Author
Sheikh Al-Islam bin Hussein bin Zain Al-Din
Author Original
شيخ الإسلام بن حسين بن زين الدينالرقم المتحفي للقطعة مواد وتقنيات صنع القطعةحبر ، لون مائي غير شفاف وذهب على ورق الخط المستخدم هو نستعليق بعامودين و سطر في كل صفحةأبعاد القطعة مم مم ، صفحةالفترةالأسرة الحاكمةفي الأغلب عثمانيمكان الإنتاجتركيا ، في الأرجح قونيا أو بورصةممكان صنع القطعة أو العثور عليها الامبراطورية العثمانيةتجليدغلاف التجليد هذا باللون البني الداكن له حدود ذهبية مزهرة مختومة وغلاف خارجي بورق رخامي مرخم وهو ربما قد صنع في القرن التاسع عشر في تركياوصفهذه المخطوطة هي نسخة من ا
Publication Date
8455 AH / 1441 AD
Publication Place
Türkiye, most likely Konya or Bursa -
Austrian National Library (ANL)
Subject
Ink, opaque watercolor and gold on the calligraphy paper used is Nasta'liq, with two columns and 25 lines per page.
Type
Other
Language
Undetermined
Digital
Yes
Manuscript
Yes
Physical Dimensions
215 × 133 مم (156 × 77 مم ) ، 775 صفحة
Library
Museum With No Frontiers
Library Asset ID
Mixtus 155
Record ID
object;EPM;at;Mus24;6;ar
Library Location
Austrian National Library (ANL)
Date
8455 AH / 1441 AD
Notes
This manuscript is a fifteenth-century copy of the Diwan, a collection of poetry by a famous author, Maulana Jalal al-Din al-Rumi (1207-1273), who is also referred to as Mawlawi. The page identifying the copyist shows the date, as well as the name of the copyist, called Sheikh Al-Islam bin Hussein bin Zain Al-Din. It is possible that this major work by Rumi was copied in Nasta'liq script during the era of the Ottoman Empire in either Konya or Bursa, and it must have been part of the Ottoman Sultan's collection, as two pages of the manuscript show a stamped tugra of the Ottoman Sultan Bayezid II bin Mehmed (1481-1512). The first and last pages of the manuscript are dotted with gold and give the text a richly decorated border. The decorative medallion for writing the title and the decorative plaque (address / sarluh) in particular are finely drawn, while the headings are written in red, blue, brown and green, but are not greatly decorated. Throughout the text there are blue and gold bands framing the verticals of the text, dividing the poetry, which usually consists of two-line stanzas, quatrains, and ghazals.
Sample Text
Theresa Zischkin “Diwan of Maulana Jalaluddin Rumi (Mawlawi)” in Explore Islamic Art Collections. Museum Without Borders, 2026. https://islamicart.museumwnf.org/database_item.php?id=object;EPM;at;Mus24;6;ar
Cilt
This dark brown leather flap binding has gold stamped floral borders and marbled paper doublures. It was probably made in early 19th-century Turkey.
Bu sayfanın künyesi
Prepared by:Theresa ZISCHKIN
Seçili bibliyografya
Duda, Dorothea,Islamische Handschriften I. Persische Handschriften, Die illuminierten Handschriften und Inkunabeln der Österreichischen Nationalbibliothek, vol. 4, Vienna: Verlag der Österreichischen Akademie der Wissenschaften, 1983: 106-107.Holter, Kurt, “Les principaux manuscrits à peintures de la Bibliothèque National de Vienne, Section des manuscrits orientaux”,Bulletin de la Société Francaise de Reproduction de manuscrits à peintures XX(1937): 85-150, Fn. 8.