods such as source scanning, data collection, sampling, comparison and citing sources were used in our study determined as a method. We can express the importance of this study as the importance of Jawharism's relationship with music, as it used music effectively and trained many musicians and composers.
Detaylı Başlık
TASAVVUF MÛSİKÎSİ DERNEKLERİ FEDERASYONU’NUN TÜRK DİN MÛSİKÎSİ UYGULAMALARI
