Ewer

Title Ewer
Author Unknown
Publication Place Iran (made) -
Subject Ceramics Containers
Type Other
Language Undetermined
Digital Yes
Manuscript No
Physical Dimensions Height: 27cm, Maximum width: 21.5cm, Depth: 8.5cm
Library: Victoria and Albert Museum
Library Asset ID 620-1889
Record ID 620-1889
Library Location Middle East Section
Notes This ewer is a striking example of the brilliantly coloured ceramics made by Iranian potters under the Safavid dynasty (ruled 1501-1732). They often achieved dramatic effects with glazes of a single colour, as here, combined with moulded or carved decoration. In the 16th century, ceramic production in Iran was on a modest scale. When the capital moved to Isfahan around 1600, the production of luxury dishes and wall tiles in a wide variety of styles and techniques rapidly increased. No one particular centre was associated with ceramic production. The potters used many techniques, including underglaze painting, coloured glazes and lustre decoration, which was revived after 1650.
Malzemeler ve teknikler Earthenware, glazed Earthenware Glazing
Fiziksel açıklama Long-necked ewer with a turquoise glaze, a burn mark below the spout on one side.
Üslup Safavid
View in source Victoria and Albert Museum Victoria and Albert Museum - Ottoman library catalog search
Victoria and Albert Museum - Ottoman library catalog search Victoria and Albert Museum

Ewer

Author Unknown
Publication Place Iran (made) -
Subject Ceramics Containers
Type Other
Language Undetermined
Digital Yes
Manuscript No
Physical Dimensions Height: 27cm, Maximum width: 21.5cm, Depth: 8.5cm
Library Victoria and Albert Museum
Library Asset ID 620-1889
Record ID 620-1889
Library Location Middle East Section
Notes This ewer is a striking example of the brilliantly coloured ceramics made by Iranian potters under the Safavid dynasty (ruled 1501-1732). They often achieved dramatic effects with glazes of a single colour, as here, combined with moulded or carved decoration. In the 16th century, ceramic production in Iran was on a modest scale. When the capital moved to Isfahan around 1600, the production of luxury dishes and wall tiles in a wide variety of styles and techniques rapidly increased. No one particular centre was associated with ceramic production. The potters used many techniques, including underglaze painting, coloured glazes and lustre decoration, which was revived after 1650.
Malzemeler ve teknikler Earthenware, glazed Earthenware Glazing
Fiziksel açıklama Long-necked ewer with a turquoise glaze, a burn mark below the spout on one side.
Üslup Safavid
Victoria and Albert Museum - Ottoman library catalog search
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