Aramaya Dön

Tile

İsim	Tile
Yazar	Unknown (made)
Basım Tarihi:	1500
Basım Yeri	Damascus (made) Syria (made) -
Konu	Arabesque
Tür	Diğer
Dil	Belirlenmemiş dil
Dijital	Evet
Yazma	Hayır
Fiziksel Boyutlar	Height: 8cm, Width: 20.7cm, Depth: 1.9cm
Kütüphane:	Victoria and Albert Museum
Demirbaş Numarası	440-1898
Kayıt Numarası	440-1898
Lokasyon	Middle East Section
Tarih	1500
Notlar	The colour palette of this tile reflects the influence of Chinese blue-and-white porcelain imported into the Middle East. However, the technique of outlining in black is not found in Chinese wares. It appears to have been a uniquely Islamic innovation developed to create crisp design, essential for their very detailed arabesque patterns. The black masks the fuzzy blue edges, as the blue flows uncontrollably during the firing process. The techinque continued in Iran during the Safavid period of ceramic production, before spreading to Europe, where it was used by the potters in Delft in the Netherlands. Arabesque patterns were developed through book illustrations and are also found on contemporary bookbinding, metalwork and other branches of the decorative arts..
Malzemeler ve teknikler	Fritware with underglaze painting Fritware Underglazing
Fiziksel açıklama	Tile, fritware, rectangular (originally square), painted with black outlines and filled in with coblat blue. The design of arabesques and palmettes interspersed with flowerheads, the border is left in reserve.
Üslup	Ottoman

Kaynağa git Victoria and Albert Museum Victoria and Albert Museum - Osmanlıca el yazması arama motoru

Victoria and Albert Museum

Tile

Yazar Unknown (made)

Basım Tarihi 1500

Basım Yeri Damascus (made) Syria (made) -

Konu Arabesque

Tür Diğer

Dil Belirlenmemiş dil

Dijital Evet

Yazma Hayır

Fiziksel Boyutlar Height: 8cm, Width: 20.7cm, Depth: 1.9cm

Kütüphane Victoria and Albert Museum

Demirbaş Numarası 440-1898

Kayıt Numarası 440-1898

Lokasyon Middle East Section

Tarih 1500

Notlar The colour palette of this tile reflects the influence of Chinese blue-and-white porcelain imported into the Middle East. However, the technique of outlining in black is not found in Chinese wares. It appears to have been a uniquely Islamic innovation developed to create crisp design, essential for their very detailed arabesque patterns. The black masks the fuzzy blue edges, as the blue flows uncontrollably during the firing process. The techinque continued in Iran during the Safavid period of ceramic production, before spreading to Europe, where it was used by the potters in Delft in the Netherlands. Arabesque patterns were developed through book illustrations and are also found on contemporary bookbinding, metalwork and other branches of the decorative arts..

Malzemeler ve teknikler Fritware with underglaze painting Fritware Underglazing

Fiziksel açıklama Tile, fritware, rectangular (originally square), painted with black outlines and filled in with coblat blue. The design of arabesques and palmettes interspersed with flowerheads, the border is left in reserve.

Üslup Ottoman