Author
Necla Kaplan
Publication Place
Mardin Artuklu University -
Mardin Artuklu University
Subject
Mukaddime, 2011-04, Vol.4(4), p.175-195
Type
Book
Language
ara,tur
Digital
Yes
Manuscript
No
Library
Leitir Library
Library Asset ID
ISSN: 1309-6087, EISSN: 2459-0711
Record ID
cdi_doaj_primary_oai_doaj_org_article_39c0d96bc6ae469dbdd6f0ed614f14ed
Library Location
DOAJ Directory of Open Access Journals
Notes
of persons; There is a belief in most religions that they will be resurrected after death or at the end of the world, also called the second life, and will be held accountable for what they did while they were alive. According to the Islamic religion, all people will be present in the presence of Allah and will be questioned. It is stated that the dead who are interrogated, those who do good, will go to heaven, and those who do evil will go to hell, where they will live a second life. While this subject is discussed in literary texts, it is also depicted as people imagine it in their minds. We also see these examples in Ottoman painting. Especially, in manuscripts such as Cifrû'l- Cami (TSMK, B.373; İÜK, TY. 6624; CBL, 444), Ahvâl-i Kıyâmet (SK. Hafıd Efendi 139, BSB Ms. Or. Oct. 1596), Fâlnâme (TSMK H. 1703), events that foretell the future, Doomsday, Doomsday. signs, depictions of Heaven and Hell are included. The style used in the depictions of hell in Ottoman painting that we researched reflects the stylistic feature we saw at the end of the 16th century and the beginning of the 17th century, the style of Nakkaş Hasan. These descriptions, based on the text, describe the Ottoman society's thoughts about Hell. The figure of Azrael, fire, the torment of Hell, and the environment of Hell reflect society's imagination about these concepts.
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