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NEKÂVETÜ'L-EDVÂR (HÂCE ABDULAZÎZ)

Title	NEKÂVETÜ'L-EDVÂR (HÂCE ABDULAZÎZ)
Author	Abdülazîz, Abdülkâdir-zâde, Hâce Abdülazîz, Usta Abdülazîz (b. before 830/1426 - d. 902/1496-97)
Publication Date:	02/08/2021
Subject	Written Literature / Divan Literature - music theory
Type	Other
Language	Persian
Digital	No
Manuscript	No
Library:	Dictionary of Turkish Literature Works
Record ID	nekavetu-l-edvar-hace-abdulaziz
Date	854/1451
Notes	Abdülazîz Merâgî-zâde's work on music theory. The author wrote Nekâvetü'l-Edvâr around 854/1451 during II. He wrote it in Persian to congratulate Mehmed, in line with the Systematic School of Music. The work consists of an introduction, twelve chapters and an epigraph. After the introduction explaining what music and its science are, Hâce Abdülazîz talked about edvâr, layers, musical transitions, harmony, makams, ikas and the classification of instruments. He followed the views of his father Abdülkâdir in his ideas, defined 12 makams, 6 avaza and 24 branches, and did not even add the makams he invented to these numbers. In the book, in the safaşube maqam he invented, II. Murad II in the Shahishube maqam. He talked about the compositions he composed from his own poems for Mehmed. He also said that he invented two styles, which he named Vetedüssadr (chest pole) and Darbülmecnun (crazy beat), and a reclined zither instrument called Tervîh. At the same time, the work carries the meaning of a secret rejection against new views, by not mentioning the understanding of the New Systemists School of Music that has risen in Anatolia since Yûsuf Kırşehrî, the new maqam compositions invented by the school, the books written and their authors. Koç (2010) made a doctoral thesis with the translation method on two manuscripts of Nekâvetü'l-Edvâr, two Iranian researchers, Khazrai and Azadehfar. (2018) published an article examining the makam scales in the work. For the author's biography, see. "Abdülazîz, Abdülkâdir-zâde, Hâce Abdülazîz, Master Abdülazîz".Turkish Literature Names Dictionary.
ISBN	978-9944-237-87-1
Madde Yazarı	Doç. Dr. Recep Uslu
Alfabesi	Arap
Yapısı	Mensur
Niteliği	Telif
Kaynakça	Khazrai, Babek ve M. Azadehfar (2018). "Abdulazîz b. Abdulkâdir Merâgî ve İbda'ât-ı Û der Mûsikî".Âyîne-i Mîrâs,(62): 173-184. Koç, Ferdi (2010).Abdülaziz b. Abdülkâdir Merâgî ve “Nekâvetü’l-Edvâr” İsimli Eserinin XV. Yüzyıl Mûsikî Nazariyatındaki Yeri. Doktora Tezi. Ankara: Ankara Üniversitesi. Uslu, Recep (2006). "Nekâvetu'l-edvâr".İslâm Ansiklopedisi. C. 32. İstanbul: Türkiye Diyanet Vakfı Yay. 548-549.
Atıf Bilgileri	Uslu, Recep. "NEKÂVETÜ’L-EDVÂR (HÂCE ABDÜLAZÎZ)".Türk Edebiyatı Eserler Sözlüğü,http://tees.yesevi.edu.tr/madde-detay/nekavetu-l-edvar-hace-abdulaziz. [Erişim Tarihi: 25 Ağustos 2025].

View in source Dictionary of Turkish Literature Works

Dictionary of Turkish Literature Works

NEKÂVETÜ'L-EDVÂR (HÂCE ABDULAZÎZ)

Author Abdülazîz, Abdülkâdir-zâde, Hâce Abdülazîz, Usta Abdülazîz (b. before 830/1426 - d. 902/1496-97)

Publication Date 02/08/2021

Subject Written Literature / Divan Literature - music theory

Type Other

Language Persian

Digital No

Manuscript No

Library Dictionary of Turkish Literature Works

Record ID nekavetu-l-edvar-hace-abdulaziz

Date 854/1451

Notes Abdülazîz Merâgî-zâde's work on music theory. The author wrote Nekâvetü'l-Edvâr around 854/1451 during II. He wrote it in Persian to congratulate Mehmed, in line with the Systematic School of Music. The work consists of an introduction, twelve chapters and an epigraph. After the introduction explaining what music and its science are, Hâce Abdülazîz talked about edvâr, layers, musical transitions, harmony, makams, ikas and the classification of instruments. He followed the views of his father Abdülkâdir in his ideas, defined 12 makams, 6 avaza and 24 branches, and did not even add the makams he invented to these numbers. In the book, in the safaşube maqam he invented, II. Murad II in the Shahishube maqam. He talked about the compositions he composed from his own poems for Mehmed. He also said that he invented two styles, which he named Vetedüssadr (chest pole) and Darbülmecnun (crazy beat), and a reclined zither instrument called Tervîh. At the same time, the work carries the meaning of a secret rejection against new views, by not mentioning the understanding of the New Systemists School of Music that has risen in Anatolia since Yûsuf Kırşehrî, the new maqam compositions invented by the school, the books written and their authors. Koç (2010) made a doctoral thesis with the translation method on two manuscripts of Nekâvetü'l-Edvâr, two Iranian researchers, Khazrai and Azadehfar. (2018) published an article examining the makam scales in the work. For the author's biography, see. "Abdülazîz, Abdülkâdir-zâde, Hâce Abdülazîz, Master Abdülazîz".Turkish Literature Names Dictionary.

ISBN 978-9944-237-87-1

Madde Yazarı Doç. Dr. Recep Uslu

Alfabesi Arap

Yapısı Mensur

Niteliği Telif

Kaynakça Khazrai, Babek ve M. Azadehfar (2018). "Abdulazîz b. Abdulkâdir Merâgî ve İbda'ât-ı Û der Mûsikî".Âyîne-i Mîrâs,(62): 173-184. Koç, Ferdi (2010).Abdülaziz b. Abdülkâdir Merâgî ve “Nekâvetü’l-Edvâr” İsimli Eserinin XV. Yüzyıl Mûsikî Nazariyatındaki Yeri. Doktora Tezi. Ankara: Ankara Üniversitesi. Uslu, Recep (2006). "Nekâvetu'l-edvâr".İslâm Ansiklopedisi. C. 32. İstanbul: Türkiye Diyanet Vakfı Yay. 548-549.

Atıf Bilgileri Uslu, Recep. "NEKÂVETÜ’L-EDVÂR (HÂCE ABDÜLAZÎZ)".Türk Edebiyatı Eserler Sözlüğü,http://tees.yesevi.edu.tr/madde-detay/nekavetu-l-edvar-hace-abdulaziz. [Erişim Tarihi: 25 Ağustos 2025].