Mirror case and lid

İsim Mirror case and lid
Basım Tarihi: 1850
Basım Yeri Iran (made) -
Konu Woodwork
Tür Diğer
Dil Belirlenmemiş dil
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar Height: 21cm, Length: 13cm
Kütüphane: Victoria and Albert Museum
Demirbaş Numarası 731:1-1876
Kayıt Numarası 731:1-1876
Lokasyon Middle East Section
Tarih 1850
Notlar Major R. Murdoch Smith discusses the Iranian town of Abadeh (between Isfahan and Shiraz) as being the main centre of Persian wood carving during the period of 1800-1900. This town was famous for its elaborately carved spoons (qashuq) and small boxes, in particular, all made of either pear or lime wood, and carved with a common pocket-knife. The scene carved on this mirror box depicts Majnun in the wilderness, in a state of emaciation derived from his longing desire to be with his love, Layla. This story was popularised by the Persian poet Nizami Ganjavi in the 10th century, and has since remained a popular source of artistic inspiration.
Malzemeler ve teknikler Pearwood; carved
Parçalar Mirror Case, Lid
Fiziksel açıklama Rectangular shaped mirror case with sliding lid, carved of pearwood, depicting an emaciated Majnun seated in the wilderness surrounded by animals, with a bearded elderly man kneeling at his side. The bottom of the case is carved in relief with diverse floral sprays stemming from a single vegetal tuft, with perched birds. Mirror missing.
Kaynağa git Victoria and Albert Museum Victoria and Albert Museum - Osmanlıca el yazması arama motoru
Victoria and Albert Museum - Osmanlıca el yazması arama motoru Victoria and Albert Museum

Mirror case and lid

Basım Tarihi 1850
Basım Yeri Iran (made) -
Konu Woodwork
Tür Diğer
Dil Belirlenmemiş dil
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar Height: 21cm, Length: 13cm
Kütüphane Victoria and Albert Museum
Demirbaş Numarası 731:1-1876
Kayıt Numarası 731:1-1876
Lokasyon Middle East Section
Tarih 1850
Notlar Major R. Murdoch Smith discusses the Iranian town of Abadeh (between Isfahan and Shiraz) as being the main centre of Persian wood carving during the period of 1800-1900. This town was famous for its elaborately carved spoons (qashuq) and small boxes, in particular, all made of either pear or lime wood, and carved with a common pocket-knife. The scene carved on this mirror box depicts Majnun in the wilderness, in a state of emaciation derived from his longing desire to be with his love, Layla. This story was popularised by the Persian poet Nizami Ganjavi in the 10th century, and has since remained a popular source of artistic inspiration.
Malzemeler ve teknikler Pearwood; carved
Parçalar Mirror Case, Lid
Fiziksel açıklama Rectangular shaped mirror case with sliding lid, carved of pearwood, depicting an emaciated Majnun seated in the wilderness surrounded by animals, with a bearded elderly man kneeling at his side. The bottom of the case is carved in relief with diverse floral sprays stemming from a single vegetal tuft, with perched birds. Mirror missing.
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