Dîvān-ı Ârif, MS 7
(ديوان عارف)

Title	Dîvān-ı Ârif, MS 7
Title Original	ديوان عارف
Author Original	Ârif / عارف
Subject	Turkish poetryTurkish literature--PoetryPoets, TurkishManuscripts, TurkishManuscripts, Ottoman Turkish
Type	Book
Language	ota,tur
Digital	Yes
Manuscript	Yes
Pages Count	388
Physical Dimensions	[1, 191] leaves (18 lines) / 15,5x22 cm.
Library:	Koç University Suna Kıraç Library
Record ID	168548
Library Location	Suna Kıraç Library, Special Collections and Archives / Suna Kıraç Library, Special Collections and Archives
Date	n.d.
Notes	Written in two columns, 18 lines per page in black ink with red headings. Blank pages: 35a-39a, 57a, 58b, 59a, 80a-83b, 86b, 89b-95b, 99b, 104a-111b, 117a-121b, 129a-134b, 136b, 141b-148b, 156a-162b, 166b, 170a-176b, 185b-190a. Bound features is deep red, leather. Some pages are blank: 35a-39a, 57a, 58b, 59a, 80a-83b, 86b, 89b-95b, 99b, 104a-111b, 117a-121b, 129a-134b, 136b, 141b-148b, 156a-162b, 166b, 170a-176b, 185b-190a. In 192a, there is a provincial record written in the handwriting of Bayramoğlu's father, Mehmed Tayyip Efendi, on the occasion of the birth of his son Şemseddin. 39b-45a: odes, most of which were written to naat or religious elders, 45a-50a: terci-bend, 50b-56b: poems in praise of religious elders in various verse forms, 59b-64b: poems written in ode verse form, 65a-73b: tahmis, kaside ve muaşşer, 73b-74b: rubailer, 75a-185a: Although written in ghazal verse form, there are poems, some of which have hymn characteristics. The identity of the poet, who is a member of the sect, is unknown. Although Fuat Bayramoğlu cannot determine the identity of Arif, the poet of the poems in this manuscript, which was inherited from his father, he states that it is a weak possibility that the divan may belong to Tüfekçi Arif, from the Müderris-zadeler branch of the Hacı Bayram dynasty (see bibliography). Although it was arranged as Arif's divan, poems by different poets were also frequently included in the work. In this respect, the book looks like a magazine. Especially the poems that come after each letter change in ghazals always belong to different poets: various history couplets from Sürûrî (1a-34b), three odes by Ahmed Pasha and Cem Sultan (57b-58a, with different writing and ink), Niyazî (75a, 84a, 87a, 112a-b, 113a-b, 153a, 163b, 179a), Hüdâyî (75a-b, 116a, 149a-b, 179b), Abdussamed (75b, 185a), Nesîmî (87a), Sezâyî (112a, 180b-181a), Nakşî (112b), Şemsî (112b, 163a, 184a), Yazıcıoğlu (113a), Mısrî (113a, 167a), İzzî (113b, 167a, 185a), Eşrefoğlu (116a, 149a, 184a), Nâbî (135a, 177a, 179b), Hakkî (139a), Hakîkî (149b), Edhem Baba (149b-150a), Nizamoğlu (150a), Ümmi Sinan (153a), Nûrî (153b, 164a-b), Gâlib (163b), Yahyâ (164a), Yûnus (164a, 167a-b, 179a, 180b), Notes showing that most of the hymns of Nazîm (164b), Şems-i Tebrîzî (167b), Hacı Bayram (163b, 179b, 184b, 185a), Kânî (179b-180a), Rûşenî (180a-b), Akşemseddin (184a) were composed in their style and some of them were composed at the beginning. Poems found in. The poems of Arif, whose identity cannot be fully determined, include praise of the twelve imams, praise of the Celveti sheikh Keşanlı Zâtî Süleyman Efendi (50b) and Bektashi-oriented saints of the Thrace region (such as Mürsel Baba, Demir Baba, Hızır Baba), as well as praise of Keşanlı Adlî Ömer Efendi (72a) Cisr-i Ergeneli. The existence of poems addressed to a poet from [Uzunköprülü] (69b) are extremely important details in terms of the poet's environment, sect relations and identity.
first_page_id	168160
Başlık / Title	Cover
Tarih (Hicri) - Date (Islamic)	n.d.
Kaynakça ve diğer nüshalar / Bibliography and concordances	Fuat Bayramoğlu, Hacı Bayram-ı Vel, Yaşam-Soyu-Vakfıi, C. II, s. 227, TTK, Ankara, 1983, s. 227
Yazının tanımlaması / Description of script	Yaprak sayısı : I, 191 / Sütun sayısı : 2 / Satır sayısı : 18 / Yazı alanı boyutu : 180x110 mm / Kağıt boyutu : 220x155 mm / 88b’de iki adet çarenderçar şekilli şiir / Yazmanın başı - sonu : 39b - 183b
Kağıt türü / Paper type	Kremrengi, orta kalın, suyollu, aharlı kağıt
Mürekkep rengi / Ink color	Siyah, şiir başlıkları ve mahlaslar kırmızı
Ciltleme ve tezhip özellikleri / Binding and script features	Koyu kırmızı, deri, cilt kapaklarına mukavva ile takviye yapılmamış
Kaligrafi stili / Calligraphic style	Bozuk talik / Taʿlīq script
Yazma No. - Volüm No. / MS. No. - Item No.	MS 7No. 6
Bib. No. / Call No.	PL248 .A75 D5
Bağışçı / Donator	Fuat Bayramoğlu
Dijital koleksiyon / Digital collection	Koç University Manuscripts Collection
Format / Format	jpeg
Telif hakkı ve kullanım / Copyright and usage	Bu websitesindeki tüm görüntü ve materyaller görüntüleme amaçlıdır bu nedenle kullanıcılar Koç Üniversitesi'nden yazılı izin alınmaksızın herhangi bir biçimde kopyalama, çoğaltma, herhangi bir biçimde dağıtım, değiştirme, uyarlama veya ekleme yapamazlar. İlgili kanuna istinaden izin verilen eğitim ve öğretim faaliyetleri kapsamında materyallerin kullanımına bağlı şartlar eser sahibi ve/veya Koç Üniversitesi'ne aittir. Daha fazla bilgi için: [email protected]. / All images and materials are for viewing purposes and users may not copy, reproduce, distribute in any form, perform, alter, adapt or add to materials in whatsoever form without express written consent of Koç University. Any educational and academic uses which are permitted under the compliance to the relevant laws must credit the Author and Koç University. For more information, contact us at: [email protected].
Dijitalleştirme özellikleri / Digitization specifications	Original scanned with Zeutschel OS 12000C A2 scanner and saved as 300 ppi uncompressed tiffs. Display images generated in CONTENTdm as jpeg.

View in source Koç University Suna Kıraç Library

Koç University Suna Kıraç Library

Dîvān-ı Ârif, MS 7

(ديوان عارف)

Author Original Ârif / عارف

Subject Turkish poetryTurkish literature--PoetryPoets, TurkishManuscripts, TurkishManuscripts, Ottoman Turkish

Type Book

Language ota,tur

Digital Yes

Manuscript Yes

Pages Count 388

Physical Dimensions [1, 191] leaves (18 lines) / 15,5x22 cm.

Library Koç University Suna Kıraç Library

Record ID 168548

Library Location Suna Kıraç Library, Special Collections and Archives / Suna Kıraç Library, Special Collections and Archives

Date n.d.

Notes Written in two columns, 18 lines per page in black ink with red headings. Blank pages: 35a-39a, 57a, 58b, 59a, 80a-83b, 86b, 89b-95b, 99b, 104a-111b, 117a-121b, 129a-134b, 136b, 141b-148b, 156a-162b, 166b, 170a-176b, 185b-190a. Bound features is deep red, leather. Some pages are blank: 35a-39a, 57a, 58b, 59a, 80a-83b, 86b, 89b-95b, 99b, 104a-111b, 117a-121b, 129a-134b, 136b, 141b-148b, 156a-162b, 166b, 170a-176b, 185b-190a. In 192a, there is a provincial record written in the handwriting of Bayramoğlu's father, Mehmed Tayyip Efendi, on the occasion of the birth of his son Şemseddin. 39b-45a: odes, most of which were written to naat or religious elders, 45a-50a: terci-bend, 50b-56b: poems in praise of religious elders in various verse forms, 59b-64b: poems written in ode verse form, 65a-73b: tahmis, kaside ve muaşşer, 73b-74b: rubailer, 75a-185a: Although written in ghazal verse form, there are poems, some of which have hymn characteristics. The identity of the poet, who is a member of the sect, is unknown. Although Fuat Bayramoğlu cannot determine the identity of Arif, the poet of the poems in this manuscript, which was inherited from his father, he states that it is a weak possibility that the divan may belong to Tüfekçi Arif, from the Müderris-zadeler branch of the Hacı Bayram dynasty (see bibliography). Although it was arranged as Arif's divan, poems by different poets were also frequently included in the work. In this respect, the book looks like a magazine. Especially the poems that come after each letter change in ghazals always belong to different poets: various history couplets from Sürûrî (1a-34b), three odes by Ahmed Pasha and Cem Sultan (57b-58a, with different writing and ink), Niyazî (75a, 84a, 87a, 112a-b, 113a-b, 153a, 163b, 179a), Hüdâyî (75a-b, 116a, 149a-b, 179b), Abdussamed (75b, 185a), Nesîmî (87a), Sezâyî (112a, 180b-181a), Nakşî (112b), Şemsî (112b, 163a, 184a), Yazıcıoğlu (113a), Mısrî (113a, 167a), İzzî (113b, 167a, 185a), Eşrefoğlu (116a, 149a, 184a), Nâbî (135a, 177a, 179b), Hakkî (139a), Hakîkî (149b), Edhem Baba (149b-150a), Nizamoğlu (150a), Ümmi Sinan (153a), Nûrî (153b, 164a-b), Gâlib (163b), Yahyâ (164a), Yûnus (164a, 167a-b, 179a, 180b), Notes showing that most of the hymns of Nazîm (164b), Şems-i Tebrîzî (167b), Hacı Bayram (163b, 179b, 184b, 185a), Kânî (179b-180a), Rûşenî (180a-b), Akşemseddin (184a) were composed in their style and some of them were composed at the beginning. Poems found in. The poems of Arif, whose identity cannot be fully determined, include praise of the twelve imams, praise of the Celveti sheikh Keşanlı Zâtî Süleyman Efendi (50b) and Bektashi-oriented saints of the Thrace region (such as Mürsel Baba, Demir Baba, Hızır Baba), as well as praise of Keşanlı Adlî Ömer Efendi (72a) Cisr-i Ergeneli. The existence of poems addressed to a poet from [Uzunköprülü] (69b) are extremely important details in terms of the poet's environment, sect relations and identity.

first_page_id 168160

Başlık / Title Cover

Tarih (Hicri) - Date (Islamic) n.d.

Kaynakça ve diğer nüshalar / Bibliography and concordances Fuat Bayramoğlu, Hacı Bayram-ı Vel, Yaşam-Soyu-Vakfıi, C. II, s. 227, TTK, Ankara, 1983, s. 227

Yazının tanımlaması / Description of script Yaprak sayısı : I, 191 / Sütun sayısı : 2 / Satır sayısı : 18 / Yazı alanı boyutu : 180x110 mm / Kağıt boyutu : 220x155 mm / 88b’de iki adet çarenderçar şekilli şiir / Yazmanın başı - sonu : 39b - 183b

Kağıt türü / Paper type Kremrengi, orta kalın, suyollu, aharlı kağıt

Mürekkep rengi / Ink color Siyah, şiir başlıkları ve mahlaslar kırmızı

Ciltleme ve tezhip özellikleri / Binding and script features Koyu kırmızı, deri, cilt kapaklarına mukavva ile takviye yapılmamış

Kaligrafi stili / Calligraphic style Bozuk talik / Taʿlīq script

Yazma No. - Volüm No. / MS. No. - Item No. MS 7No. 6

Bib. No. / Call No. PL248 .A75 D5

Bağışçı / Donator Fuat Bayramoğlu

Dijital koleksiyon / Digital collection Koç University Manuscripts Collection

Format / Format jpeg

Telif hakkı ve kullanım / Copyright and usage Bu websitesindeki tüm görüntü ve materyaller görüntüleme amaçlıdır bu nedenle kullanıcılar Koç Üniversitesi'nden yazılı izin alınmaksızın herhangi bir biçimde kopyalama, çoğaltma, herhangi bir biçimde dağıtım, değiştirme, uyarlama veya ekleme yapamazlar. İlgili kanuna istinaden izin verilen eğitim ve öğretim faaliyetleri kapsamında materyallerin kullanımına bağlı şartlar eser sahibi ve/veya Koç Üniversitesi'ne aittir. Daha fazla bilgi için: [email protected]. / All images and materials are for viewing purposes and users may not copy, reproduce, distribute in any form, perform, alter, adapt or add to materials in whatsoever form without express written consent of Koç University. Any educational and academic uses which are permitted under the compliance to the relevant laws must credit the Author and Koç University. For more information, contact us at: [email protected].

Dijitalleştirme özellikleri / Digitization specifications Original scanned with Zeutschel OS 12000C A2 scanner and saved as 300 ppi uncompressed tiffs. Display images generated in CONTENTdm as jpeg.