Ah ya Laly, a ya Leily // Turkish Dance tune // 3 voices and piano reduction // for the last ballet entry // from the Sicilian [Handwritten music]

Title Ah ya Laly, a ya Leily // Turkish Dance tune // 3 voices and piano reduction // for the last ballet entry // from the Sicilian [Handwritten music]
Author Sauzay, Eugène (1809-1901). Composer See related records as author
Subject None — None — Comedy-ballet music -- 19th century -- Sheet music See related records as genre or form
Type Book
Language Arabic
Digital No
Manuscript Yes
Pages Count 6
Physical Dimensions 1 partition ([1]-6 p.) ; 30,5 x 23 cm
Library: Bibliothèque nationale de France
Library Asset ID FRBNF45658390
Record ID cb45658390s
Date 1885
Notes Choir intended for the incidental music composed by Sauzay for Molière's comedy; only the instrumental part appears in the Paris edition: Firmin-Didot, 1881. - Text in transliterated Arabic. - Autograph manuscript in black ink; the lyrics are partly in pencil. - The note p. 4: “take here the engraved Gazelle and then go to the coda on the back” refers to “My gazelle!: oriental poetry: air taken from the Sicilian ballet”, Paris: impr. by Fouquet, [DL 1885]
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Bibliothèque nationale de France - Ottoman library catalog search Bibliothèque nationale de France

Ah ya Laly, a ya Leily // Turkish Dance tune // 3 voices and piano reduction // for the last ballet entry // from the Sicilian [Handwritten music]

Author Sauzay, Eugène (1809-1901). Composer See related records as author
Subject None — None — Comedy-ballet music -- 19th century -- Sheet music See related records as genre or form
Type Book
Language Arabic
Digital No
Manuscript Yes
Pages Count 6
Physical Dimensions 1 partition ([1]-6 p.) ; 30,5 x 23 cm
Library Bibliothèque nationale de France
Library Asset ID FRBNF45658390
Record ID cb45658390s
Date 1885
Notes Choir intended for the incidental music composed by Sauzay for Molière's comedy; only the instrumental part appears in the Paris edition: Firmin-Didot, 1881. - Text in transliterated Arabic. - Autograph manuscript in black ink; the lyrics are partly in pencil. - The note p. 4: “take here the engraved Gazelle and then go to the coda on the back” refers to “My gazelle!: oriental poetry: air taken from the Sicilian ballet”, Paris: impr. by Fouquet, [DL 1885]
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