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Wall painting fragment

İsim	Wall painting fragment
Yazar	Unknown (makers)
Basım Tarihi:	836
Basım Yeri	Samarra (made) Iraq -
Konu	Partridges
Tür	Diğer
Dil	Belirlenmemiş dil
Dijital	Evet
Yazma	Hayır
Fiziksel Boyutlar	Height: 13-14cm, Width: 15.5-18cm, Depth: 2.8-4.0cm
Kütüphane:	Victoria and Albert Museum
Demirbaş Numarası	A.22-1922
Kayıt Numarası	A.22-1922
Lokasyon	Middle East Section
Tarih	836
Notlar	Part of a frieze, plaster, painted with a single partridge and pearl band; Iraq (Samarra), 836-900.
Örnek Metin	Transliteration,
Tarihsel bağlam	Samarra was founded by the Abbasid Caliph al-Mu'tasim (r. 833-842) in 836 AD to serve as his imperial capital. The sight chosen was about 125km upstream from Baghdad on the left bank of the Tigris. The founding of new cities was an important way of displaying values of kingship. Al-Mu'tasim ordered the construction of a planned city including a network of canals, streets, monumental mosques, palaces, gardens and racecourses. He also allocated land to military and court officials, who built richly decorated palace complexes and greatly increased the size of the city. His son and successor, Caliph al-Mutawakkil (r. 847-861) ordered the construction of the famous spiral minaret at the great mosque. Construction halted at Samarra in about 880 AD and later was abandoned by the Caliph and his court in 892. At 57 km2, Samarra is today the largest Islamic archaeological site in the world. The construction of the many mosques and palaces at Samarra fostered an early flowering of architectural decoration. What mainly survives today are wall revetments in carved stucco and wall paintings on fine gypsum surfaces. Earlier Iranian (Sassanian) decorative styles influenced much of the carved stucco panels found at Samarra. The decoration was primarily based on vegetal forms but later developed into more abstract motifs. The wall paintings illustrate a wide range of subjects such as geometric patterns and courtly scenes with figurative representations of listening and playing music, banqueting and dancing. Depictions of animals, especially camels and birds also feature on fragments recovered from the site.
Malzemeler ve teknikler	Plaster, painted (<i>secco</i>) Plaster Painted
Fiziksel açıklama	Part of a freize, formed of two layers of fine plaster, the top layer is painted in black with traces of an ochre-colour, now much faded, possibly originally a red-coloured pigment executed in secco with the head of a partridge facing right and traces of a pearl border above. Touches of ochre-coloured pigment. The reverse with a reed mat impression with two cords affixed with an original iron nail.
Üslup	Abbasid

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Victoria and Albert Museum

Wall painting fragment

Yazar Unknown (makers)

Basım Tarihi 836

Basım Yeri Samarra (made) Iraq -

Konu Partridges

Tür Diğer

Dil Belirlenmemiş dil

Dijital Evet

Yazma Hayır

Fiziksel Boyutlar Height: 13-14cm, Width: 15.5-18cm, Depth: 2.8-4.0cm

Kütüphane Victoria and Albert Museum

Demirbaş Numarası A.22-1922

Kayıt Numarası A.22-1922

Lokasyon Middle East Section

Tarih 836

Notlar Part of a frieze, plaster, painted with a single partridge and pearl band; Iraq (Samarra), 836-900.

Örnek Metin Transliteration,

Tarihsel bağlam Samarra was founded by the Abbasid Caliph al-Mu'tasim (r. 833-842) in 836 AD to serve as his imperial capital. The sight chosen was about 125km upstream from Baghdad on the left bank of the Tigris. The founding of new cities was an important way of displaying values of kingship. Al-Mu'tasim ordered the construction of a planned city including a network of canals, streets, monumental mosques, palaces, gardens and racecourses. He also allocated land to military and court officials, who built richly decorated palace complexes and greatly increased the size of the city. His son and successor, Caliph al-Mutawakkil (r. 847-861) ordered the construction of the famous spiral minaret at the great mosque. Construction halted at Samarra in about 880 AD and later was abandoned by the Caliph and his court in 892. At 57 km2, Samarra is today the largest Islamic archaeological site in the world. The construction of the many mosques and palaces at Samarra fostered an early flowering of architectural decoration. What mainly survives today are wall revetments in carved stucco and wall paintings on fine gypsum surfaces. Earlier Iranian (Sassanian) decorative styles influenced much of the carved stucco panels found at Samarra. The decoration was primarily based on vegetal forms but later developed into more abstract motifs. The wall paintings illustrate a wide range of subjects such as geometric patterns and courtly scenes with figurative representations of listening and playing music, banqueting and dancing. Depictions of animals, especially camels and birds also feature on fragments recovered from the site.

Malzemeler ve teknikler Plaster, painted (<i>secco</i>) Plaster Painted

Fiziksel açıklama Part of a freize, formed of two layers of fine plaster, the top layer is painted in black with traces of an ochre-colour, now much faded, possibly originally a red-coloured pigment executed in secco with the head of a partridge facing right and traces of a pearl border above. Touches of ochre-coloured pigment. The reverse with a reed mat impression with two cords affixed with an original iron nail.

Üslup Abbasid