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Tile

العنوان	Tile
مكان النشر	Kashan Iran (made) -
النوع	أخرى
اللغة	غير محدد
رقمي	نعم
مخطوط	لا
الأبعاد الفيزيائية	Length: 13.5cm, Height: 5.9cm, Depth: 2.0cm
المكتبة:	Victoria and Albert Museum
معرف أصل المكتبة	678-1900
رقم السجل	678-1900
موقع المكتبة	Middle East Section
ملاحظات	The overglaze techinique known as Lajvardina, was mentioned in Abu al-Qasimâs treatise on ceramics (1301). Wares were executed in simple red, white, black, and gold leaf designs on a turquoise or a dark blue glaze. The designs were almost exclusively abstract and floral, especially tight scrolls. Lajvard (Persian: âlapis lazuli,â referring to the blue glaze used) may date from the late 12th century; with output increasing until about the mid-14th century.
İçerik açıklaması	Depiction of a hare (rabbit).
Malzemeler ve teknikler	Fritware decorated in relief under a blue glaze, moulded and painted with white, red and gold Fritware Moulded Painted
Fiziksel açıklama	The top arm of a tile in the shape of a cross, fritware, decorated in the overglaze technique known as lajvardina (from 'lajvard', the Persian for 'lapis lazuli'), in which the background is a deep cobalt blue. The surface decoration is moulded with an elegant seated hare with its head turned back and its front paw raised and floral motifs. It is decorated in gold leaf with a stem with leaves branching off it and a round flower at the centre. At the top of the tile is a seated hare,. The outlines are in red, and the blue background is covered in small scrolls in a white pigment.
Üslup	Mongol Ilkhanid

عرض في المصدر Victoria and Albert Museum Victoria and Albert Museum - محرك بحث المخطوطات العثمانية

Victoria and Albert Museum

Tile

مكان النشر Kashan Iran (made) -

النوع أخرى

اللغة غير محدد

رقمي نعم

مخطوط لا

الأبعاد الفيزيائية Length: 13.5cm, Height: 5.9cm, Depth: 2.0cm

المكتبة Victoria and Albert Museum

معرف أصل المكتبة 678-1900

رقم السجل 678-1900

موقع المكتبة Middle East Section

ملاحظات The overglaze techinique known as Lajvardina, was mentioned in Abu al-Qasimâs treatise on ceramics (1301). Wares were executed in simple red, white, black, and gold leaf designs on a turquoise or a dark blue glaze. The designs were almost exclusively abstract and floral, especially tight scrolls. Lajvard (Persian: âlapis lazuli,â referring to the blue glaze used) may date from the late 12th century; with output increasing until about the mid-14th century.

İçerik açıklaması Depiction of a hare (rabbit).

Malzemeler ve teknikler Fritware decorated in relief under a blue glaze, moulded and painted with white, red and gold Fritware Moulded Painted

Fiziksel açıklama The top arm of a tile in the shape of a cross, fritware, decorated in the overglaze technique known as lajvardina (from 'lajvard', the Persian for 'lapis lazuli'), in which the background is a deep cobalt blue. The surface decoration is moulded with an elegant seated hare with its head turned back and its front paw raised and floral motifs. It is decorated in gold leaf with a stem with leaves branching off it and a round flower at the centre. At the top of the tile is a seated hare,. The outlines are in red, and the blue background is covered in small scrolls in a white pigment.

Üslup Mongol Ilkhanid