Aramaya Dön

Sash border

İsim	Sash border
Yazar	Unknown
Basım Tarihi:	1700
Basım Yeri	Turkey (made) -
Konu	Hyacinth Stylized Flowers
Tür	Diğer
Dil	Belirlenmemiş dil
Dijital	Evet
Yazma	Hayır
Fiziksel Boyutlar	Length: 30.5cm, Width: 61cm
Kütüphane:	Victoria and Albert Museum
Demirbaş Numarası	477-1877
Kayıt Numarası	477-1877
Lokasyon	Middle East Section
Tarih	1700
Notlar	Sashes were worn around the waist and were tied so that the decorative ends hung at knee level. From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form: new, naturalistic floral motifs were introduced and many of them were depicted in great detail. Some were allowed to sway and sweep across the fabric, some were stylised and many were enriched with metal thread. The colours were originally very bright but have often faded to pleasing pastel shades.
Malzemeler ve teknikler	Linen warp and silk weft, embroidered with silk in double darning on the diagonal, double running in a line and satin stitch Linen Silk Thread Weaving Embroidering
Fiziksel açıklama	Sash border woven with a linen warp and silk weft forming bands, embroidered with silk in double darning on the diagonal, double running in a line and satin stitch. The embroidery is in the form of two almost square panels, side by side. Each begins at the bottom with a small curling stem which branches many times to fill the area available. These stems bear red and white flowers, white tulip-like flowers against green leaves and sprays of blue hyacinth.
Üslup	Ottoman

Kaynağa git Victoria and Albert Museum Victoria and Albert Museum - Osmanlıca el yazması arama motoru

Victoria and Albert Museum

Sash border

Yazar Unknown

Basım Tarihi 1700

Basım Yeri Turkey (made) -

Konu Hyacinth Stylized Flowers

Tür Diğer

Dil Belirlenmemiş dil

Dijital Evet

Yazma Hayır

Fiziksel Boyutlar Length: 30.5cm, Width: 61cm

Kütüphane Victoria and Albert Museum

Demirbaş Numarası 477-1877

Kayıt Numarası 477-1877

Lokasyon Middle East Section

Tarih 1700

Notlar Sashes were worn around the waist and were tied so that the decorative ends hung at knee level. From about the 1720s onwards Ottoman embroidery stopped copying woven designs and became a truly creative art form: new, naturalistic floral motifs were introduced and many of them were depicted in great detail. Some were allowed to sway and sweep across the fabric, some were stylised and many were enriched with metal thread. The colours were originally very bright but have often faded to pleasing pastel shades.

Malzemeler ve teknikler Linen warp and silk weft, embroidered with silk in double darning on the diagonal, double running in a line and satin stitch Linen Silk Thread Weaving Embroidering

Fiziksel açıklama Sash border woven with a linen warp and silk weft forming bands, embroidered with silk in double darning on the diagonal, double running in a line and satin stitch. The embroidery is in the form of two almost square panels, side by side. Each begins at the bottom with a small curling stem which branches many times to fill the area available. These stems bear red and white flowers, white tulip-like flowers against green leaves and sprays of blue hyacinth.

Üslup Ottoman