Yazar
Unknown
Basım Tarihi
1450
Basım Yeri
Egypt (made) Syria (made) -
Konu
Arabesques Foliage Knots Quatrefoils
Tür
Diğer
Dil
Belirlenmemiş dil
Dijital
Evet
Yazma
Hayır
Fiziksel Boyutlar
Height: 15.9cm, Diameter: 46.7cm
Kütüphane
Victoria and Albert Museum
Demirbaş Numarası
741-1898
Kayıt Numarası
741-1898
Lokasyon
Middle East Section
Tarih
1450
Notlar
The shape of this vessel is typical of the Mamluk period, the era from 1250 to 1517 when the Muslim Mamluk dynasty ruled Egypt and Syria. Such vessels were used primarily to contain water. However, this example is decorated in a style known as âVeneto-Saracenicâ. This type of metalwork has been the subject of ongoing scholarly debate as to whether it was produced in Venice or in Mamluk Syria and Egypt, and by Muslim or Venetian metalworkers. Venice during this period traded, and fought, extensively with the Turkish and Arab empires that bordered the Mediterranean basin. Venetian merchants brought to the city Near Eastern craftsmen and goods, which had an immediate influence on the indigenous population and eventually on the rest of Europe. But according to some recent research, there is no concrete evidence to state that such metalwork can be attributed to Muslim craftsmen working in 15th-century Venice, especially since the Venetian guild system would not have tolerated foreign craftsmen. It has also been suggested that two groups can be distinguished within the decorative repertoire of Veneto-Saracenic ware: one that can be attributed to Damascus and the other to Cairo. The linear use of inlay, the background decoration of scrolling stems, and the areas highlighted in silver on this basin all suggest that it belongs to the group made in Cairo in the 15th century.
Tarihsel bağlam
Veneto-Saracenic metalwork has been the subject of ongoing scholarly debate over whether these objects were produced in Venice or in Mamluk Syria and Egypt by either Muslim or Venetian craftsmen. According to recent research by Hans Huth, the theory that much of this metalwork may be attributed to Muslim craftsmen working in 15th century Venice lacks any concrete evidence, moreover the Venetian guild system would not have tolerated the presence of foreign craftsmen on Venetian soil. James Allan has suggested that two groups based on decorative repertoire may be identified reattributing this ware to the Near East, specifically to Damascus and Cairo. Based on its linear use of inlay, background decoration of scrolling stems and areas highlighted in silver, this vessel would belong to the group made in 15th century Cairo. Comparisons with Cairene Quran decoration of the 15th century suggest this.
Malzemeler ve teknikler
Brass, hammered and chased, overlaid with silver Brass Silver Chasing Hammering
Fiziksel açıklama
Circular brass basin with sloping sides and damascened in silver; the outer surface is engraved with elaborate arabesques foliage and is divided by silver lines into bands and compartments interspersed with knots and foliage. The design on the bottom of the basin has six lobed compartments radiating from a cluster of stems and spreading outwards in six repeating divisions; the whole is enclosed in a border of knotted quatrefoils. The decoration on the side of the basin is arranged in a broad band of six divisions above which a narrow band encircles the lip, the edge of the latter being also engraved with foliage. The interior of the bowl is enriched with a circular medallion of foliage springing from a star-shaped centre.
Üretim
Wares like this are often attributed to Italy, but both the shape and decoration are typical of Egypt and Syria in the late 15th century.
Üslup
Veneto-Saracenic
