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Mukhtasar al-Durr al-Thameen wa al-Mawrid al-Ma’in fi Sharh al-Murshid al-Mu‘in ala al-Naṣīr of Religious Sciences by Muhammad ibn Ahmad Mayyara; Authenticated by Muhammad bin Sidi Qasim Al-Qadiri Al-Hasani
(مختصر الدر الثمين والمورد المعين في شرح المرشد المعين على الضروري من علوم الدين محمد بن أحمد ميارة ؛ صححه مَحمد بن سيدي قاسم القادري الحسني)

Title	Mukhtasar al-Durr al-Thameen wa al-Mawrid al-Ma’in fi Sharh al-Murshid al-Mu‘in ala al-Naṣīr of Religious Sciences by Muhammad ibn Ahmad Mayyara; Authenticated by Muhammad bin Sidi Qasim Al-Qadiri Al-Hasani
Title Original	مختصر الدر الثمين والمورد المعين في شرح المرشد المعين على الضروري من علوم الدين محمد بن أحمد ميارة ؛ صححه مَحمد بن سيدي قاسم القادري الحسني
Author	Mayara, Muhammad bin Ahmed bin Muhammad
Author Original	ميارة، محمد بن أحمد بن محمد
Type	Document
Language	Arabic
Digital	Yes
Manuscript	No
Pages Count	202
Library:	King Abdul-Aziz Al Saoud Foundation for Islamic Studies and Human Sciences
Record ID	affichage_numerics2806
Notes	Notes: Mayara indicated at the beginning of this book that it is an abbreviation of a major explanation of his entitled “The Precious Pearl and the Certain Resource...” This was noted by Muhammad al-Manouni (Mazhar of the Modern Morocco’s Awakening, vol. 1, p. 267) and Ibn al-Mahi al-Idrisi (Dictionary of Moroccan Publications, pp. 340-341). At the end of the book is what it says: “This blessed summary was completed (...) and it was finished (...) in the year 1299 (...) and the one who sought to correct its words (...) was Abu Abdullah Muhammad bin Sidi Qasim Al-Qadiri (...) and the direct teacher of this Sunni Al-Fassi printing press (...) Al-Sayyid Al-Arabi Al-Azraq...” To understand this restriction, one should recall the historical framework for the development of lithography proposed by Muhammad Al-Manouni in “Manifestations of the Awakening of Modern Morocco, vol. 1, p. 263-272”, where he stated that the course of Moroccan lithography after the year 1289 AH / 1872 AD, when it was mostly called the “Fasian Press”, would mark its entry into the phase of private individual work under government supervision. Printing was no longer at the expense of the government, but at the expense of the printer on the basis that he would provide the government with ten percent of his publications, noting that the technical equipment of the printing press was still in the ownership of the government, and therefore it was also called “the Public Printing Press.”

View in source King Abdul-Aziz Al Saoud Foundation for Islamic Studies and Human Sciences

King Abdul-Aziz Al Saoud Foundation for Islamic Studies and Human Sciences

Mukhtasar al-Durr al-Thameen wa al-Mawrid al-Ma’in fi Sharh al-Murshid al-Mu‘in ala al-Naṣīr of Religious Sciences by Muhammad ibn Ahmad Mayyara; Authenticated by Muhammad bin Sidi Qasim Al-Qadiri Al-Hasani

(مختصر الدر الثمين والمورد المعين في شرح المرشد المعين على الضروري من علوم الدين محمد بن أحمد ميارة ؛ صححه مَحمد بن سيدي قاسم القادري الحسني)

Author Mayara, Muhammad bin Ahmed bin Muhammad

Author Original ميارة، محمد بن أحمد بن محمد

Type Document

Language Arabic

Digital Yes

Manuscript No

Pages Count 202

Library King Abdul-Aziz Al Saoud Foundation for Islamic Studies and Human Sciences

Record ID affichage_numerics2806

Notes Notes: Mayara indicated at the beginning of this book that it is an abbreviation of a major explanation of his entitled “The Precious Pearl and the Certain Resource...” This was noted by Muhammad al-Manouni (Mazhar of the Modern Morocco’s Awakening, vol. 1, p. 267) and Ibn al-Mahi al-Idrisi (Dictionary of Moroccan Publications, pp. 340-341). At the end of the book is what it says: “This blessed summary was completed (...) and it was finished (...) in the year 1299 (...) and the one who sought to correct its words (...) was Abu Abdullah Muhammad bin Sidi Qasim Al-Qadiri (...) and the direct teacher of this Sunni Al-Fassi printing press (...) Al-Sayyid Al-Arabi Al-Azraq...” To understand this restriction, one should recall the historical framework for the development of lithography proposed by Muhammad Al-Manouni in “Manifestations of the Awakening of Modern Morocco, vol. 1, p. 263-272”, where he stated that the course of Moroccan lithography after the year 1289 AH / 1872 AD, when it was mostly called the “Fasian Press”, would mark its entry into the phase of private individual work under government supervision. Printing was no longer at the expense of the government, but at the expense of the printer on the basis that he would provide the government with ten percent of his publications, noting that the technical equipment of the printing press was still in the ownership of the government, and therefore it was also called “the Public Printing Press.”