Aramaya Dön

Cup

İsim	Cup
Yazar	Unknown
Basım Yeri	Syria (made) -
Konu	Vine Scrolls
Tür	Diğer
Dil	Belirlenmemiş dil
Dijital	Evet
Yazma	Hayır
Fiziksel Boyutlar	Height: 6.5cm, Maximum width: 7.5cm
Kütüphane:	Victoria and Albert Museum
Demirbaş Numarası	C.24-1932
Kayıt Numarası	C.24-1932
Lokasyon	Middle East Section
Notlar	Lustre pigments were used on glass vessels before they were used on ceramics. Glassmakers in Egypt were using them in the period 700-800, when this piece was made. Here they have been applied as a brown and yellow vine-scroll design on both the inside and outside of the clear glass. This two-colour combination is also found on the earliest lustre-decorated ceramics. The technique of lustre decoration on ceramics was first developed in Iraq in the 9th century. The basic technique for both glass and ceramics was the same. A vessel (glazed if ceramic) was made in the normal way. When the piece had cooled, the design was painted on in metallic compounds. The piece was then fired again, this time with a restricted supply of oxygen. In these conditions, the metallic compounds broke down, and a thin deposit of copper or silver was left on the surface of the glaze. When polished, this surface layer reflected the light.
Tarihsel bağlam	The earliest technique of glass painting in the Islamic world involves the application of a monochrome brownish or yellowish metallic pigment, usually on pale-aquamarine coloured bowls, although other types of objects such as drinking horns and dishes are not uncommon. These 8th or 9th century creations generally feature sketchy figurative or vegetal patterns, and sometimes inscriptions in cursive or kufic calligraphy. By applying pigments to both sides of open-shaped vessels, glassmakers highlighted details or outlines and exploited the transparent glass wall in order to create shading effects. This type of glass decoration was probably developed by Coptic craftsmen who settled in Egypt but it is likely such glass was also made in Syria.
Malzemeler ve teknikler	Glass, with lustre-painted decoration Glass Lustre Blowing Firing Painting
Fiziksel açıklama	Cup of bluish glass with reddish-brownish lustre painted decoration of vine scroll departing from vase covering body of vessel. Very finely blown. Broken and repaired with parts missing. Slight kick, pontil mark. Oxidization to some decoration.
Üslup	Islamic

Kaynağa git Victoria and Albert Museum Victoria and Albert Museum - Osmanlıca el yazması arama motoru

Victoria and Albert Museum

Cup

Yazar Unknown

Basım Yeri Syria (made) -

Konu Vine Scrolls

Tür Diğer

Dil Belirlenmemiş dil

Dijital Evet

Yazma Hayır

Fiziksel Boyutlar Height: 6.5cm, Maximum width: 7.5cm

Kütüphane Victoria and Albert Museum

Demirbaş Numarası C.24-1932

Kayıt Numarası C.24-1932

Lokasyon Middle East Section

Notlar Lustre pigments were used on glass vessels before they were used on ceramics. Glassmakers in Egypt were using them in the period 700-800, when this piece was made. Here they have been applied as a brown and yellow vine-scroll design on both the inside and outside of the clear glass. This two-colour combination is also found on the earliest lustre-decorated ceramics. The technique of lustre decoration on ceramics was first developed in Iraq in the 9th century. The basic technique for both glass and ceramics was the same. A vessel (glazed if ceramic) was made in the normal way. When the piece had cooled, the design was painted on in metallic compounds. The piece was then fired again, this time with a restricted supply of oxygen. In these conditions, the metallic compounds broke down, and a thin deposit of copper or silver was left on the surface of the glaze. When polished, this surface layer reflected the light.

Tarihsel bağlam The earliest technique of glass painting in the Islamic world involves the application of a monochrome brownish or yellowish metallic pigment, usually on pale-aquamarine coloured bowls, although other types of objects such as drinking horns and dishes are not uncommon. These 8th or 9th century creations generally feature sketchy figurative or vegetal patterns, and sometimes inscriptions in cursive or kufic calligraphy. By applying pigments to both sides of open-shaped vessels, glassmakers highlighted details or outlines and exploited the transparent glass wall in order to create shading effects. This type of glass decoration was probably developed by Coptic craftsmen who settled in Egypt but it is likely such glass was also made in Syria.

Malzemeler ve teknikler Glass, with lustre-painted decoration Glass Lustre Blowing Firing Painting

Fiziksel açıklama Cup of bluish glass with reddish-brownish lustre painted decoration of vine scroll departing from vase covering body of vessel. Very finely blown. Broken and repaired with parts missing. Slight kick, pontil mark. Oxidization to some decoration.

Üslup Islamic