Aramaya Dön

Multi-necked vase

İsim	Multi-necked vase
Yazar	Unknown
Basım Tarihi:	1590
Basım Yeri	Iran (made) -
Konu	Cranes (Birds) Figures (Representations)
Tür	Diğer
Dil	Belirlenmemiş dil
Dijital	Evet
Yazma	Hayır
Fiziksel Boyutlar	Height: 29cm, Diameter: 21.5cm, Width: 22.2cm
Kütüphane:	Victoria and Albert Museum
Demirbaş Numarası	1082-1883
Kayıt Numarası	1082-1883
Lokasyon	Middle East Section
Tarih	1590
Notlar	Multi-necked vases like this were designed to show off single, heavy-headed blooms such as tulips or hyacinths, while keeping their stems cool. Iranian potters first made this type of vase in the 12th century. During the Safavid period (1500-1722), cut flowers were a fashionable luxury, and the form was revived. The decoration on this vase includes four figures. Two hold sticks, one holds a bottle, and one is eating a slice of watermelon. The figures are surrounded by flowers, scrolling ribbons, and cranes.
Tarihsel bağlam	Persian blue and white ceramics were primarily produced during the rule of the Safavid Dynasty in Iran (early 16th Century to early 18th Century). Iranian potters were almost exclusively preoccupied with making wares in the styles of Chinese blue-and-white porcelain, some close copies and some more fanciful. Echoes of earlier traditions remained, in particular in the black-under- turquoise colour scheme that dates back in Iran to the end of the 12th Century. Towards the end of the 16th Century there was a widening of interest, that blossomed in the 17th Century to a wide range of styles and techniques in which blue and white played a dominant but not exclusive role.
Malzemeler ve teknikler	Fritware painted with cobalt and manganese oxide under the glaze Fritware Painted Glazed
Fiziksel açıklama	Vase with one large central neck surrounded by five smaller necks, all filed down. On the shoulder, bracketed panels filled with reserve-painted cranes amidst clouds separate five lesser necks. Four reserve-painted panels are spaced round the body, each with a standing robed figure. Two hold a stick, another a bottle, and the last one is eating a slice of watermelon. A pseudo-calligraphic band springs from both sides of each panel. Four sets of books with ribbons and a flower with scrolling motifs act as dividers. The base is emphasised by two bands of lotus panels and scrolls.
Üretim	Inspired by Chinese export porcelain.
Üslup	Safavid

Kaynağa git Victoria and Albert Museum Victoria and Albert Museum - Osmanlıca el yazması arama motoru

Victoria and Albert Museum

Multi-necked vase

Yazar Unknown

Basım Tarihi 1590

Basım Yeri Iran (made) -

Konu Cranes (Birds) Figures (Representations)

Tür Diğer

Dil Belirlenmemiş dil

Dijital Evet

Yazma Hayır

Fiziksel Boyutlar Height: 29cm, Diameter: 21.5cm, Width: 22.2cm

Kütüphane Victoria and Albert Museum

Demirbaş Numarası 1082-1883

Kayıt Numarası 1082-1883

Lokasyon Middle East Section

Tarih 1590

Notlar Multi-necked vases like this were designed to show off single, heavy-headed blooms such as tulips or hyacinths, while keeping their stems cool. Iranian potters first made this type of vase in the 12th century. During the Safavid period (1500-1722), cut flowers were a fashionable luxury, and the form was revived. The decoration on this vase includes four figures. Two hold sticks, one holds a bottle, and one is eating a slice of watermelon. The figures are surrounded by flowers, scrolling ribbons, and cranes.

Tarihsel bağlam Persian blue and white ceramics were primarily produced during the rule of the Safavid Dynasty in Iran (early 16th Century to early 18th Century). Iranian potters were almost exclusively preoccupied with making wares in the styles of Chinese blue-and-white porcelain, some close copies and some more fanciful. Echoes of earlier traditions remained, in particular in the black-under- turquoise colour scheme that dates back in Iran to the end of the 12th Century. Towards the end of the 16th Century there was a widening of interest, that blossomed in the 17th Century to a wide range of styles and techniques in which blue and white played a dominant but not exclusive role.

Malzemeler ve teknikler Fritware painted with cobalt and manganese oxide under the glaze Fritware Painted Glazed

Fiziksel açıklama Vase with one large central neck surrounded by five smaller necks, all filed down. On the shoulder, bracketed panels filled with reserve-painted cranes amidst clouds separate five lesser necks. Four reserve-painted panels are spaced round the body, each with a standing robed figure. Two hold a stick, another a bottle, and the last one is eating a slice of watermelon. A pseudo-calligraphic band springs from both sides of each panel. Four sets of books with ribbons and a flower with scrolling motifs act as dividers. The base is emphasised by two bands of lotus panels and scrolls.

Üretim Inspired by Chinese export porcelain.

Üslup Safavid