Pen box (qalamdan)

İsim Pen box (qalamdan)
Yazar Unknown
Basım Tarihi: 1850
Basım Yeri Iran (made) Isfahan (made) -
Konu Lacquerware
Tür Diğer
Dil Belirlenmemiş dil
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar Length: 22.5 cm
Kütüphane: Victoria and Albert Museum
Demirbaş Numarası 1066:1-1875
Kayıt Numarası 1066:1-1875
Lokasyon Middle East Section
Tarih 1850
Notlar The primary function of a pen box (qalamdan) was as a writing implement - made of papier mache, wood or other materials, including precious metals – intended to hold a number of tools associated with the art and act of writing, including reed pens, an inkwell, liqah (a cotton wool substance used to absorb excess ink), a penknife, a qat’zan (a flat resting board made of horn), a whetstone, a small spoon, and a pair of scissors. These accessories were considered essential elements for a scribe. The box that kept these elements was deemed, by association, as important as the person who handled its contents, with the quality of the box’s decoration directly reflecting the status of the scribe or patron. Pen boxes were carried by penmen of all ranks, often tucked into the shawls tied around their waists, symbolising a badge of their trade. So esteemed was the pen box that even Shahs commissioned them; these rare examples are confirmed by their inscriptions. The earliest specimens of this type date from the reign of Shah Sulayman Safavi (1664-95), but later Qajar examples commissioned by members of high bureaucracy also exist throughout the nineteenth century.
Malzemeler ve teknikler Papier-mache; painted; varnished
Parçalar Pen Case, Pen Case Part
Fiziksel açıklama Oblong shaped pen box with rounded edges made of papier mache (pasteboard), painted and varnished on all sides with a finely painted decoration of alternating cusped medallions, each painted inside with polychrome and gold floral scrolls and arabesques. The cover of the box has a single lobed medallion painted inside with a courtly or elite woman dressed in European costume, flanked by a female attendant and an elderly bearded man clasping her bare breasts.
Kaynağa git Victoria and Albert Museum Victoria and Albert Museum - Osmanlıca el yazması arama motoru
Victoria and Albert Museum - Osmanlıca el yazması arama motoru Victoria and Albert Museum

Pen box (qalamdan)

Yazar Unknown
Basım Tarihi 1850
Basım Yeri Iran (made) Isfahan (made) -
Konu Lacquerware
Tür Diğer
Dil Belirlenmemiş dil
Dijital Evet
Yazma Hayır
Fiziksel Boyutlar Length: 22.5 cm
Kütüphane Victoria and Albert Museum
Demirbaş Numarası 1066:1-1875
Kayıt Numarası 1066:1-1875
Lokasyon Middle East Section
Tarih 1850
Notlar The primary function of a pen box (qalamdan) was as a writing implement - made of papier mache, wood or other materials, including precious metals – intended to hold a number of tools associated with the art and act of writing, including reed pens, an inkwell, liqah (a cotton wool substance used to absorb excess ink), a penknife, a qat’zan (a flat resting board made of horn), a whetstone, a small spoon, and a pair of scissors. These accessories were considered essential elements for a scribe. The box that kept these elements was deemed, by association, as important as the person who handled its contents, with the quality of the box’s decoration directly reflecting the status of the scribe or patron. Pen boxes were carried by penmen of all ranks, often tucked into the shawls tied around their waists, symbolising a badge of their trade. So esteemed was the pen box that even Shahs commissioned them; these rare examples are confirmed by their inscriptions. The earliest specimens of this type date from the reign of Shah Sulayman Safavi (1664-95), but later Qajar examples commissioned by members of high bureaucracy also exist throughout the nineteenth century.
Malzemeler ve teknikler Papier-mache; painted; varnished
Parçalar Pen Case, Pen Case Part
Fiziksel açıklama Oblong shaped pen box with rounded edges made of papier mache (pasteboard), painted and varnished on all sides with a finely painted decoration of alternating cusped medallions, each painted inside with polychrome and gold floral scrolls and arabesques. The cover of the box has a single lobed medallion painted inside with a courtly or elite woman dressed in European costume, flanked by a female attendant and an elderly bearded man clasping her bare breasts.
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