Yazar
Unknown (makers)
Basım Yeri
Samarra (made) -
Konu
Archaeology Architectural Fittings
Tür
Diğer
Dil
Belirlenmemiş dil
Dijital
Evet
Yazma
Hayır
Fiziksel Boyutlar
Weight: 0.5kg, Length: 300mm, Thickness: 25mm, Width: 29.5mm
Kütüphane
Victoria and Albert Museum
Demirbaş Numarası
A.131-1922
Kayıt Numarası
A.131-1922
Lokasyon
Middle East Section
Notlar
The description of Samarra by Al-Ya qubi (d.897/8) in the Kitab al-Buldan states: 'He wrote for the despatch of the workmen, builders, and skilled people such as iron-workers, carpenters, and other crafts, and for the bringing of teak, other woods, and palm trunks from al-Basra and the adjacent areas of Baghdad and the rest of al-Sawad and from Antakiya and the other coastal areas of al-Sham, and for the bringing of worked marble and the houses for working of marble were establed at al-Ladhiqiyya and other places.'
Örnek Metin
Transliteration,
Tarihsel bağlam
Samarra was founded by the Abbasid Caliph al-Mu'tasim (r. 833-842) in 836 AD to serve as his imperial capital. The sight chosen was about 125km upstream from Baghdad on the left bank of the Tigris. The founding of new cities was an important way of displaying values of kingship. Al-Mu'tasim ordered the construction of a planned city including a network of canals, streets, monumental mosques, palaces, gardens and racecourses. He also allocated land to military and court officials, who built richly decorated palace complexes and greatly increased the size of the city. His son and successor, Caliph al-Mutawakkil (r. 847-861) ordered the construction of the famous spiral minaret at the great mosque. Construction halted at Samarra in about 880 AD and later was abandoned by the Caliph and his court in 892. At 57 km2, Samarra is today the largest Islamic archaeological site in the world. The construction of the many mosques and palaces at Samarra fostered an early flowering of architectural decoration. What mainly survives today are wall revetments in carved stucco and wall paintings on fine gypsum surfaces. Earlier Iranian (Sassanian) decorative styles influenced much of the carved stucco panels found at Samarra. The decoration was primarily based on vegetal forms but later developed into more abstract motifs. The wall paintings illustrate a wide range of subjects such as geometric patterns and courtly scenes with figurative representations of listening and playing music, banqueting and dancing. Depictions of animals, especially camels and birds also feature on fragments recovered from the site.
Malzemeler ve teknikler
Wood, painted Wood Painted
Fiziksel açıklama
Fragment, wood of reddish colour, baton-shaped moulding, part of an architectual element, possibly a ceiling, of traingular section. Painted directly on the wood with a series of repeated ovals in black outline, perhaps a volute and blossom motif. Traces of paint in black, blue, white, pink, red and orange-yellow. Herzfeld's red inventory number I-N 922 on object.
Üslup
Abbasid
