Emanations of Musk from Beiruti Verse

Name: Emanations of Musk from Beiruti Verse
Author: the prolific Lebanese poet Shaykh Ibrāhīm al-Aḥdab. The author was first and foremost a traditionalist in his literary as well as his legal career. The poems are of various rhyme schemes and meters and display mastery of classical prosody. They are primarily madh

İsim	Emanations of Musk from Beiruti Verse
Yazar	the prolific Lebanese poet Shaykh Ibrāhīm al-Aḥdab. The author was first and foremost a traditionalist in his literary as well as his legal career. The poems are of various rhyme schemes and meters and display mastery of classical prosody. They are primarily madh
Basım Tarihi:	1868 (CE, Gregorian)
Tür	Kitap
Dil	Arapça
Dijital	Evet
Yazma	Hayır
Sayfa Sayısı	122
Kütüphane:	Katar Dijital Kütüphanesi
Demirbaş Numarası	12929
Kayıt Numarası	12929
Lokasyon	Qatar National Library
Tarih	1868 (CE, Gregorian)
Notlar	Al-Nafh al-Miski fi-al-Shi’r al-Bayruti (Emanations of musk from Beiruti verse) is a collection of verse by the prolific Lebanese poet Shaykh Ibrāhīm al-Aḥdab. The author was first and foremost a traditionalist in his literary as well as his legal career. The poems are of various rhyme schemes and meters and display mastery of classical prosody. They are primarily madh (praise) commemorating the achievements of public figures or personal acquaintances. Examples include “Commending His Excellency Muhammad Rushdi Pasha An Ottoman title used after the names of certain provincial governors, high-ranking officials and military commanders. , Governor of Syria,” “Praising Prince ‘Abd al-Qadir al-Jaza’iri on the Festival of ‘Id al-Adha,” and “Congratulations to the Distinguished Ibrahim Efendi, Chief of the Beirut Commercial Office on His Promotion in Grade.” Such encomiums were often commissioned for declamation at weddings, returns from the pilgrimage, or to elicit a reward for the poet, as happened when he received medals and other adornments in precious stones. More important than al-Ahdab’s versifying was his membership in the Jami’at al-Funun (Society of [Useful] Arts) and editorship of its journal Thamarat al-Funun (Fruits of the [useful] arts), the first Lebanese Muslim journal to confront the growing number of political and religious journals published by Christian reformers or missionaries. This organ, along with al-Jawa’ib (Responses) of Aḥmad Fāris al-Shidyāq (circa 1804−87), presented counterviews in support of Muslim interests and in sympathy for Ottoman authority. The journal flourished in the last quarter of the 19th century.

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Emanations of Musk from Beiruti Verse

Yazar the prolific Lebanese poet Shaykh Ibrāhīm al-Aḥdab. The author was first and foremost a traditionalist in his literary as well as his legal career. The poems are of various rhyme schemes and meters and display mastery of classical prosody. They are primarily madh

Basım Tarihi 1868 (CE, Gregorian)

Tür Kitap

Dil Arapça

Dijital Evet

Yazma Hayır

Sayfa Sayısı 122

Kütüphane Katar Dijital Kütüphanesi

Demirbaş Numarası 12929

Kayıt Numarası 12929

Lokasyon Qatar National Library

Tarih 1868 (CE, Gregorian)

Notlar Al-Nafh al-Miski fi-al-Shi’r al-Bayruti (Emanations of musk from Beiruti verse) is a collection of verse by the prolific Lebanese poet Shaykh Ibrāhīm al-Aḥdab. The author was first and foremost a traditionalist in his literary as well as his legal career. The poems are of various rhyme schemes and meters and display mastery of classical prosody. They are primarily madh (praise) commemorating the achievements of public figures or personal acquaintances. Examples include “Commending His Excellency Muhammad Rushdi Pasha An Ottoman title used after the names of certain provincial governors, high-ranking officials and military commanders. , Governor of Syria,” “Praising Prince ‘Abd al-Qadir al-Jaza’iri on the Festival of ‘Id al-Adha,” and “Congratulations to the Distinguished Ibrahim Efendi, Chief of the Beirut Commercial Office on His Promotion in Grade.” Such encomiums were often commissioned for declamation at weddings, returns from the pilgrimage, or to elicit a reward for the poet, as happened when he received medals and other adornments in precious stones. More important than al-Ahdab’s versifying was his membership in the Jami’at al-Funun (Society of [Useful] Arts) and editorship of its journal Thamarat al-Funun (Fruits of the [useful] arts), the first Lebanese Muslim journal to confront the growing number of political and religious journals published by Christian reformers or missionaries. This organ, along with al-Jawa’ib (Responses) of Aḥmad Fāris al-Shidyāq (circa 1804−87), presented counterviews in support of Muslim interests and in sympathy for Ottoman authority. The journal flourished in the last quarter of the 19th century.