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Plate

İsim	Plate
Yazar	Unknown
Basım Tarihi:	1675
Basım Yeri	Isfahan (made) -
Konu	Partridges
Tür	Diğer
Dil	Belirlenmemiş dil
Dijital	Evet
Yazma	Hayır
Fiziksel Boyutlar	Height: 4.5cm, Diameter: 22.6cm
Kütüphane:	Victoria and Albert Museum
Demirbaş Numarası	2749-1876
Kayıt Numarası	2749-1876
Lokasyon	Middle East Section
Tarih	1675
Notlar	This plate was ultimately inspired by Chinese blue-and-white porcelain but the decoration is typically Iranian. The quail is not represented as a three-dimensional form. Instead it provides an outline which has been filled with a floral pattern in white on blue. Chinese blue-and-white porcelain had been popular in Iran since the 14th century, and potters there began making imitations soon after. Production rose sharply in the 17th century, perhaps because the Chinese wares were temporarily unavailable.
Malzemeler ve teknikler	Fritware, underglaze painted in blue, black and brown Painting Glazing
Fiziksel açıklama	Blue and white plate with a brown rim. The central well of the plate includes the whole decoration. A bird (partridge) stands erect in the middle of the dish; its vast body has been reserve-painted laterally with a central lotus surrounded by small veined leaves. The tail feathers consist of two rows of small panels. The clawed feet are ridiculously small in relation to the body. Four main groups of composite scrolls protrude from the shoulders and the lower part of the body of the bird. Four fans with finials decorate the outside between two painted circles. There is one unglazed mark inside the base ring. The dish is heavy and has no mark. This bird and its pointed beak resembles the partridges painted on bottles from the mid 17th century, such as 448-1874; 1127-1876; 1128-1876; 2495-1876; C.1959-1910.
Üretim	Dated by Yolande Crowe to the period from the coronation of Shah Sultan-Husayn (in 1694) to the fall of Qandahar (in 1738).
Üslup	Safavid

Kaynağa git Victoria and Albert Museum Victoria and Albert Museum - Osmanlıca el yazması arama motoru

Victoria and Albert Museum

Plate

Yazar Unknown

Basım Tarihi 1675

Basım Yeri Isfahan (made) -

Konu Partridges

Tür Diğer

Dil Belirlenmemiş dil

Dijital Evet

Yazma Hayır

Fiziksel Boyutlar Height: 4.5cm, Diameter: 22.6cm

Kütüphane Victoria and Albert Museum

Demirbaş Numarası 2749-1876

Kayıt Numarası 2749-1876

Lokasyon Middle East Section

Tarih 1675

Notlar This plate was ultimately inspired by Chinese blue-and-white porcelain but the decoration is typically Iranian. The quail is not represented as a three-dimensional form. Instead it provides an outline which has been filled with a floral pattern in white on blue. Chinese blue-and-white porcelain had been popular in Iran since the 14th century, and potters there began making imitations soon after. Production rose sharply in the 17th century, perhaps because the Chinese wares were temporarily unavailable.

Malzemeler ve teknikler Fritware, underglaze painted in blue, black and brown Painting Glazing

Fiziksel açıklama Blue and white plate with a brown rim. The central well of the plate includes the whole decoration. A bird (partridge) stands erect in the middle of the dish; its vast body has been reserve-painted laterally with a central lotus surrounded by small veined leaves. The tail feathers consist of two rows of small panels. The clawed feet are ridiculously small in relation to the body. Four main groups of composite scrolls protrude from the shoulders and the lower part of the body of the bird. Four fans with finials decorate the outside between two painted circles. There is one unglazed mark inside the base ring. The dish is heavy and has no mark. This bird and its pointed beak resembles the partridges painted on bottles from the mid 17th century, such as 448-1874; 1127-1876; 1128-1876; 2495-1876; C.1959-1910.

Üretim Dated by Yolande Crowe to the period from the coronation of Shah Sultan-Husayn (in 1694) to the fall of Qandahar (in 1738).

Üslup Safavid